The Electro Harmonix 15 Watt Howitzer Guitar Amp/Preamp Pedal is a compact powerhouse that delivers impressive versatility and exceptional tone. Perfect for musicians on the go this ultra-compact pedal is an ideal addition to any portable guitar rig or as a reliable backup for gigs. With its intuitive Volume and Gain controls you can achieve…
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The Electro Harmonix 15 Watt Howitzer Guitar Amp / Preamp Pedal is in New condition and made by Electro Harmonix , it is a great Preamp Volume Distortion Boost Bass Guitar Effect Pedal- The Electro Harmonix 15 Watt Howitzer Guitar Amp/Preamp Pedal is a compact powerhouse that delivers impressive versatility and exceptional tone. Perfect for musicians on the go this ultra-compact pedal is an ideal addition to any portable guitar rig or as a reliable backup for gigs. With its intuitive Volume and Gain controls you can achieve anything from crystal-clear tones to crunchy distortion. The comprehensive sound shaping options including Bass Mid and Treble knobs allow you to sculpt your sound to perfection. Whether you prefer subtle top boosts or a darker tonal character the Bright/Norm switch offers added flexibility. With its solid-state class D amp design this pedal ensures maximum output efficiency while taking up minimal space. Additionally the convenient FX loop allows you to integrate your favourite effects seamlessly. The Electro Harmonix 15 Watt Howitzer Guitar Amp/Preamp Pedal is the perfect combination of power portability and tonal versatility. . Available from Just Pedals for only £ 108 Take your entire sound setup in one pedalboard bag! With the Howitzer theres no need for a bulky amp – youve got everything you need in this compact box. A plethora of tone shaping options together with an integrated effects loop allow you to build virtually any sound for your style all while fitting into a pedalboard bag. 15 Watts of headroom The 15 Watt Howitzer provides you with plenty of power for larger stages allowing you to cut through the stage mix and keep your sound loud and clear. The solid state class D amp design also gives it extra efficiency so theres no need to worry about running out of juice! Ruggedly built and road ready The Howitzer is designed to be rugged and reliable perfect for the rigours of gigging. The chassis is constructed from heavy-duty steel and the controls are durable so you can turn knobs with confidence. Specifications Circuit: Analogue Audio: Mono Power Supply: 24VDC/1000mA power adapter included Dimensions (in): 4.75 x 4 x 2.25 Current Draw: 100mA Year Released: 2021 UPC: 683274012339
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Electro-Harmonix (EHX) is a legendary manufacturer of guitar pedals and audio electronics, renowned for their distinctive sound and pioneering designs. Established in 1968 by Mike Matthews, EHX has played a significant role in shaping the landscape of effects pedals. The company’s pedals are celebrated for their innovative circuits and unique tones, earning them a dedicated following among musicians across genres. From classics like the Big Muff Pi fuzz to modern favorites like the POG octave generator, Electro-Harmonix pedals are known for their versatility and sonic character.
EHX’s product lineup spans a wide range of effects categories, including distortion, modulation, delay, and reverb, among others. Their pedals often feature intuitive controls and rugged construction, making them suitable for both stage and studio use. In addition to their iconic standalone pedals, Electro-Harmonix has also produced notable units such as the Memory Man delay/echo and the Holy Grail reverb, which have become staples in many guitarist’s rigs. With a legacy of innovation and a commitment to quality, Electro-Harmonix continues to be a leading force in the world of guitar effects, inspiring musicians to explore new sonic possibilities.
Bass
In the realm of guitar effects, “bass” pedals are designed specifically for bass guitars, enhancing their low-end frequencies and allowing bassists to shape their tone and explore new sonic possibilities. These pedals cater to the unique characteristics of the bass guitar and provide various effects to modify its sound. For instance, overdrive and distortion pedals add gain and saturation, giving the bass a gritty or distorted tone. Compression pedals help even out dynamics by smoothing out the volume of loud and soft notes, resulting in a consistent and punchy sound. EQ pedals enable bassists to sculpt their tone by boosting or cutting specific frequencies, allowing them to emphasize certain parts of the sound or compensate for room acoustics.
Other popular bass effects include envelope filters, which produce dynamic filter sweeps in response to playing dynamics, adding rhythmic groove to bass lines. Octave pedals generate harmonies one or two octaves below the original note, creating a fuller and more powerful sound. Modulation effects like chorus, flanger, and phaser add depth and movement by modulating the pitch or phase, creating swirling textures and enhancing the overall presence of the bass line. Lastly, delay and reverb pedals introduce ambience and spatial depth, adding echoes and reflections that enhance the sense of space in music. These diverse effects allow bassists to expand their sonic palette and express their creativity in numerous ways.
Boost
A “boost” pedal, also known as a “clean boost,” is a type of guitar effects pedal designed to increase the volume of the guitar signal without adding significant distortion or coloration to the tone. Boost pedals are used to amplify the signal level, allowing guitarists to achieve higher volume levels or to push their amplifier into overdrive for increased saturation and sustain.
Boost pedals typically feature a simple interface with controls for adjusting the level of boost, often represented by a single knob or a toggle switch. When engaged, the boost pedal increases the gain of the signal passing through it, effectively amplifying the sound. Unlike overdrive or distortion pedals, which introduce clipping and saturation to the signal, boost pedals aim to provide a clean and transparent volume increase.
Boost pedals are versatile tools that can serve various purposes in a guitarist’s rig:
1. **Volume Boost**: Boost pedals can be used to increase the volume of the guitar signal, allowing players to stand out during solos or to compensate for differences in volume between guitars or pickup settings.
2. **Overdrive Stacking**: Boost pedals are commonly used to push the front end of an overdrive or distortion pedal, resulting in increased saturation and sustain. By placing the boost pedal before a drive pedal in the signal chain, guitarists can achieve higher levels of gain and distortion without sacrificing clarity or dynamics.
3. **Amp Pushing**: Boost pedals can also be used to drive the input stage of a tube amplifier harder, causing the amp to naturally overdrive and produce a more saturated and harmonically rich tone. This is particularly useful for guitarists seeking to achieve classic tube amp breakup at lower volume levels.
4. **Tone Shaping**: Some boost pedals feature EQ controls or tone shaping options, allowing guitarists to tailor the frequency response of their signal. These pedals can be used to boost specific frequencies or to shape the overall tonal characteristics of the guitar sound.
Overall, boost pedals are essential tools for guitarists looking to enhance their tone, increase volume levels, or drive their amplifier into overdrive for added saturation and sustain. Whether used as a standalone effect or in combination with other pedals, boost pedals offer versatility and flexibility in shaping the guitar sound.
Distortion
A distortion pedal is a type of guitar effects pedal used to add gain, saturation, and harmonic distortion to the guitar signal, resulting in a more aggressive and gritty tone. Distortion pedals are widely used across various music genres, particularly in rock, metal, punk, and alternative styles, to achieve heavier and more intense guitar tones.
Here are the key features and functions of a distortion pedal:
1. **Gain (or Drive)**: The gain control adjusts the amount of distortion applied to the guitar signal. Increasing the gain setting increases the level of saturation and overdrive, resulting in a more distorted and aggressive tone. Lower gain settings produce a cleaner sound with less distortion.
2. **Tone**: The tone control adjusts the frequency response of the distorted signal, allowing you to tailor the tonal characteristics of the distortion effect. Depending on the pedal, the tone control may boost or cut specific frequency ranges, such as bass, midrange, or treble, to shape the overall sound.
3. **Level (or Output)**: The level control adjusts the overall output volume of the distorted signal. This allows you to match the level of the distorted signal with the rest of your effects chain or amplifier, ensuring consistent volume levels when engaging the pedal.
4. **Mode (or Voice)**: Some distortion pedals feature multiple modes or voicings that offer different types of distortion or gain characteristics. These modes may include options such as “Vintage,” “Modern,” or “High Gain,” each providing a distinct tonal flavor and level of saturation.
Distortion pedals offer several benefits and creative uses for guitarists:
– **Increased Gain and Sustain**: By adding gain and saturation to the guitar signal, distortion pedals increase the overall volume and sustain of the instrument, allowing notes and chords to ring out longer and with more intensity.
– **Tonal Shaping**: Distortion pedals often include tone controls that allow you to shape the frequency response of the distorted signal. This allows you to dial in the desired amount of bass, midrange, and treble to suit your playing style and musical preferences.
– **Emphasis of Harmonics**: Distortion pedals emphasize the harmonics and overtones present in the guitar signal, resulting in a richer, more complex tone with added depth and character. This can make lead lines and solos stand out and cut through the mix more effectively.
– **Versatility and Flexibility**: Distortion pedals come in a wide range of styles and voicings, from mild overdrive to high-gain distortion. This versatility allows you to choose a pedal that best suits your playing style, musical genre, and tonal preferences.
Overall, distortion pedals are essential tools for guitarists seeking to achieve heavier, more aggressive, and saturated tones. Whether used subtly to add warmth and edge to clean tones or used more aggressively to create crushing distortion, distortion pedals can enhance your guitar tone and bring new dimensions to your playing.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
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Preamp
A preamp, short for preamplifier, is an electronic device used to amplify weak signals from guitars, microphones, or other audio sources before they are sent to a power amplifier or recording device. Preamps serve several important functions in audio systems:
1. **Signal Boosting**: The primary function of a preamp is to increase the level of weak signals to line level, which is the standard level used in audio equipment. This boost ensures that the signal remains strong and clear throughout the audio chain, minimizing noise and distortion.
2. **Tone Shaping**: Many preamps feature tone controls such as EQ (equalization) knobs or switches, which allow users to adjust the frequency response of the signal. This can include boosting or cutting specific frequencies to tailor the tone to the desired sound.
3. **Impedance Matching**: Preamps often include input and output impedance controls to match the impedance of the source device (e.g., a guitar pickup) with the impedance of the connected equipment (e.g., an amplifier or mixer). Proper impedance matching ensures optimal signal transfer and prevents signal degradation.
4. **Coloration and Character**: Some preamps are designed to impart a specific sonic character or coloration to the signal, adding warmth, richness, or saturation. This can be achieved through the use of vacuum tubes, transformers, or other analog components known for their unique sonic characteristics.
5. **Gain Staging**: Preamps play a crucial role in gain staging, which involves managing the levels of audio signals at each stage of the signal chain to optimize signal-to-noise ratio and prevent distortion. By adjusting the gain or volume controls on the preamp, users can control the overall level of the signal before it reaches subsequent stages of processing or amplification.
6. **Phantom Power**: Many preamps provide phantom power, which is required to power condenser microphones and certain active DI (direct input) boxes. Phantom power is typically supplied at +48 volts and is transmitted through the microphone cable to power the microphone or DI box.
Preamps are commonly found in a variety of audio equipment, including guitar amplifiers, mixing consoles, recording interfaces, and standalone preamp units. They are essential for ensuring clean, clear, and balanced audio signals in both live sound reinforcement and studio recording applications. Additionally, dedicated guitar preamps are available as standalone units or built into amplifiers, offering guitarists additional control over their tone and signal chain.
Volume
A volume pedal is a pedal-style device used to control the volume level of an instrument, typically a guitar or a keyboard, by foot movement. It allows musicians to adjust the volume smoothly and dynamically while playing, providing hands-free control over their instrument’s output level. Here’s how a volume pedal works and some common features:
1. **Pedal Design**: A volume pedal consists of a foot-operated pedal and a housing unit. The pedal is typically attached to a potentiometer (variable resistor) inside the housing, which adjusts the volume level based on the pedal’s position.
2. **Expression Pedal Compatibility**: Many volume pedals are compatible with expression pedals, allowing players to control other parameters in addition to volume, such as modulation depth, delay mix, or wah effect, depending on the pedal and the equipment it’s connected to. This adds versatility and flexibility to the pedal’s functionality.
3. **Input and Output Jacks**: Volume pedals have input and output jacks for connecting the instrument’s signal input and output, respectively. Some volume pedals also feature additional jacks for connecting to effects pedals or other audio equipment.
4. **Taper and Sweep**: The taper refers to the way the volume changes in relation to the pedal’s movement. Most volume pedals feature an audio taper, which provides a logarithmic response to the pedal’s movement, mimicking the way human ears perceive volume changes. The sweep refers to the range of motion of the pedal, from minimum to maximum volume.
5. **Minimum Volume Control**: Some volume pedals include a minimum volume control knob or switch, which allows players to set a minimum volume level when the pedal is fully depressed. This can be useful for achieving swells or fade-ins from silence.
6. **Buffered vs. Passive**: Volume pedals may be either buffered or passive. Buffered pedals include an active circuit that maintains a consistent impedance and signal strength, preventing signal loss and preserving tone when using long cable runs or connecting to multiple effects pedals. Passive pedals, on the other hand, do not include active circuitry and may introduce some signal loss, especially with long cable runs.
7. **Tuner Out**: Some volume pedals feature a tuner output jack, which allows players to connect a tuner pedal directly to the volume pedal. This enables silent tuning while muting the instrument’s signal to the amplifier or other audio equipment.
Overall, a volume pedal is a versatile tool for guitarists, keyboardists, and other musicians seeking dynamic control over their instrument’s volume level. Whether used for swells, fade-ins, rhythm adjustments, or creative volume effects, a volume pedal provides hands-free control and adds expressive possibilities to live performances and studio recordings.
15 watts of power, but small enough to fit on a pedalboard or pack in a gig bag A full set of sound-shaping controls: Volume, Gain, Bass, Mid and Treble Bright/Norm switch: choose between a subtle top boost with more presence or a slightly darker top end Class D amp design for maximum output efficiency and minimal space requirements Power adapter included
Pad on the input that's switchable between 0dB and -10dB ensures the pedal is optimized for use with both passive and active pickups Blend allows a player to mix to taste the direct and distorted signals Three outputs: a 1/4 effect out, 1/4 direct (buffered dry) out and XLR DI out give complete control of your output signal and sound Foot-switchable crossover section with a variable low pass filter on the dry signal and a variable high pass filter on the distorted signal give bassists the ability to sculpt their sound Crossover circuit, in conjunction with the Blend control, lets you keep the low-end clear and focused and the high-end bright and cutting
Authentic v-tone modeling technology capable of dialing up big vintage tube tones, funky slap sounds, crunchy distortions and all in between Provides a truckload of great amps in a single stomp box—from traditional bass amps to modern overdriven amp tones that would typically require a multitude of effects units Presence control for definition and upper harmonics plus ultra-musical 2-band eq specifically tuned for bass guitars Output available on ¼' ts or balanced, gold-plated xlr connectors Runs on nine v battery or the behringer psu-sb dc power supply (not included)
One-Stop Gig Solution for Bass Players with Main Effects needed Analog Preamp with 3-Band EQ recreates the Legendary Ampeg Style Tone, from Dynamic Clean to Classic Rock Bass Sound Compressor, Boost, Fuzz Modules ready for Most Common Use in Bass Playing Scenes Octave Module Produces Notes One and Two Octaves Lower along with the Direct Signal for the Massive Thickness or Treble Tricky with some High Frets Tracking XLR Output for directly connecting to PA, Mixer or Audio Interface; FX Loop for Hooking up other Effects
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