Boss OC-5 Octave Pedal – New Boss Octave Delay Bass Guitar Effect Pedal
£129.00
The Boss OC-5 is the new flagship octave pedal and sets a new benchmark. Building upon everything good about the previous models the OC-5 incorporates innovative upgrades to deliver the new industry standard in octave effects. These include a new dedicated octave-up control Guitar/Bass selector switch and variable range control to choose which notes get…
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The Boss OC-5 Octave Pedal is in New condition and made by Boss , it is a great Octave Delay Bass Guitar Effect Pedal- The Boss OC-5 is the new flagship octave pedal and sets a new benchmark. Building upon everything good about the previous models the OC-5 incorporates innovative upgrades to deliver the new industry standard in octave effects. These include a new dedicated octave-up control Guitar/Bass selector switch and variable range control to choose which notes get harmonised. The biggest upgrade however is the elimination of latency so you dont need to worry about any delay between you playing the note and the octave sounding. Boss have upped the game with the OC-5 and created the most definitive octave harmoniser yet. . Available from Just Pedals for only £ 129 OC-2s big brother Upgrading a classic. When Boss released the OC-2 in 1984 they changed the pedal landscape with a distinctive octave effect that earned its legacy as a cult classic. Now with the Boss OC-5 they have changed the game once again. With Vintage mode selected the OC-5 perfectly recreates all the quirks of the original OC-2 just with a few revolutionary upgrades. No latency is the biggest of these – now you get instant octave response helping your playing be even tighter. Separate controls for -1 and -2 octaves also makes tweaking your sound much easier and youll likely find yourself spending hours dialling in different variations of octave goodness. A true classic reimagined for the modern age. Boss box of polyphonic tricks Among the many updates in the OC-5 is Boss new tracking engine for improved response. When the poly mode is selected these improvements become truly noticeable and youll see instant synchronisation between the octave effects and your playing. This improved response is complemented by a clever new feature which is the Guitar/Bass switch located on the top of the unit. This allows for simple optimisation of your sound based on instrument and again adds a level of intuitiveness simply not found on other octave pedals. The variable range control is what really separates the OC-5 apart from the pack. Giving you total control over which parts of your sound get harmonised certifies the OC-5 as the most versatile octaver currently available. If you want full chords embellished with 3 octave harmony leave the setting at max. However if you only want the bass note affected simply set the range to lowest and only the lowest note of each chord will have the octave applied. This gives you unparalleled control over harmony and gives the OC-5 its remarkable versatility. Features The industry-standard octave pedal updated with enhanced features Newly developed tracking technology provides more accurate response and natural feel with no latency Vintage mode faithfully reproduces the mono sound of the original OC-2 Poly mode for chord playing; Range knob sets the note range where the effect is applied Lowest Range setting in Poly mode applies the octave effect to only the lowest note in a chord New octave-up effect available on its own or blended with octave-down effects Mode switch optimizes the tracking engine for guitar or bass Direct out for wet/dry setupsSpecifications Controls: Pedal switch Guitar/Bass switch Vintage/Poly switch Direct Level knob +1OCT knob -1OCT knob -2OCT/Range knobIndicator: Check indicator (serves also as battery check indicator) Power supply: Alkaline battery (9V 6LR61 or 6LF22) or AC adapter (PSA Series: sold separately) Current draw: 55mA Expected battery life: Under continuous use (alkaline): approx. 7 hours Nominal input level: -20dBu Input impedance: 1m Ohm Nominal output level: -20dBu Output impedance: 1k Ohm Recommended load impedance: 10k Ohms or greater Bypass: Buffered bypass Dimensions: 73 (W) x 129 (D) x 59 (H) mm Weight (including battery): 440g Accessories: Owners Manual Leaflet Alkaline battery (9V 6LR61 or 6LF22)
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Boss is a prominent manufacturer of guitar effects pedals, multi-effects units, and related musical equipment, known for their durability, reliability, and wide range of effects. Founded in 1973 as a division of the Roland Corporation, Boss quickly became synonymous with high-quality effects pedals that are popular among guitarists and musicians worldwide.
Boss pedals are renowned for their rugged construction, intuitive controls, and signature sound quality. The company offers a comprehensive lineup of effects pedals covering various categories, including distortion, overdrive, delay, modulation, and more. Iconic pedals like the DS-1 Distortion, the DS-2 Turbo Distortion, the DD-3 Digital Delay, and the MT-2 Metal Zone have become staples on countless pedalboards due to their versatility and reliability.
In addition to individual pedals, Boss also produces multi-effects units, loopers, tuners, and accessories designed to meet the needs of modern guitarists and musicians. Their multi-effects units, such as the GT-1000 series, offer a wide range of effects and amp modeling capabilities in a single unit, providing players with a compact and convenient solution for achieving a variety of tones.
With a legacy of innovation and a commitment to quality, Boss continues to be a trusted name in the world of guitar effects, inspiring musicians to explore new sonic possibilities and express themselves creatively.
Bass
In the realm of guitar effects, “bass” pedals are designed specifically for bass guitars, enhancing their low-end frequencies and allowing bassists to shape their tone and explore new sonic possibilities. These pedals cater to the unique characteristics of the bass guitar and provide various effects to modify its sound. For instance, overdrive and distortion pedals add gain and saturation, giving the bass a gritty or distorted tone. Compression pedals help even out dynamics by smoothing out the volume of loud and soft notes, resulting in a consistent and punchy sound. EQ pedals enable bassists to sculpt their tone by boosting or cutting specific frequencies, allowing them to emphasize certain parts of the sound or compensate for room acoustics.
Other popular bass effects include envelope filters, which produce dynamic filter sweeps in response to playing dynamics, adding rhythmic groove to bass lines. Octave pedals generate harmonies one or two octaves below the original note, creating a fuller and more powerful sound. Modulation effects like chorus, flanger, and phaser add depth and movement by modulating the pitch or phase, creating swirling textures and enhancing the overall presence of the bass line. Lastly, delay and reverb pedals introduce ambience and spatial depth, adding echoes and reflections that enhance the sense of space in music. These diverse effects allow bassists to expand their sonic palette and express their creativity in numerous ways.
Delay
A delay pedal is a type of guitar effects pedal used to create echoes or repetitions of the original guitar signal. It achieves this by capturing the input signal, delaying it by a specified amount of time, and then playing it back. Delay pedals are versatile tools that can add depth, dimension, and ambience to guitar tones, and they are widely used across various music genres, from rock and blues to ambient and experimental.
Here are the key features and functions of a delay pedal:
1. **Delay Time**: This control adjusts the amount of time between the original signal and the delayed signal. Longer delay times result in more pronounced echoes, while shorter delay times produce tighter, slapback-style effects.
2. **Feedback (or Regeneration)**: The feedback control determines the number of repeats or echoes produced by the delay pedal. Increasing the feedback setting results in multiple repeats, creating a cascading effect of echoes. Careful adjustment of the feedback control allows you to dial in the desired amount of repetition without overwhelming the original signal.
3. **Mix (or Blend)**: The mix control adjusts the balance between the original (dry) signal and the delayed (wet) signal. Higher mix settings emphasize the delayed signal, while lower mix settings maintain the clarity and integrity of the original signal. This control allows you to blend the delayed signal with the dry signal to achieve the desired balance and level of effect.
4. **Tap Tempo**: Some delay pedals feature a tap tempo function that allows you to set the delay time by tapping a button in rhythm with the music. This feature is particularly useful for synchronizing the delay effect with the tempo of a song or performance.
5. **Modulation**: Many delay pedals include modulation controls that add modulation effects, such as chorus or vibrato, to the delayed signal. Modulation can add warmth, depth, and movement to the delay effect, creating a more immersive and dynamic sound.
Delay pedals offer several creative uses and applications for guitarists:
– **Spatial Effects**: By adjusting the delay time, feedback, and mix controls, delay pedals can create spacious, atmospheric effects that simulate the sound of a room, hall, or cavern. These effects add depth and dimension to guitar tones, creating a sense of space and ambience.
– **Rhythmic Patterns**: By syncing the delay time with the tempo of a song using tap tempo or preset rhythmic subdivisions, delay pedals can produce rhythmic patterns and textures that enhance the groove and feel of a performance.
– **Texture and Movement**: By introducing modulation effects to the delayed signal, delay pedals can add texture, movement, and character to guitar tones. Modulated delays create swirling, shimmering effects that enrich the sound and captivate the listener’s ear.
Overall, delay pedals are versatile tools that offer a wide range of creative possibilities for guitarists. Whether used subtly to add depth and ambience or used more prominently to create rhythmic patterns and textures, delay pedals can enhance your guitar tone and inspire new musical ideas.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
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Octave
An octave pedal is a type of guitar effects pedal that generates tones one or two octaves above or below the original signal. This effect can create a wide range of sonic textures, from thickening the sound to adding harmonies and creating synthetic basslines. Here’s how octave pedals work and some common features:
1. **Octave Up/Down**: Octave pedals typically offer the option to generate tones one octave above (octave up) or below (octave down) the original signal. Some advanced pedals may even offer both octave up and down simultaneously for more versatility.
2. **Blend Control**: Many octave pedals include a blend control, allowing you to adjust the mix between the original signal and the octave-generated signal. This feature enables you to dial in the perfect balance between the two for your desired effect.
3. **Tracking**: Tracking refers to how accurately the pedal follows the input signal and generates the octave. Higher-quality octave pedals have better tracking, meaning they accurately reproduce the pitch of the original note without latency or glitching.
4. **Polyphonic vs. Monophonic**: Some octave pedals are polyphonic, meaning they can accurately track multiple notes and chords played simultaneously. Monophonic pedals, on the other hand, work best with single notes and may struggle with chords.
5. **Sub-Octave**: In addition to octave up and down, some octave pedals offer a sub-octave effect, generating tones two octaves below the original signal. This can create deep, bass-like tones and add richness to your sound.
6. **Effects Loop**: Some octave pedals include an effects loop, allowing you to place other effects before or after the octave effect in the signal chain. This can open up creative possibilities for combining octave effects with other modulation or time-based effects.
7. **Expression Pedal Compatibility**: Certain octave pedals are compatible with expression pedals, which allow you to control parameters such as octave blend, pitch bend, or even the interval of the generated octave in real-time using your foot.
Octave pedals are widely used in various music genres, including rock, funk, jazz, and experimental music. Guitarists use them to create unique sounds, emulate basslines, and add depth and dimension to their playing. Whether you’re looking to thicken your tone, create harmonies, or explore new sonic territories, an octave pedal can be a valuable addition to your pedalboard.
Fusing classic BOSS octave tones with the latest tracking technologies, the BOSS OC-5 sets a new standard in octave pedal performance Brings together the best of its predecessors; the vintage warm mono tones of the 1982 OC-2 and the range-extending poly mode of the OC-3 – plus so much more The Poly mode enhances your chord playing; with the Range knob setting the note range where the effect is applied. The Lowest Range setting in Poly mode applies the octave effect to only the lowest note in a chord New octave-up effect, available in both Vintage and Poly modes, extends your creativity further. Use it on its own for faux 12-string sounds and unique solo tones, or blend it with the octave-down effects for extended chord voicings and super-fat leads A dedicated mode switch optimizes the tracking engine for guitar or bass – for super-accurate response and natural feel with no latency AC adaptor not included, optional BOSS PSA adaptor recommended.
Polyphonic Guitar/Bass Octave Pedal with Mono/Poly Modes Dry Direct Output Lowest Range setting in Poly mode applies the octave effect to only the lowest note in a chord The industry-standard octave pedal, updated with enhanced features
Since its release in 1981, the workhorse SD-1 Super Overdrive has been the core gain pedal for generations of players across every musical genre. Based around the revolutionary asymmetrical clipping circuit from the OD-1 Overdrive—one of the three original BOSS compact pedals from 1977. The SD-1 delivers rich, smooth, and highly musical overdrive tones that continue to inspire guitarists everywhere. Genre-defining BOSS overdrive sound. Unique asymmetrical clipping circuit produces tube-like overdrive characteristics. Mild-to-moderate drive tones with focused midrange and tight low end. Ideal for use with clean and slightly driven amps. Also works great for bringing tightness and definition to high-gain amp tones. Stacks well with boost, overdrive, and distortion pedals. AC adaptor not included, optional BOSS PSA adaptor recommended.
Octave Pedal has 100% Analog Classic Monophonic Octave creates 2-Voice Octave Sound Blended with Dry Signal Compact Size Pedal producing Notes One Octave lower and Two Octaves lower than the Direct Signal for Octave Guitar Pedal Designed for both Guitar & Bass with almost Imperceptible Latency on Guitar Octave Pedal True Bypass Footswitch keeps a clean Signal Path for Octave Pedal Working with 9V Center Negative Regular Pedal Power Supply(not included)
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