Spectacularly versatile overdrive. The Electro Harmonix Operation Overlord Overdrive is suited to multiple instruments. Delivering rich stereo overdrive and distortion with an incredibly wide range of sonic characteristics the Operation Overlord features an intuitive set of controls that make it easy to dial in that perfect tone. Operation Overlords Normal mode uses three JFET gain…
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The Electro Harmonix Operation Overlord Allied Overdrive is in New condition and made by Electro Harmonix , it is a great Stereo Overdrive Distortion Boost Bass Guitar Effect Pedal- Spectacularly versatile overdrive. The Electro Harmonix Operation Overlord Overdrive is suited to multiple instruments. Delivering rich stereo overdrive and distortion with an incredibly wide range of sonic characteristics the Operation Overlord features an intuitive set of controls that make it easy to dial in that perfect tone. Operation Overlords Normal mode uses three JFET gain stages to produce a tube amp-style response and tone whilst the Boost mode adds that classic pedal-style overdrive circuit before the JFET stages for even dirtier sound capabilities. The pedals interface consists of a three position switch that lets you select the correct input level for your instrument along with active Treble Mid and Bass controls plus a Dry Blend control for exceptional tone sculpting. Being fully stereo capable the Operation Overlord is a perfect addition to any musicians arsenal regardless of instrument. . Available from Just Pedals for only £ 141.3 Normal vs Boost The Operation Overlord enables you to use the pedal in two modes: Normal or Boost. The Normal mode uses three JFET gain stages to achieve a tube amp-style overdrive for low to medium gain sounds. When in Normal mode you can use the Gain control to determine the precise amount of overdrive you desire. The Boost mode engages a classic pedal-style overdrive circuit before the JFET stages for increasing the overall distortion and dirt. The Boost mode can be engaged via the Boost footswitch and is active when the blue LED is lit. In Boost mode both the Gain and Boost knobs are active and the Boost knob controls how much additional gain is fed into the main JFET circuit. The Boost circuit can also be configured to operate on its own without the JFET gain stages by locating the slide switch inside the pedal and sliding it to the option labeled “BOOST INDEPENDENT.” This disables the Gain and Boost control knobs and allows the other controls to function normally when only the blue LED is lit and the red LED is not. Engaging the normal mode (noticeable by the red LED being lit) the pedal will function as normal. Controls Gain: Controls the amount of overdrive/distortion. Turning clockwise increases the amount of input gain. Boost: This controls the amount of extra gain fed into the main circuit when the Boost and Normal modes are engaged (both LEDs lit). Turning clockwise increases the amount of distortion. Dry: Mixes a clean unaltered signal with the distortion produced by the pedal. At minimum the output will be completely overdriven with no dry signal. At the maximum position the signal will be completely dry with non of the Operation Overlords overdriven/distorted signal. This is ideal for maintaining the harmonic integrity of your playing which is perfect for keyboard or bass guitars. Its also great for stacking the Operation Overlord with other drive pedals or if you are playing through an overdriven amp. Input Lvl: Controls the overall input level of your instrument into the Operation Overlord. Use to see an appropriate gain level for a variety of different instruments. Setting the switch to HI is recommended for low level instruments such as guitars with single-coil pickups or vintage electric pianos. Setting the switch to NORM is recommended for guitars equipped with humbuckers and most modern keyboard workstations. Use the LO setting for high output instruments such as some synthesizers and boosted guitars. Bass: Active control for the bass frequency range. Mid: Active control for the middle frequency range. Treble: Active control for the treble frequency range. Vol: Controls the overall volume output of the Operation Overlord. Turning clockwise increases the overall output level. Bypass Footswitch & Red LED: Toggles whether the Operation Overlord is engaged or in buffered bypass mode. When the pedal is engaged the red LED will be lit. Boost Footswitch & Blue LED: Toggles Boost mode on and off. When Boost mode is engaged the blue LED will be lit. L / R Input Jacks: 1/4 jacks for providing either mono or stereo input. Using the L input will transfer the signal in mono. L / R Output Jacks: 1/4 jacks for providing either mono or stereo output. Using the L output will transfer the signal in mono. 9V Power Jack: For connecting the EXH9.6DC 200mA AC adapter into the top of the pedal. The Operation Overlord requires a minimum of 90mA with a center negative plug. Features Silent foot-switchable Normal and Boost modes to provide distortion/overdrive tones ranging from mild to heavily saturated The Normal mode uses three JFET gain stages to deliver tube amp-style response and sonic characteristics The Boost mode adds a classic pedal-type overdrive circuit before the JFET gain stages to deliver even more dirt Three-position switch allows you to select the correct input level for your instrument Ideal for Guitar Bass Keyboards and almost every other electronic instrument Active EQ with Treble Mid and Bass controls Dry blend allows you to add your dry signal to your wet signal for even more tonal versatility Comes complete with a standard EHX 9.6DC200mA power supply Buffered bypass Specifications Input Impedance: 1 M Ohm Output Impedance: 220 Ohm Power Required: 9V 90mA minimum Input Connections: 2 x 1/4 Left & Right Output Connections: 2 x 1/4 Left & Right Dimensions: 2.75 (W) x 4.5 (L) x 2.1 (H) / 70mm (W) x 115mm (L) x 54mm (H) Power Adapter Included: EHX 9.6DC200mA Power Supply
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Electro-Harmonix (EHX) is a legendary manufacturer of guitar pedals and audio electronics, renowned for their distinctive sound and pioneering designs. Established in 1968 by Mike Matthews, EHX has played a significant role in shaping the landscape of effects pedals. The company’s pedals are celebrated for their innovative circuits and unique tones, earning them a dedicated following among musicians across genres. From classics like the Big Muff Pi fuzz to modern favorites like the POG octave generator, Electro-Harmonix pedals are known for their versatility and sonic character.
EHX’s product lineup spans a wide range of effects categories, including distortion, modulation, delay, and reverb, among others. Their pedals often feature intuitive controls and rugged construction, making them suitable for both stage and studio use. In addition to their iconic standalone pedals, Electro-Harmonix has also produced notable units such as the Memory Man delay/echo and the Holy Grail reverb, which have become staples in many guitarist’s rigs. With a legacy of innovation and a commitment to quality, Electro-Harmonix continues to be a leading force in the world of guitar effects, inspiring musicians to explore new sonic possibilities.
Bass
In the realm of guitar effects, “bass” pedals are designed specifically for bass guitars, enhancing their low-end frequencies and allowing bassists to shape their tone and explore new sonic possibilities. These pedals cater to the unique characteristics of the bass guitar and provide various effects to modify its sound. For instance, overdrive and distortion pedals add gain and saturation, giving the bass a gritty or distorted tone. Compression pedals help even out dynamics by smoothing out the volume of loud and soft notes, resulting in a consistent and punchy sound. EQ pedals enable bassists to sculpt their tone by boosting or cutting specific frequencies, allowing them to emphasize certain parts of the sound or compensate for room acoustics.
Other popular bass effects include envelope filters, which produce dynamic filter sweeps in response to playing dynamics, adding rhythmic groove to bass lines. Octave pedals generate harmonies one or two octaves below the original note, creating a fuller and more powerful sound. Modulation effects like chorus, flanger, and phaser add depth and movement by modulating the pitch or phase, creating swirling textures and enhancing the overall presence of the bass line. Lastly, delay and reverb pedals introduce ambience and spatial depth, adding echoes and reflections that enhance the sense of space in music. These diverse effects allow bassists to expand their sonic palette and express their creativity in numerous ways.
Boost
A “boost” pedal, also known as a “clean boost,” is a type of guitar effects pedal designed to increase the volume of the guitar signal without adding significant distortion or coloration to the tone. Boost pedals are used to amplify the signal level, allowing guitarists to achieve higher volume levels or to push their amplifier into overdrive for increased saturation and sustain.
Boost pedals typically feature a simple interface with controls for adjusting the level of boost, often represented by a single knob or a toggle switch. When engaged, the boost pedal increases the gain of the signal passing through it, effectively amplifying the sound. Unlike overdrive or distortion pedals, which introduce clipping and saturation to the signal, boost pedals aim to provide a clean and transparent volume increase.
Boost pedals are versatile tools that can serve various purposes in a guitarist’s rig:
1. **Volume Boost**: Boost pedals can be used to increase the volume of the guitar signal, allowing players to stand out during solos or to compensate for differences in volume between guitars or pickup settings.
2. **Overdrive Stacking**: Boost pedals are commonly used to push the front end of an overdrive or distortion pedal, resulting in increased saturation and sustain. By placing the boost pedal before a drive pedal in the signal chain, guitarists can achieve higher levels of gain and distortion without sacrificing clarity or dynamics.
3. **Amp Pushing**: Boost pedals can also be used to drive the input stage of a tube amplifier harder, causing the amp to naturally overdrive and produce a more saturated and harmonically rich tone. This is particularly useful for guitarists seeking to achieve classic tube amp breakup at lower volume levels.
4. **Tone Shaping**: Some boost pedals feature EQ controls or tone shaping options, allowing guitarists to tailor the frequency response of their signal. These pedals can be used to boost specific frequencies or to shape the overall tonal characteristics of the guitar sound.
Overall, boost pedals are essential tools for guitarists looking to enhance their tone, increase volume levels, or drive their amplifier into overdrive for added saturation and sustain. Whether used as a standalone effect or in combination with other pedals, boost pedals offer versatility and flexibility in shaping the guitar sound.
Distortion
A distortion pedal is a type of guitar effects pedal used to add gain, saturation, and harmonic distortion to the guitar signal, resulting in a more aggressive and gritty tone. Distortion pedals are widely used across various music genres, particularly in rock, metal, punk, and alternative styles, to achieve heavier and more intense guitar tones.
Here are the key features and functions of a distortion pedal:
1. **Gain (or Drive)**: The gain control adjusts the amount of distortion applied to the guitar signal. Increasing the gain setting increases the level of saturation and overdrive, resulting in a more distorted and aggressive tone. Lower gain settings produce a cleaner sound with less distortion.
2. **Tone**: The tone control adjusts the frequency response of the distorted signal, allowing you to tailor the tonal characteristics of the distortion effect. Depending on the pedal, the tone control may boost or cut specific frequency ranges, such as bass, midrange, or treble, to shape the overall sound.
3. **Level (or Output)**: The level control adjusts the overall output volume of the distorted signal. This allows you to match the level of the distorted signal with the rest of your effects chain or amplifier, ensuring consistent volume levels when engaging the pedal.
4. **Mode (or Voice)**: Some distortion pedals feature multiple modes or voicings that offer different types of distortion or gain characteristics. These modes may include options such as “Vintage,” “Modern,” or “High Gain,” each providing a distinct tonal flavor and level of saturation.
Distortion pedals offer several benefits and creative uses for guitarists:
– **Increased Gain and Sustain**: By adding gain and saturation to the guitar signal, distortion pedals increase the overall volume and sustain of the instrument, allowing notes and chords to ring out longer and with more intensity.
– **Tonal Shaping**: Distortion pedals often include tone controls that allow you to shape the frequency response of the distorted signal. This allows you to dial in the desired amount of bass, midrange, and treble to suit your playing style and musical preferences.
– **Emphasis of Harmonics**: Distortion pedals emphasize the harmonics and overtones present in the guitar signal, resulting in a richer, more complex tone with added depth and character. This can make lead lines and solos stand out and cut through the mix more effectively.
– **Versatility and Flexibility**: Distortion pedals come in a wide range of styles and voicings, from mild overdrive to high-gain distortion. This versatility allows you to choose a pedal that best suits your playing style, musical genre, and tonal preferences.
Overall, distortion pedals are essential tools for guitarists seeking to achieve heavier, more aggressive, and saturated tones. Whether used subtly to add warmth and edge to clean tones or used more aggressively to create crushing distortion, distortion pedals can enhance your guitar tone and bring new dimensions to your playing.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
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Overdrive
Overdrive is a popular guitar effect that creates a warm, distorted sound by amplifying the signal of an electric guitar, typically using a pedal or an amp’s built-in circuit. The effect simulates the natural distortion that occurs when a tube amplifier is pushed to its limit, creating a rich, harmonic response that adds sustain, warmth, and character to the tone. Overdrive pedals are commonly used to add grit and growl to a clean tone without the harshness of full distortion.
The overdrive effect works by boosting the input signal, causing the amplifier to break up and clip the waveform, resulting in a smooth, musical distortion. This is often more subtle and less aggressive than other forms of distortion, making overdrive pedals ideal for blues, classic rock, and country players who seek a dynamic sound that responds to their playing touch. Overdrive pedals can be used in conjunction with other effects like delay and reverb to shape a more complex, evolving sound. Popular overdrive pedals include the Ibanez Tube Screamer, the Fulltone OCD, and the Boss OD-3, each offering different tonal characteristics, from smooth and bluesy to punchy and aggressive.
Stereo
Stereo effect pedals are guitar effects pedals that process the guitar signal in stereo, providing a wider and more immersive sound experience compared to mono effects pedals. These pedals split the guitar signal into two independent channels—left and right—and apply effects separately to each channel. Stereo effects pedals can create spatial effects, enhance the stereo image, and add depth and dimension to the guitar tone. Here are some common types of stereo effect pedals:
1. **Stereo Reverb**: Stereo reverb pedals generate reverberation effects in stereo, simulating the acoustic reflections and ambience of various spaces. Stereo reverb pedals can create lush, expansive reverb tails that spread across the stereo field, adding depth and dimension to the guitar tone.
2. **Stereo Delay**: Stereo delay pedals produce delay effects in stereo, with separate delay lines for the left and right channels. Stereo delay pedals can create intricate rhythmic patterns, ping-pong delays that bounce between the left and right channels, and spatial effects that enhance the stereo image.
3. **Stereo Chorus**: Stereo chorus pedals modulate the guitar signal in stereo, creating rich, swirling modulation effects. Stereo chorus pedals can produce wide, shimmering textures that move across the stereo field, adding depth and movement to the guitar tone.
4. **Stereo Phaser**: Stereo phaser pedals modulate the phase of the guitar signal in stereo, producing sweeping, swirling effects. Stereo phaser pedals can create dynamic stereo modulation effects that move back and forth between the left and right channels, enhancing the stereo image and spatial dimension.
5. **Stereo Flanger**: Stereo flanger pedals modulate the guitar signal in stereo, producing jet-like, sweeping modulation effects. Stereo flanger pedals can create dramatic stereo sweeps and whooshing sounds that pan across the stereo field, adding movement and depth to the guitar tone.
6. **Stereo Tremolo**: Stereo tremolo pedals modulate the volume of the guitar signal in stereo, producing rhythmic amplitude modulation effects. Stereo tremolo pedals can create pulsating, stereo tremolo effects that move between the left and right channels, adding rhythmic movement and spatial dynamics.
7. **Stereo Modulation Multi-Effects**: Some multi-effects pedals feature stereo modulation effects, combining multiple stereo effects such as reverb, delay, chorus, phaser, and flanger in a single unit. These pedals offer a wide range of stereo modulation options and can create complex, layered soundscapes with enhanced stereo imaging.
Stereo effect pedals are popular among guitarists seeking to create expansive, immersive soundscapes and enhance their overall tone with spatial effects. Whether used in stereo amplifier setups, stereo pedalboard configurations, or stereo recording environments, stereo effect pedals can add depth, dimension, and movement to the guitar tone, enriching the listening experience for both players and audiences.
Compact, yet feature laden overdrive and distortion pedal Create sounds from ranging boost without the grit and sweet crunch all the way to intensely saturated overdrive and thick distortion 3-position input level switch lets you set the initial input gain level for a variety of instruments including guitar, bass and keyboards. Active 3-band EQ for superlative tone shaping In Normal Mode three amp-like JFET gain stages provide low to medium gain sounds
Gain stage, treble control and signal path optimized for bassists and guitarists who want extended low frequency response Boosted power rails deliver extra headroom and definition Switchable -10dB pad for instruments with higher output User selectable true or buffered bypass modes 9.6DC-200 power supply included. Also runs on 9 Volt battery
Combines the Crayon full range overdrive and the Hot Tubes, a reissue of the classic 1970s CMOS overdrive. Use the Crayon or Hot Tubes alone or stack them with the Crayon driving the Hot Tubes Sounds great on guitar and bass Blend control lets you blend in your dry signal which is especially useful on bass guitar Master EQ section features Bass and Treble for increased tonal control and flexibility
Adjusted distortion pedal for heavy metal. Extensive equalization control, with 14db bass cut or enhancement, 15db mids, and 10db treble. Vol control to adjust the overall output volume. Dist control for input gain adjustment and distortion. Noise gate eliminates unwanted noise and LED indicating signal mutee. Format suitable for any pedal board. Includes 9V battery. Optional 200mA EHX 9.6C feeder, sold separately.
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