Inspection notes: This Electro Harmonix Platform Stereo Compressor/Limiter is in full working order and in Good condition. This product is secondhand. It has been inspected by our team of product experts to ensure it meets our high-quality standards.
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The Electro Harmonix Platform Stereo Compressor/Limiter – Secondhand is in New condition and made by Electro Harmonix , it is a great Stereo Compressor Guitar Effect Pedal- Inspection notes: This Electro Harmonix Platform Stereo Compressor/Limiter is in full working order and in Good condition. This product is secondhand. It has been inspected by our team of product experts to ensure it meets our high-quality standards. . Available from Just Pedals for only £ 139 Your solution to studio quality sound From rehearsals to gigs and everything in between. The Platform boasts flawless tone and a pristine signal. No matter how long your cable runs you’ll get crisp clear connection from a stereo buffered bypass. That’s perfect for guitar bass keyboard and more. Add depth to any performance with versatile compression and limiter controls. Volume Attack and Release shape how your compressor behaves whilst the Soft Knee and Limiter button enhances your sound at the touch of a button. Blend a feature rich overdrive channel for saturated tone. Or create bowed effects with the swell function. Whatever style you love you’ve got the power to play your best. Features Precisely tune dynamics on stage or in the studio with prograde limiting and compression Feature rich interface for precise tonal sculpting Take control of your sound Attack Release and Sustain knobs Instantly activate Soft Knee and Limiter with push button controls Versatile overdrive section that can be activated with the click of the footswitch Create bowed fade-in and reverse effects with the adjustable swell function Immersive sound from true stereo inputs and outputs Monitor gain reduction in real time via the three colour eight LED indicator Pristine signal from a stereo buffered bypass Gig ready with a 9.6DC-200mA power supply included Robust construction for maximum protection against knocks and drops Specifications Power Supply: 9.6DC-200mA (included) Current Draw: 125mA @ 9VDC Control Options: Volume Attack Release Sustain Overdrive Volume Tone Drive Swell Connections: L + R 1/4” Jack input L + R 1/4” output Construction: Metal Dimensions (L x W X H): 7.25” x 6.2” x 3.25” Weight: 0.71kg
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Electro-Harmonix (EHX) is a legendary manufacturer of guitar pedals and audio electronics, renowned for their distinctive sound and pioneering designs. Established in 1968 by Mike Matthews, EHX has played a significant role in shaping the landscape of effects pedals. The company’s pedals are celebrated for their innovative circuits and unique tones, earning them a dedicated following among musicians across genres. From classics like the Big Muff Pi fuzz to modern favorites like the POG octave generator, Electro-Harmonix pedals are known for their versatility and sonic character.
EHX’s product lineup spans a wide range of effects categories, including distortion, modulation, delay, and reverb, among others. Their pedals often feature intuitive controls and rugged construction, making them suitable for both stage and studio use. In addition to their iconic standalone pedals, Electro-Harmonix has also produced notable units such as the Memory Man delay/echo and the Holy Grail reverb, which have become staples in many guitarist’s rigs. With a legacy of innovation and a commitment to quality, Electro-Harmonix continues to be a leading force in the world of guitar effects, inspiring musicians to explore new sonic possibilities.
Compressor
A compressor pedal is an essential tool used in guitar playing to control the dynamic range of the instrument’s signal. Compressors work by reducing the volume of loud sounds and boosting the volume of softer sounds, effectively narrowing the dynamic range of the guitar signal. This results in a more consistent and sustained sound, with smoother transitions between notes and chords.
Here are the key features and functions of a compressor pedal:
1. **Threshold**: The threshold control determines the level at which the compressor begins to engage. Signals above this threshold are compressed, while signals below it remain unaffected.
2. **Ratio**: The ratio control determines the amount of compression applied to the signal once it exceeds the threshold. For example, a ratio of 4:1 means that for every 4 dB the input signal exceeds the threshold, the output signal will be limited to 1 dB increase. Higher ratios result in more aggressive compression.
3. **Attack**: The attack control sets how quickly the compressor responds to changes in signal level once it exceeds the threshold. A fast attack time will clamp down on peaks more quickly, while a slower attack time allows more transient peaks to pass through unaffected.
4. **Release**: The release control determines how quickly the compressor returns to its normal state after the signal falls below the threshold. A shorter release time will result in quicker recovery to normal signal levels, while a longer release time provides more sustain and a smoother overall sound.
5. **Level (or Output)**: This control adjusts the overall output level of the compressed signal, allowing you to match the compressed signal with the rest of your effects chain or amplifier.
Compressor pedals offer several benefits to guitarists:
– **Increased Sustain**: By levelling out the volume of notes and chords, compressors can extend the sustain of the guitar signal, making notes ring out longer and creating a smoother, more consistent sound.
– **Improved Note Clarity**: Compressors can help even out the volume levels of individual notes within chords, making them sound more balanced and defined. This is particularly useful for fingerstyle playing or intricate picking techniques where note clarity is crucial.
– **Enhanced Dynamics**: While compressors reduce the dynamic range of the signal, they can also enhance the perceived dynamics by bringing quieter passages up in volume, resulting in a more expressive and responsive playing experience.
Overall, compressor pedals are valuable tools for guitarists seeking to control their instrument’s dynamics, increase sustain, and achieve a more polished and professional sound. Whether used subtly to smooth out peaks or aggressively to add punch and presence, compressors can significantly enhance your guitar tone and playing experience.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
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Stereo
Stereo effect pedals are guitar effects pedals that process the guitar signal in stereo, providing a wider and more immersive sound experience compared to mono effects pedals. These pedals split the guitar signal into two independent channels—left and right—and apply effects separately to each channel. Stereo effects pedals can create spatial effects, enhance the stereo image, and add depth and dimension to the guitar tone. Here are some common types of stereo effect pedals:
1. **Stereo Reverb**: Stereo reverb pedals generate reverberation effects in stereo, simulating the acoustic reflections and ambience of various spaces. Stereo reverb pedals can create lush, expansive reverb tails that spread across the stereo field, adding depth and dimension to the guitar tone.
2. **Stereo Delay**: Stereo delay pedals produce delay effects in stereo, with separate delay lines for the left and right channels. Stereo delay pedals can create intricate rhythmic patterns, ping-pong delays that bounce between the left and right channels, and spatial effects that enhance the stereo image.
3. **Stereo Chorus**: Stereo chorus pedals modulate the guitar signal in stereo, creating rich, swirling modulation effects. Stereo chorus pedals can produce wide, shimmering textures that move across the stereo field, adding depth and movement to the guitar tone.
4. **Stereo Phaser**: Stereo phaser pedals modulate the phase of the guitar signal in stereo, producing sweeping, swirling effects. Stereo phaser pedals can create dynamic stereo modulation effects that move back and forth between the left and right channels, enhancing the stereo image and spatial dimension.
5. **Stereo Flanger**: Stereo flanger pedals modulate the guitar signal in stereo, producing jet-like, sweeping modulation effects. Stereo flanger pedals can create dramatic stereo sweeps and whooshing sounds that pan across the stereo field, adding movement and depth to the guitar tone.
6. **Stereo Tremolo**: Stereo tremolo pedals modulate the volume of the guitar signal in stereo, producing rhythmic amplitude modulation effects. Stereo tremolo pedals can create pulsating, stereo tremolo effects that move between the left and right channels, adding rhythmic movement and spatial dynamics.
7. **Stereo Modulation Multi-Effects**: Some multi-effects pedals feature stereo modulation effects, combining multiple stereo effects such as reverb, delay, chorus, phaser, and flanger in a single unit. These pedals offer a wide range of stereo modulation options and can create complex, layered soundscapes with enhanced stereo imaging.
Stereo effect pedals are popular among guitarists seeking to create expansive, immersive soundscapes and enhance their overall tone with spatial effects. Whether used in stereo amplifier setups, stereo pedalboard configurations, or stereo recording environments, stereo effect pedals can add depth, dimension, and movement to the guitar tone, enriching the listening experience for both players and audiences.
Studio-quality compressor/limiter lets the user precisely tune dynamics regardless of the instrument or situation. The compressor/limiter includes a full complement of controls: Volume, Attack, Release and Sustain, plus pushbuttons for Hard or Soft Knee and the Limiter. Foot-switchable overdrive section adds versatility and includes dedicated controls for Volume, Tone and Drive. Together with the compressor it produces a sound that’s saturated, smooth and slippery. Adjustable Swell function creates bowed, fade in and reverse effects. True stereo operation, can be used as Mono In and Out, Mono In and Stereo Out, or Stereo In and Stereo Out.
Sustain control adjusts the amount of sustain Volume control sets the output level Attack toggle switch provides 3 switch selectable settings of attack: fast, medium, slow Fast attack: gives an aggressive hit with about a 20mS rise time. fast and musical Slow attack brings a musical 100ms rise time for a softer
Kick ass with a powerful, percussive sound on your clean guitar and melt steel alloy when playing lead with ultimate sustain "smoothes out" volume peaks and provides endless sustain with ultra-stable dynamics Dedicated sustain, level and attack time controls for awesome sound shaping First-class electronic on/off switch for highest signal integrity in bypass mode Runs on nine v battery or the behringer psu-sb dc power supply (not included)
Get super-smooth compression and endless sustain Compress loud and boost low signals without degrading the original sound Dedicated Level, Tone, Attack and Sustain controls for awesome sound shaping Status LED for effect on/off and battery check Runs on 9 V battery or the Behringer PSU-SB DC power supply (not included)
Compact compressor designed especially for bass guitar.Input sensitivity ranges from -10 dBu to +2 dBu making it a perfect fit for both passive and active basses of varying output levels. Maximum gain reduction of 21 dB, with enough make-up gain to return your signal to full volume at maximum sustain (compression) Attack toggle switch changes the timing of the onset of compression and provides three selectable settings: Fast, Medium and Slow True bypass for maximum signal path integrity when in bypass mode 9-Volt battery includedOptional EHX9.6DC-200mA power supply available
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