Boss GT-1 Guitar Effects Processor with Bag – New Boss Reverb Processor EQ Analogue Guitar Effect Pedal
£215.00
A laboratory of sound at your fingertips. The Boss GT-1 Guitar Effects Processor has a plethora of sounds for you to play around with. From a classic 1950s reverb tone to the thrashy soundscapes of metal – leave no genre untouched. The streamlined interface allows you to make any changes at any point during a…
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The Boss GT-1 Guitar Effects Processor with Bag is in New condition and made by Boss , it is a great Reverb Processor EQ Analogue Guitar Effect Pedal- A laboratory of sound at your fingertips. The Boss GT-1 Guitar Effects Processor has a plethora of sounds for you to play around with. From a classic 1950s reverb tone to the thrashy soundscapes of metal – leave no genre untouched. The streamlined interface allows you to make any changes at any point during a gig – quick and easy. Its the versatility of the GT-1 that makes it so special. With over 80 sounds to choose from – youre spoilt for choice.A piece of equipment this good needs to be stored in a safe place. The Roland CB-GT1 Carry Bag For the BOSS GT-1 allows you to take this on the road. The thick foam padding provides your GT-1 with ultimate protection – a bag you can trust. The nylon strap ensures you wont experience any aches and pains when travelling from venue to venue. . Available from Just Pedals for only £ 215 Boss GT-1 Guitar Effects Processor Driven by the ST-Series Engine Dont be fooled by the size. The Boss GT-1 is packed with high quality guitar effects including vintage legends and Boss original amps. Play with some of the most recognisable guitar sounds in history. Whether its the dark echo tones of Joy Division or the grungy sound of Nirvana youll be able to create a stunning atmosphere – mesmermise your audience and redefine your live performances. The pedal produces studio standard sounds with plenty of adjustable settings perfect for creative musicians wanting complete control over their sound. Switch from an 80s chorus tone to a crunching overdrive in the blink of an eye. Why not explore the built in looper? Here you can overdub effects ideal for those who write their own music. Combined with the rich acoustic simulator youll be able to create a captivating wall of sound. Perfect for gigs Its easy to get lost in the moment on stage and become unaware of your surroundings. The compact size of the Boss GT-1 means you can truly let loose during live performances without worrying about any equipment getting in the way. Combined with the classic Boss durability means this is the perfect multi-effects pedal to take to the stage. Boss Tone Central Become your own producer in the comfort of your own home. Boss Tone Central is a free software you can use to edit record and explore new sounds where you can find a library of boss tone. Simply connect to your laptop via the USB connector and youre away. Youll have hours of fun searching for that magical effect. Roland CB-GT1 Carry Bag For the BOSS GT-1 Protect your pedal Guitar in one hand pedals in the other. Carrying gear in and out of a venue can be hard work at times not to mention all the amps and stands. The Roland CB-ME80 Carry Bag alleviates this problem. Thanks to some Roland ingenuity you can securely place your ME-80 pedal and wear comfortably on your shoulder. So youll have one less piece of equipment to carry. Not to mention the front zip compartment – so you can keep any additional leads and patch cables. Gig life made easier.Included in this pack Boss GT-1 Guitar Effects Processor Roland CB-GT1 Carry Bag For the BOSS GT-1 Boss GT-1 Guitar Effects Processor Specifications Brand: Boss Digital/Analogue: Digital Power Source: PSU and Battery Stereo/Digital Stereo Voltage: 9V Dimensions: 31 x 15 x 6 cm Roland CB-GT1 Carry Bag For the BOSS GT-1 Specifications Interior Material: Polyester Exterior Material: Ripstop Nylon Shoulder Strap Material: Nylon Features: Front Zipper Pocket and Reinforced Handle
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Boss is a prominent manufacturer of guitar effects pedals, multi-effects units, and related musical equipment, known for their durability, reliability, and wide range of effects. Founded in 1973 as a division of the Roland Corporation, Boss quickly became synonymous with high-quality effects pedals that are popular among guitarists and musicians worldwide.
Boss pedals are renowned for their rugged construction, intuitive controls, and signature sound quality. The company offers a comprehensive lineup of effects pedals covering various categories, including distortion, overdrive, delay, modulation, and more. Iconic pedals like the DS-1 Distortion, the DS-2 Turbo Distortion, the DD-3 Digital Delay, and the MT-2 Metal Zone have become staples on countless pedalboards due to their versatility and reliability.
In addition to individual pedals, Boss also produces multi-effects units, loopers, tuners, and accessories designed to meet the needs of modern guitarists and musicians. Their multi-effects units, such as the GT-1000 series, offer a wide range of effects and amp modeling capabilities in a single unit, providing players with a compact and convenient solution for achieving a variety of tones.
With a legacy of innovation and a commitment to quality, Boss continues to be a trusted name in the world of guitar effects, inspiring musicians to explore new sonic possibilities and express themselves creatively.
Analogue
An analogue guitar effect pedal is a device used by guitarists to modify the sound of an electric guitar through the use of analogue circuitry.
Unlike digital pedals, which rely on digital signal processing, analogue pedals use components such as transistors, capacitors, and resistors to manipulate the guitar signal in real-time.
This approach often results in a warmer, more natural sound that many musicians find desirable for its organic qualities.
EQ
While Ed Sheeran primarily relies on the natural sound of his acoustic guitar and vocals, he occasionally uses EQ (Equalization) to shape and enhance his tone during live performances or in the studio. EQ pedals or onboard preamps can allow him to adjust the frequency response of his guitar signal to suit the acoustics of different venues or to achieve specific tonal characteristics. Here’s how EQ might be utilized in Ed Sheeran’s setup:
1. **Tonal Shaping**: EQ can be used to adjust the balance of frequencies in the guitar signal, allowing Ed Sheeran to shape his tone to his liking. For example, he might boost the midrange frequencies to bring out the warmth and presence of his acoustic guitar, or cut certain frequencies to reduce any harshness or mud in the sound.
2. **Feedback Control**: In a live setting, EQ can help control feedback by notching out problematic frequencies that might cause the guitar signal to feed back through the amplification system. This can be particularly useful when performing in venues with challenging acoustics or high volume levels.
3. **Room Correction**: In situations where the venue’s acoustics are less than ideal, EQ can be used to compensate for any deficiencies in the sound. By adjusting the EQ settings, Ed Sheeran can tailor the guitar tone to sound more balanced and natural, regardless of the room’s acoustic properties.
4. **Matching Gear**: EQ can also be used to match the tone of Ed Sheeran’s guitar to the sound of other instruments or equipment in his setup. For example, he might adjust the EQ to complement the tonal characteristics of his vocal microphone or to blend seamlessly with backing tracks or other instruments.
Overall, while EQ may not be a central component of Ed Sheeran’s guitar effects setup, it can still play a valuable role in shaping his tone and ensuring that he achieves the desired sound in different performance environments. Whether used subtly for tonal shaping or more aggressively for feedback control, EQ allows Ed Sheeran to tailor his guitar tone to suit his musical vision and performance needs.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
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Processor
A processor, in the context of guitar effects and audio equipment, refers to a device or unit that processes and modifies audio signals in various ways. Guitar processors, also known as multi-effects processors, are versatile devices that combine multiple effects and signal processing capabilities into a single unit. They offer guitarists a wide range of built-in effects, amp simulations, and signal processing tools, allowing for easy access to a diverse palette of tones and textures.
Here are some key features and functions of guitar processors:
1. **Built-in Effects**: Guitar processors typically include a wide variety of effects such as distortion, modulation, delay, reverb, chorus, and more. These effects can be individually selected, customized, and combined to create unique sounds and tones.
2. **Amp Modeling**: Many guitar processors feature built-in amp and cabinet simulations, allowing guitarists to emulate the sound of various amplifier models and speaker configurations. This versatility enables players to achieve different amp tones and styles without the need for additional gear.
3. **Presets and Programmability**: Guitar processors often come with preset patches and programmable settings, allowing users to save and recall their favorite sounds easily. This feature is particularly useful for live performances, where players can switch between different tones and effects with the press of a footswitch.
4. **Flexibility and Customization**: Guitar processors offer extensive control over parameters such as gain, tone, modulation rate, and delay time, allowing users to tailor their sound to suit their preferences. Some processors also support deep editing and customization via computer software or mobile apps.
5. **Expression Pedal Compatibility**: Many guitar processors are compatible with expression pedals, allowing users to control parameters such as volume, wah, pitch bend, or modulation depth in real-time using their foot. This adds a dynamic and expressive element to performance.
6. **USB Connectivity and Recording**: Some guitar processors feature USB connectivity, allowing users to connect the unit to a computer for recording, editing, and firmware updates. This makes it easy to integrate the processor into a home recording setup or use it as a digital audio interface.
7. **Integration with Amps and Pedalboards**: Guitar processors can be used standalone or integrated into existing amplifier setups and pedalboards. They offer various connectivity options such as input and output jacks, effects loops, and MIDI compatibility, making them versatile tools for shaping guitar tones in any setup.
Overall, guitar processors provide guitarists with a comprehensive solution for achieving a wide range of tones and effects in a single unit. Whether used for practice, recording, or live performance, guitar processors offer flexibility, convenience, and creative potential for players of all levels and styles.
Reverb
Reverb, short for reverberation, is a fundamental audio effect that simulates the sound reflections and decay that occur in physical spaces, such as rooms, halls, or chambers. It adds depth, dimension, and ambiance to audio signals, creating a sense of space and realism. In the context of guitar effects, a reverb pedal is a device that generates and applies reverb effects to the guitar signal. Here’s how reverb pedals work and some common features:
1. **Reverb Types**: Reverb pedals typically offer different types of reverb effects, including spring reverb, plate reverb, hall reverb, room reverb, and ambient or modulated reverb. Each type emulates the characteristics of different physical spaces and has its own unique sound and character.
2. **Controls**: Reverb pedals feature various controls for adjusting parameters such as decay time, pre-delay, damping, tone, and mix. Decay time controls the length of the reverb tail or decay, while pre-delay adjusts the time between the original signal and the onset of the reverb. Damping controls the high-frequency content of the reverb, simulating absorption in the virtual space. Tone controls the overall tonal character of the reverb, and mix adjusts the balance between the dry (original) and wet (affected) signals.
3. **Modulation**: Some reverb pedals include modulation effects such as chorus or tremolo that modulate the reverb tail, adding movement and depth to the sound. Modulation can create lush, swirling textures and enhance the overall ambiance of the reverb effect.
4. **Trail Function**: Many reverb pedals offer a trail function, which allows the reverb tail to continue decaying naturally when the effect is bypassed. This prevents abrupt cutoffs and ensures smooth transitions between affected and unaffected signal states.
5. **Spring Tank vs. Digital Reverb**: Reverb pedals can use either spring tanks or digital processing to generate reverb effects. Spring reverb pedals emulate the sound of vintage spring reverb units found in amplifiers, while digital reverb pedals use algorithms to simulate a wide range of reverb types and settings.
6. **Size and Form Factor**: Reverb pedals come in various sizes and form factors, from compact mini pedals to larger, feature-rich units. Choose a pedal size and form factor that fits your pedalboard layout and offers the desired features and controls for your needs.
Reverb pedals are widely used in various music genres, including rock, blues, jazz, ambient, and experimental music. They can add depth, warmth, and atmosphere to guitar tones, enhance the spatial imaging of recordings, and create immersive soundscapes for performances. Whether used subtly to add a touch of room ambiance or dialed in for dramatic, expansive effects, reverb pedals are essential tools for shaping guitar tones and creating captivating sounds.
Flagship-class BOSS sound engine squeezed into a light and compact floor unit. Ultra-portable and easy to use, the GT-1 delivers pro-level tones everywhere you play. Driven by the powerful BOSS GT-series engine, it gives you access to a huge selection of world-class amps and effects for all types of music. A streamlined interface enables quick and intuitive sound creation, while an assignable control switch and expression pedal provide dynamic real-time effects adjustment. Modern design with no hard edges enables safe transport in a guitar bag. Easy Select and Easy Edit functions for quickly choosing and tweaking patches. Four AA batteries provide up to seven hours of playing time for busking and mobile gigs. Onboard control switch and expression pedal; footswitch/expression pedal jack and USB. Download ready-to-play pro patches for free at BOSS Tone Central. AC adaptor not included, optional BOSS PSA adaptor recommended.
Fusing advanced BOSS tone technologies into a sleek, ultra-modern hardware design, the inspiring GX-100 delivers top-level performance everywhere you play. Powerful, easy-to-use amp/effects processor for guitar and bass. 24-bit AD/DA, 32-bit floating-point processing, and 48 kHz sampling rate. Authentic tube amplifier tone and touch response with AIRD technology. 23 amplifier types and over 150 BOSS effects.
Flagship-class BOSS sound engine squeezed into a light and compact floor unit. Ultra-portable and easy to use, the GT-1 delivers pro-level tones everywhere you play. Driven by the powerful BOSS GT-series engine, it gives you access to a huge selection of world-class amps and effects for all types of music. Straight 1/4-inch connectors, 10 ft./3 m length. Also available in 5 ft./1.5 m (BIC-5), 15 ft./4.5 m (BIC-15), and 20 ft./6 m (BIC-20) lengths. Engineered to preserve your tone, BOSS cables deliver superior performance for guitar, bass, and other musical applications. Studio-grade, oxygen-free copper core wire transfers every detail, while custom-designed connectors with 24K gold-plated contacts ensure the most precise sound reproduction available.
Since its release in 1981, the workhorse SD-1 Super Overdrive has been the core gain pedal for generations of players across every musical genre. Based around the revolutionary asymmetrical clipping circuit from the OD-1 Overdrive—one of the three original BOSS compact pedals from 1977. The SD-1 delivers rich, smooth, and highly musical overdrive tones that continue to inspire guitarists everywhere. Genre-defining BOSS overdrive sound. Unique asymmetrical clipping circuit produces tube-like overdrive characteristics. Mild-to-moderate drive tones with focused midrange and tight low end. Ideal for use with clean and slightly driven amps. Also works great for bringing tightness and definition to high-gain amp tones. Stacks well with boost, overdrive, and distortion pedals. AC adaptor not included, optional BOSS PSA adaptor recommended.
Boss is a prominent manufacturer of guitar effects pedals, multi-effects units, and related musical equipment, known for their durability, reliability, and wide range of effects. Founded in 1973 as a division of the Roland Corporation, Boss quickly became synonymous with high-quality effects pedals that are popular among guitarists and musicians worldwide.
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