Boss BD-2 Blues Driver – New Boss Fuzz Overdrive Boost Guitar Effect Pedal
£99.00
A modern classic. The Boss BD-2 Blues Driver boosts enhances and sculpts your tone based on how youre playing. This is the main feature that makes the Blues Driver so exciting and why its been a mainstay on many pedalboards. From Prince to Paul Weller to Tom Morello regardless of genre the BD-2 has been…
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The Boss BD-2 Blues Driver is in New condition and made by Boss , it is a great Fuzz Overdrive Boost Guitar Effect Pedal- A modern classic. The Boss BD-2 Blues Driver boosts enhances and sculpts your tone based on how youre playing. This is the main feature that makes the Blues Driver so exciting and why its been a mainstay on many pedalboards. From Prince to Paul Weller to Tom Morello regardless of genre the BD-2 has been deemed an essential ingredient in numerous iconic tones. This is primarily thanks to its dynamic response and sheer versatility. With the ability to range from a touch-sensitive transparent boost to fuzzed out bluesy drive at high gain the BD-2 excels at both and everything in between. If you need an overdrive that better suits you the BD-2 will literally adapt to your playing. . Available from Just Pedals for only £ 99 Dynamic overdrive Released in 1995 the Boss BD-2 Blues Driver is a relative latecomer to the Boss overdrive family but with its clever design features earns its place at the table on merit. Circuit-wise the BD-2 is an evolution of the OD-2 circuit and was the starting point for the OD-3 (the OD-2 was a radically different circuit than the original OD-1). The circuit stands itself apart from other Boss overdrives with a couple of neat design features. The main one is the ‘fixed tone stack’ network after the first op-amp and this is what gives the Blues driver its distinctive character and tone; this basically copies old silverface amps and boosts the mids and bass while limiting the treble. This allows it to be one of the few pedals that doesnt sound muddy or muted when the tone control is rolled down. The other is very simple but remarkably effective having a boost stage with an op-amp that won’t clip gives the transparency and dynamic response that the Blues Driver is famous for. The BD-2 has a flat to slightly scooped mid-range and sounds similar to silverface amp breakup but can get fuzzier at higher gain settings. The OD-3 doesnt have quite as much gain available as the BD-2 but does share a fairly flat midrange with a decent amount of bass. It can be as smooth or crunchy depending on how you set it. With only slight similarities the BD-2 and OD-3 are different enough to warrant owning both. Features Classic “blues” guitar tones with tube amp simulation Warm distortion and overdrive Responds to nuance and volume changes Roadworthy design is ideal for gigging musicians Basic three-knob layout is easy to use AC adaptor or 9V battery operation Specifications Nominal Input Level: -20 dBu Input Impedance: 1 M ohms Nominal Output Level: -20 dBu Output Impedance: 1 k ohms Equivalent Input Noise Level: -118 dBu (IHF-A Typ.) Connectors: INPUT Jack OUTPUT Jack AC Adaptor Jack (DC 9 V) Power Supply: DC 9 V: Dry Battery 9 V type (6F22/9 V) AC Adaptor 9 mA (DC 9 V) Accessories: Dry Battery 9 V type (6F22/9 V) Dimensions: (W) 73 mm 2-7/8 inches (D) 129 mm 5-1/8 inches (H) 59 mm 2-3/8 inches Weight (incl. battery): 0.4 kg 0 lbs. 15 oz.
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Boss is a prominent manufacturer of guitar effects pedals, multi-effects units, and related musical equipment, known for their durability, reliability, and wide range of effects. Founded in 1973 as a division of the Roland Corporation, Boss quickly became synonymous with high-quality effects pedals that are popular among guitarists and musicians worldwide.
Boss pedals are renowned for their rugged construction, intuitive controls, and signature sound quality. The company offers a comprehensive lineup of effects pedals covering various categories, including distortion, overdrive, delay, modulation, and more. Iconic pedals like the DS-1 Distortion, the DS-2 Turbo Distortion, the DD-3 Digital Delay, and the MT-2 Metal Zone have become staples on countless pedalboards due to their versatility and reliability.
In addition to individual pedals, Boss also produces multi-effects units, loopers, tuners, and accessories designed to meet the needs of modern guitarists and musicians. Their multi-effects units, such as the GT-1000 series, offer a wide range of effects and amp modeling capabilities in a single unit, providing players with a compact and convenient solution for achieving a variety of tones.
With a legacy of innovation and a commitment to quality, Boss continues to be a trusted name in the world of guitar effects, inspiring musicians to explore new sonic possibilities and express themselves creatively.
Boost
A “boost” pedal, also known as a “clean boost,” is a type of guitar effects pedal designed to increase the volume of the guitar signal without adding significant distortion or coloration to the tone. Boost pedals are used to amplify the signal level, allowing guitarists to achieve higher volume levels or to push their amplifier into overdrive for increased saturation and sustain.
Boost pedals typically feature a simple interface with controls for adjusting the level of boost, often represented by a single knob or a toggle switch. When engaged, the boost pedal increases the gain of the signal passing through it, effectively amplifying the sound. Unlike overdrive or distortion pedals, which introduce clipping and saturation to the signal, boost pedals aim to provide a clean and transparent volume increase.
Boost pedals are versatile tools that can serve various purposes in a guitarist’s rig:
1. **Volume Boost**: Boost pedals can be used to increase the volume of the guitar signal, allowing players to stand out during solos or to compensate for differences in volume between guitars or pickup settings.
2. **Overdrive Stacking**: Boost pedals are commonly used to push the front end of an overdrive or distortion pedal, resulting in increased saturation and sustain. By placing the boost pedal before a drive pedal in the signal chain, guitarists can achieve higher levels of gain and distortion without sacrificing clarity or dynamics.
3. **Amp Pushing**: Boost pedals can also be used to drive the input stage of a tube amplifier harder, causing the amp to naturally overdrive and produce a more saturated and harmonically rich tone. This is particularly useful for guitarists seeking to achieve classic tube amp breakup at lower volume levels.
4. **Tone Shaping**: Some boost pedals feature EQ controls or tone shaping options, allowing guitarists to tailor the frequency response of their signal. These pedals can be used to boost specific frequencies or to shape the overall tonal characteristics of the guitar sound.
Overall, boost pedals are essential tools for guitarists looking to enhance their tone, increase volume levels, or drive their amplifier into overdrive for added saturation and sustain. Whether used as a standalone effect or in combination with other pedals, boost pedals offer versatility and flexibility in shaping the guitar sound.
Fuzz
Fuzz is a distinctive type of distortion effect used in guitar playing, known for producing a thick, saturated, and buzzy tone. Unlike other distortion effects that aim to mimic the sound of overdriven tube amplifiers, fuzz pedals create a more extreme and aggressive distortion by severely clipping the guitar signal. This results in a unique sound characterized by rich harmonics, extended sustain, and a pronounced edge. Key features of fuzz pedals include gain, tone, and level controls. The gain control adjusts the amount of distortion applied to the signal, with higher settings producing more aggressive tones. The tone control allows musicians to shape the frequency response of the effect, ranging from dark and bass-heavy to bright and treble-focused sounds. Lastly, the level control sets the overall output, ensuring that the fuzz effect matches the volume of the rest of the signal chain or amplifier.
Fuzz pedals are popular across various music genres, particularly in rock, blues, and psychedelic music, due to their ability to enhance different guitar-playing styles. For rhythmic riffs, fuzz pedals create thick and aggressive tones with plenty of sustain and grit, adding depth to power chords, riffs, and palm-muted passages. In lead solos, they allow guitarists to achieve soaring, saturated tones with singing sustain and harmonically rich overtones, helping solos stand out in a mix.
Fuzz pedals are versatile tools for creating experimental sounds, capable of producing oscillating feedback, glitchy textures, and otherworldly tones when pushed to their extremes. Overall, fuzz pedals offer guitarists a powerful means of shaping their tone and adding character to their playing. Whether used subtly for warmth or dialled up for extreme distortion, fuzz pedals inspire creativity and expand the sonic palette of any guitarist.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
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Overdrive
An overdrive pedal is a type of guitar effects pedal that simulates the sound of a vintage tube amplifier pushed into overdrive or distortion. It adds warmth, richness, and harmonic complexity to the guitar signal, creating a smooth, saturated tone that ranges from mild grit to full-on distortion. Here’s how overdrive pedals work and some common features:
1. **Gain**: The gain control adjusts the amount of overdrive or distortion applied to the guitar signal. Turning up the gain increases the intensity of the overdrive, while lowering it produces a cleaner, more transparent sound.
2. **Level**: The level control adjusts the output volume of the pedal. This allows you to match the volume level of the overdriven signal with your clean signal or boost the overall volume for solos or lead lines.
3. **Tone**: The tone control (sometimes labeled as “tone” or “EQ”) adjusts the frequency response of the overdriven signal. Turning it clockwise boosts the highs and cuts the lows, resulting in a brighter tone. Turning it counterclockwise boosts the lows and cuts the highs, producing a darker tone.
4. **Drive (or Distortion)**: Some overdrive pedals feature a separate drive control, which determines the intensity of the overdrive effect independently of the gain control. This allows for more fine-tuned control over the amount of saturation and distortion in the tone.
5. **True Bypass vs. Buffered Bypass**: Overdrive pedals may have either true bypass or buffered bypass circuits. True bypass preserves the guitar’s original tone when the pedal is turned off, while buffered bypass maintains signal integrity and prevents signal loss when the pedal is engaged.
6. **Voicing Options**: Some overdrive pedals offer voicing options or switchable modes that allow you to tailor the character of the overdrive to suit your playing style or musical genre. This may include options for different clipping diodes, EQ curves, or saturation levels.
7. **Stacking**: Overdrive pedals are often used in combination with other effects pedals, such as boost pedals, distortion pedals, or modulation effects. Stacking multiple overdrive pedals can create unique tonal textures and dynamic range, allowing for greater versatility and customization of your guitar tone.
Overdrive pedals are widely used in various music genres, including blues, rock, country, and jazz. Guitarists use them to add warmth, grit, and character to their tone, whether they’re playing rhythm parts, lead lines, or solos. An overdrive pedal is a staple on many pedalboards, offering classic tones and timeless appeal for guitarists of all levels and styles.
Passionately designed by the master engineers at BOSS in Japan, the Waza Craft BD-2W delivers a premium stomp experience that fans of customized pedal tone will love. Crafted with an ear for highly refined sound, the BD-2W takes the classic Blues Driver grit to a new level with all-discrete analog circuitry. Waza Craft innovation for a premium analog tone experience. Premium sound based on the classic BD-2 Blues Driver. Newly revised, all-analog discrete amplifier circuit. Standard and Custom sound modes. Highly responsive to picking dynamics and volume changes. Made in Japan.
The BD-2 Blues Driver delivers the creamy, yet crunchy sound associated with great blues guitar This popular pedal provides instant access to the kind of warm overdrive and emotive distortion usually reserved for 30-year-old tube amps Classic "blues" guitar tones with tube amp simulation Warm distortion and overdrive Wide range of distortions from crunch to hard Responds to nuance and volume changes Ideal for guitar, bass and other instruments AC adaptor or 9V battery operation BOSS five-year warranty
🎸[2 overdrive modes] Warm: The classic TS overdrive sound replica. Hot: More powerful, a louder, tightened sound. 🎸[Style-type] Combining iconic vintage tube overdrive sound with wide dynamic range, Donner overdrive pedal gives you a wide tonal range from smooth whispers to searing leads. 🎸[Easy to use]Flexible knobs for tone control: LEVEL (output volume), TONE (brightness) and GAIN (overdrive amount). 🎸[True bypass guitar pedal] True bypass provides transparent tone. Enduring aluminum alloy chassis. 🎸[Power supply] DC 9V Adapter power supply.(NOT INCLUDED)
Since its release in 1981, the workhorse SD-1 Super Overdrive has been the core gain pedal for generations of players across every musical genre. Based around the revolutionary asymmetrical clipping circuit from the OD-1 Overdrive—one of the three original BOSS compact pedals from 1977. The SD-1 delivers rich, smooth, and highly musical overdrive tones that continue to inspire guitarists everywhere. Genre-defining BOSS overdrive sound. Unique asymmetrical clipping circuit produces tube-like overdrive characteristics. Mild-to-moderate drive tones with focused midrange and tight low end. Ideal for use with clean and slightly driven amps. Also works great for bringing tightness and definition to high-gain amp tones. Stacks well with boost, overdrive, and distortion pedals. AC adaptor not included, optional BOSS PSA adaptor recommended.
Limited edition BD-2 Blues Driver pedal marking the celebration of BOSS’s 50th anniversary. Sporting a metallic finish; silver thumb screw; gold-capped knobs; and commemorative 50-year anniversary emblem. Appearing in exclusive livery with a dedicated 4-digit serial number and bespoke packaging, the BD-2-B50A features the same beloved circuitry as the standard production BD-2 Blues Driver. This collectible version is available in strictly limited numbers of no more than 7,000 units worldwide. DS-1-B50A Distortion & SD-1 Super Overdrive 50th Anniversary Pedals also available.
Boss is a prominent manufacturer of guitar effects pedals, multi-effects units, and related musical equipment, known for their durability, reliability, and wide range of effects. Founded in 1973 as a division of the Roland Corporation, Boss quickly became synonymous with high-quality effects pedals that are popular among guitarists and musicians worldwide.
![🎸[2 overdrive modes] Warm: The classic TS overdrive sound replica. Hot: More powerful, a louder, tightened sound. 🎸[Style-type] Combining iconic vintage tube overdrive sound with wide dynamic range, Donner overdrive pedal gives you a wide tonal range...](https://m.media-amazon.com/images/I/41D+0SY95yL._SL313_.jpg)
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