Boss RV-200 200 Series Reverb Pedal – New Boss Stereo Reverb Modulation Guitar Effect Pedal
£239.00
The Boss RV-200 Series Reverb Pedal is a powerhouse of ambience offering twelve inspiring reverb effects and expressive performance tools in a versatile 200 series pedal. With its streamlined BOSS 200 series design the RV-200 delivers everything from subtle spatial colour to complex dreamy textures for ambient explorations. The reverb types include the newly developed…
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The Boss RV-200 200 Series Reverb Pedal is in New condition and made by Boss , it is a great Stereo Reverb Modulation Guitar Effect Pedal- The Boss RV-200 Series Reverb Pedal is a powerhouse of ambience offering twelve inspiring reverb effects and expressive performance tools in a versatile 200 series pedal. With its streamlined BOSS 200 series design the RV-200 delivers everything from subtle spatial colour to complex dreamy textures for ambient explorations. The reverb types include the newly developed Arpverb providing a broad spectrum of sound modulation possibilities. The units fast-access interface allows for quick sound dialling and it offers the ability to save your favourites in up to 127 memories. This pedal sets a new performance standard with its flexible footswitches extensive external control support and innovative creative features like Warp and Twist. It delivers premium BOSS reverb processing in a streamlined compact design offering outstanding sound quality thanks to its 32-bit AD/DA 32-bit floating-point processing and 96 kHz sampling rate. Additional features include a Density control with six stages a Param knob for extended functions within each reverb type and selectable carryover for maintaining reverb trails. With stereo I/O wet/dry and dry mute output options two assignable footswitches and expressive effects like Hold Warp and Twist this pedal is designed for versatile control. . Available from Just Pedals for only £ 239 Studio-Grade Processing The RV-200 is powered by a formidable reverberation engine that ensures unparalleled sound quality. This is due to the custom BOSS DSP 32-bit AD/DA 32-bit floating point processing and a 96 kHz sampling rate. The unit promises truly studio-grade performance delivering exceptional detail and definition from the shortest early reflections to lengthy enveloping tails that can last several seconds. Twelve Unique Reverbs Offering a spectrum of reverb types such as Room Hall Shimmer Slowverb and the novel Arpverb the RV-200 is designed to cater to every song and style. Each reverb has its own unique characteristics from simulating a small rooms reverberation or a concert halls resonance to creating dreamy reverberations rich in harmonic content with the Shimmer effect or evocative pitch-shifted tails with the Arpverb. The Param knob allows users to adjust specific features within each reverb type offering another level of customization. Instant Sound Creation The RV-200 much like all 200 series pedals is engineered for effortless sound creation. It provides a dynamic yet user-friendly panel that simplifies the process of achieving excellent sounds. In addition to basic parameters such as reverb time effect level and pre-delay the unit includes variable high and low filters a density control to modify the sounds weight and a parameter knob that provides access to a host of sound-shaping tools unique to each reverb type. Expressive Performance Control The RV-200 is equipped with storage for 127 reverb sounds ensuring your favourite settings are always at your fingertips. The two onboard footswitches offer extensive versatility with various options to reallocate their targets based on your requirements. You can bypass the effect navigate through memories and activate a Hold function to sustain the reverb effect for as long as the switch is pressed. It also allows the assignment of potent performance effects such as Warp Twist and Fade. Expanded Operation The RV-200 provides an array of control options to seamlessly integrate the unit into any advanced setup. It supports external control over many parameter targets via footswitches or an expression pedal and MIDI I/O is provided on space-saving mini TRS jacks. Through MIDI you can link multiple 200 series pedals and select memories on all of them simultaneously. Additionally numerous functions can be controlled from external MIDI controllers and devices like the ES-8 and ES-5 effects switchers. Specifications: Sampling Frequency: 96 kHz AD/DA Conversion: 32 bits Processing: 32-bit floating point Modes: 12 modes (ROOM HALL PLATE SPRING SHIMMER ARPVERB SLOWVERB MODULATE +DELAY LO-FI GATE REVERSE) Memory: 127 + Manual Nominal Input Level INPUT A/MONO B: -10 dBu Maximum Input Level INPUT A/MONO B: +7 dBu Input Impedance INPUT A/MONO B: 2 M ohms Nominal Output Level OUTPUT A/MONO B: -10 dBu Maximum Output Level OUTPUT A/MONO B: +7 dBu Output Impedance OUTPUT A/MONO B: 1 k ohm Recommended Load Impedance OUTPUT A/MONO B: 10 k ohms or greater Bypass: Buffered bypass Controls: ON/OFF switch MEMORY/HOLD switch MODE knob TIME knob PRE-DELAY knob E. LEVEL knob PARAM knob LOW knob HIGH knob DENSITY button MEMORY button Display: 7 segments 3 characters (LED) Connectors: INPUT (A/MONO B) jacks OUTPUT (A/MONO B) jacks: 1/4-inch phone type CTL 1 2/EXP jack: 1/4-inch TRS phone type MIDI (IN OUT) jacks: Stereo miniature phone type DC IN jack USB port: USB2.0 micro B (program update only) Power Supply: Alkaline battery (AA LR6) x 3 AC adaptor (sold separately) Current Draw: 260 mA Expected Battery Life Under Continuous Use: Alkaline: Approx. 4 Hours *These figures will vary depending on the actual conditions of use. Dimensions: 101 (W) x 138 (D) x 63 (H) mm / 4 (W) x 5-7/16 (D) x 2-1/2 (H) inches 101 (W) x 138 (D) x 65 (H) mm / 4 (W) x 5-7/16 (D) x 2-9/16 (H) inches (including rubber feet) Weight: 610 g / 1 lb 6 oz 680 g / 1 lb 8 oz (including batteries) Accessories: Leaflet “USING THE UNIT SAFELY” Leaflet “To obtain the Owner’s Manual” Alkaline battery (AA LR6) x 3 Rubber foot x 4 Options (sold separately): AC adaptor: PSA-S series Footswitch: FS-5U Dual footswitch: FS-6 FS-7 Expression pedal: FV-500H FV-500L EV-30 Roland EV-5 TRS/MIDI connecting cable: BMIDI-5-35 BMIDI-1-35 BMIDI-2-35 BCC-1-3535 BCC-2-3535
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Boss is a prominent manufacturer of guitar effects pedals, multi-effects units, and related musical equipment, known for their durability, reliability, and wide range of effects. Founded in 1973 as a division of the Roland Corporation, Boss quickly became synonymous with high-quality effects pedals that are popular among guitarists and musicians worldwide.
Boss pedals are renowned for their rugged construction, intuitive controls, and signature sound quality. The company offers a comprehensive lineup of effects pedals covering various categories, including distortion, overdrive, delay, modulation, and more. Iconic pedals like the DS-1 Distortion, the DS-2 Turbo Distortion, the DD-3 Digital Delay, and the MT-2 Metal Zone have become staples on countless pedalboards due to their versatility and reliability.
In addition to individual pedals, Boss also produces multi-effects units, loopers, tuners, and accessories designed to meet the needs of modern guitarists and musicians. Their multi-effects units, such as the GT-1000 series, offer a wide range of effects and amp modeling capabilities in a single unit, providing players with a compact and convenient solution for achieving a variety of tones.
With a legacy of innovation and a commitment to quality, Boss continues to be a trusted name in the world of guitar effects, inspiring musicians to explore new sonic possibilities and express themselves creatively.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
Modulation
Modulation is a category of guitar effects that alter the characteristics of the audio signal by varying parameters such as pitch, frequency, or timing. These effects add movement, depth, and texture to the sound, allowing guitarists to create dynamic and expressive tones. Common types of modulation effects include chorus, flanger, phaser, tremolo, and vibrato, each of which offers unique sonic characteristics and creative possibilities:
1. **Chorus**: Chorus effect adds thickness and richness to the sound by creating multiple, slightly detuned copies of the original signal. This results in a shimmering, swirling effect reminiscent of a choir or ensemble.
2. **Flanger**: Flanger effect creates a sweeping, jet-like sound by modulating a delayed version of the original signal and mixing it with the dry signal. It produces a distinctive whooshing or swooshing effect that can range from subtle to dramatic.
3. **Phaser**: Phaser effect splits the audio signal into multiple phase-shifted copies and combines them to create a series of peaks and troughs in the frequency spectrum. This produces a swirling, swirling effect that adds movement and dimension to the sound.
4. **Tremolo**: Tremolo effect modulates the volume of the audio signal at a rhythmic rate, creating a pulsating or throbbing sound. It adds a dynamic, rhythmic element to the guitar tone and is often used to create vintage-style surf or tremolo-bar effects.
5. **Vibrato**: Vibrato effect modulates the pitch of the audio signal at a varying rate, creating a subtle, pulsating variation in pitch. It adds a sense of depth and expressiveness to the sound, simulating the natural vibrato of stringed instruments.
Modulation effects can be used individually or in combination with other effects to create complex and layered tones. They are commonly used in various music genres, including rock, pop, funk, and experimental music, to enhance guitar solos, create atmospheric textures, and add movement to rhythm parts. Overall, modulation effects offer guitarists a wide range of creative possibilities for shaping their tone and expression.
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Reverb
Reverb, short for reverberation, is a fundamental audio effect that simulates the sound reflections and decay that occur in physical spaces, such as rooms, halls, or chambers. It adds depth, dimension, and ambiance to audio signals, creating a sense of space and realism. In the context of guitar effects, a reverb pedal is a device that generates and applies reverb effects to the guitar signal. Here’s how reverb pedals work and some common features:
1. **Reverb Types**: Reverb pedals typically offer different types of reverb effects, including spring reverb, plate reverb, hall reverb, room reverb, and ambient or modulated reverb. Each type emulates the characteristics of different physical spaces and has its own unique sound and character.
2. **Controls**: Reverb pedals feature various controls for adjusting parameters such as decay time, pre-delay, damping, tone, and mix. Decay time controls the length of the reverb tail or decay, while pre-delay adjusts the time between the original signal and the onset of the reverb. Damping controls the high-frequency content of the reverb, simulating absorption in the virtual space. Tone controls the overall tonal character of the reverb, and mix adjusts the balance between the dry (original) and wet (affected) signals.
3. **Modulation**: Some reverb pedals include modulation effects such as chorus or tremolo that modulate the reverb tail, adding movement and depth to the sound. Modulation can create lush, swirling textures and enhance the overall ambiance of the reverb effect.
4. **Trail Function**: Many reverb pedals offer a trail function, which allows the reverb tail to continue decaying naturally when the effect is bypassed. This prevents abrupt cutoffs and ensures smooth transitions between affected and unaffected signal states.
5. **Spring Tank vs. Digital Reverb**: Reverb pedals can use either spring tanks or digital processing to generate reverb effects. Spring reverb pedals emulate the sound of vintage spring reverb units found in amplifiers, while digital reverb pedals use algorithms to simulate a wide range of reverb types and settings.
6. **Size and Form Factor**: Reverb pedals come in various sizes and form factors, from compact mini pedals to larger, feature-rich units. Choose a pedal size and form factor that fits your pedalboard layout and offers the desired features and controls for your needs.
Reverb pedals are widely used in various music genres, including rock, blues, jazz, ambient, and experimental music. They can add depth, warmth, and atmosphere to guitar tones, enhance the spatial imaging of recordings, and create immersive soundscapes for performances. Whether used subtly to add a touch of room ambiance or dialed in for dramatic, expansive effects, reverb pedals are essential tools for shaping guitar tones and creating captivating sounds.
Stereo
Stereo effect pedals are guitar effects pedals that process the guitar signal in stereo, providing a wider and more immersive sound experience compared to mono effects pedals. These pedals split the guitar signal into two independent channels—left and right—and apply effects separately to each channel. Stereo effects pedals can create spatial effects, enhance the stereo image, and add depth and dimension to the guitar tone. Here are some common types of stereo effect pedals:
1. **Stereo Reverb**: Stereo reverb pedals generate reverberation effects in stereo, simulating the acoustic reflections and ambience of various spaces. Stereo reverb pedals can create lush, expansive reverb tails that spread across the stereo field, adding depth and dimension to the guitar tone.
2. **Stereo Delay**: Stereo delay pedals produce delay effects in stereo, with separate delay lines for the left and right channels. Stereo delay pedals can create intricate rhythmic patterns, ping-pong delays that bounce between the left and right channels, and spatial effects that enhance the stereo image.
3. **Stereo Chorus**: Stereo chorus pedals modulate the guitar signal in stereo, creating rich, swirling modulation effects. Stereo chorus pedals can produce wide, shimmering textures that move across the stereo field, adding depth and movement to the guitar tone.
4. **Stereo Phaser**: Stereo phaser pedals modulate the phase of the guitar signal in stereo, producing sweeping, swirling effects. Stereo phaser pedals can create dynamic stereo modulation effects that move back and forth between the left and right channels, enhancing the stereo image and spatial dimension.
5. **Stereo Flanger**: Stereo flanger pedals modulate the guitar signal in stereo, producing jet-like, sweeping modulation effects. Stereo flanger pedals can create dramatic stereo sweeps and whooshing sounds that pan across the stereo field, adding movement and depth to the guitar tone.
6. **Stereo Tremolo**: Stereo tremolo pedals modulate the volume of the guitar signal in stereo, producing rhythmic amplitude modulation effects. Stereo tremolo pedals can create pulsating, stereo tremolo effects that move between the left and right channels, adding rhythmic movement and spatial dynamics.
7. **Stereo Modulation Multi-Effects**: Some multi-effects pedals feature stereo modulation effects, combining multiple stereo effects such as reverb, delay, chorus, phaser, and flanger in a single unit. These pedals offer a wide range of stereo modulation options and can create complex, layered soundscapes with enhanced stereo imaging.
Stereo effect pedals are popular among guitarists seeking to create expansive, immersive soundscapes and enhance their overall tone with spatial effects. Whether used in stereo amplifier setups, stereo pedalboard configurations, or stereo recording environments, stereo effect pedals can add depth, dimension, and movement to the guitar tone, enriching the listening experience for both players and audiences.
The RV-200 delivers inspiring reverbs and premium sound in the streamlined BOSS 200 series design. Twelve versatile reverb types—including the newly developed Arpverb—provide everything from subtle spatial color to complex, dreamy textures for ambient explorations. Class-leading sound quality with 32-bit AD/DA, 32-bit floating point processing, and 96 kHz sampling rate. Fast, easy operation with hands-on controls. 127 user memories for storing sounds. Density control with six stages. Param knob to access extended functions within each reverb type. Selectable carryover for maintaining reverb trails when switching presets or bypassing the effect. Stereo I/O with wet/dry and dry mute output options. Two assignable footswitches.
Offering a universe of rich, analog-inspired polyphonic tones in a small footprint, the SY-200 makes it simple to weave BOSS’s expressive guitar and bass synth technology into all of your musical journeys. Building on the fun, instant-gratification experience of the acclaimed SY-1, the SY-200 features an expanded sound set, more tone-shaping possibilities, and 128 memories for storing your sonic creations. Two onboard footswitches provide deep real-time performance control, and you can take things even further with external footswitches, an expression pedal, and MIDI. 12 analog-style synth categories with many variations in each (171 sounds total). Three adjustable parameters for customizing sounds. 128 memories for saving and recalling sounds. Fast sound creation with hands-on controls and large display. No special pickup required—play rich, dynamic synth tones with any guitar or bass. Latency-free performance for unrestricted musical expression. AC adaptor not included, optional BOSS… read more
Authentically recreates the sound and behavior of the legendary Roland RE-201 Space Echo Classic multi-head tape echo sound with expanded delay time Original three-head configuration plus additional tape head for 12 unique echo combinations Independent stereo reverb section with original spring reverb type plus hall, plate, room, and ambience Saturation control for adding magnetic tape compression and preamp coloration Wow & Flutter control for introducing varying levels of natural tape modulation Choose between new and aged tape conditions Selectable input modes for optimum performance with instruments and line-level gear Warp and Twist effects with footswitch control Select between the unprocessed analog dry signal or the modeled sound of the original Space Echo preamp
Boss is a prominent manufacturer of guitar effects pedals, multi-effects units, and related musical equipment, known for their durability, reliability, and wide range of effects. Founded in 1973 as a division of the Roland Corporation, Boss quickly became synonymous with high-quality effects pedals that are popular among guitarists and musicians worldwide.
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