Markbass Vintage Pre – New Markbass Analogue EQ Distortion Guitar Effect Pedal
£349.00
A winning combo. The Markbass Vintage Pre is the new cutting edge pedal thatll elevate your bass tone with aplomb while simultaneously offering a handy DI and recording shortcut. What began as an idea from bass legend Marcus Miller has been superbly realised by the team at Markbass. The Vintage Pre is quite simply a…
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The Markbass Vintage Pre is in New condition and made by Markbass , it is a great Analogue EQ Distortion Guitar Effect Pedal – A winning combo. The Markbass Vintage Pre is the new cutting edge pedal thatll elevate your bass tone with aplomb while simultaneously offering a handy DI and recording shortcut. What began as an idea from bass legend Marcus Miller has been superbly realised by the team at Markbass. The Vintage Pre is quite simply a tone monster. Combining a top-end preamp with an incredibly useful analog to digital converter this pedal is the new all-in-one bass solution perfect for both live and studio use. Detailed controls including 4-band EQ two independent distortions and wet/dry blend control give this pedal serious versatility meaning itll immediately feel right at home in any setup or existing pedalboard. Guaranteed to offer practicality all while lifting your bass tone with rich saturated warmth and drive thanks to the integrated 12ax7 tube; its hard to go wrong with the Vintage Pre. . Available from Just Pedals for only £ 349 Mammoth tone Real tube tone. The Markbass Vintage Pre doesnt need to imitate. Thanks to the integrated 12ax7 tube you get all the warmth and saturated drive youd expect from a valve amp just in pedal form. Dont let its name fool you however as this rich tone extends way beyond just vintage tube tones. Two independent distortions allow you to access the full gain spectrum from creamy warm drive to gritty crunchy higher gain tones. The integrated boost circuit gives you the ability to take things up a notch whenever required with +6dB of clean boost available on tap. Huge tones regardless of settings; versatility is one of the Vintage Pres many strengths. Detailed controls Speaking of strengths the Vintage Pres detailed controls give you total freedom to dial in a wide range of tones. The 4-band EQ is an ideal size giving you expressive control; with the mid response split between two controls you can accurately sculpt your tone and presence. The 3-way switch that sits in the centre of the pedal lets you set the tonal foundation: Old gives you the classic vintage tube tone with a scooped treble response Cut is a mid-scooped setting while Flat is your standard flat frequency response. Finally the Blend knob allows you to carefully tailor the balance of dry signal and affected wet signal expanding your tonal arsenal even further. Ultimate practicality Now for Markbass box of technical tricks. The Balanced DI Out is a real DI Box with transformer optimised to offer tonal purity across the frequency spectrum and eliminating the need for an external DI unit- youll quickly become every sound engineers best friend. The RCA output and TOSLINK make this pedal the perfect studio tool. With a switchable sample rate of 44.1/48/96KHz youre guaranteed pro-quality audio every time whether in the studio or on stage. The final touches are the Aux In input and headphones output allowing you to use the pedal silently again ideal for silent recording or just practicing. Specifications Tube: 12AX7/ ECC 83 Input: Impedance 1MΩ EQ:Low: Level ±16dB (Freq. 70Hz) Mid Low: Level ±16dB (Freq. 400Hz) Mid High: Level ±16dB (Freq. 2.5KHz) High: Level ±16dB (freq. 10KHz) 3-way switch: (Flat/Cut/Old)Controls: Gain | Master | Drive | Blend Switches: On/Off | Drive | Boost Outputs:Balanced DI Out with transformer (GND switch) Digital Outputs: RCA (with transformer) and TOSLINK with sampling rate 44.1/48/96KHzPower requirement: 12VDC | 300mA (power supply included) Dimensions (W x D x H): 7.6 x 5 x 2.32 | 19.3cm x 12.7cm x 5.9cm Weight: 1.9lbs | 840g
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Markbass is an Italian manufacturer specializing in bass amplification equipment, including bass amplifiers, cabinets, and combo amps. Founded in 2001 by Marco De Virgiliis, Markbass has quickly become recognized for its high-quality, lightweight amplifiers and speaker cabinets, designed specifically for bass players.
Markbass amplifiers are known for their powerful sound, transparent tone, and portability, making them popular among professional bassists across genres. The company offers a variety of amplifier heads, ranging from compact practice amps to powerful stage rigs, as well as speaker cabinets in various configurations to suit different performance needs.
In addition to amplifiers, Markbass produces a range of bass effects pedals and accessories designed to complement their amplification systems. These pedals offer bassists a variety of tone-shaping and signal processing options to enhance their sound and performance.
With a commitment to quality craftsmanship and innovative design, Markbass continues to be a trusted name in the bass community, providing bassists with reliable and versatile amplification solutions that deliver exceptional tone and performance.
Analogue
An analogue guitar effect pedal is a device used by guitarists to modify the sound of an electric guitar through the use of analogue circuitry.
Unlike digital pedals, which rely on digital signal processing, analogue pedals use components such as transistors, capacitors, and resistors to manipulate the guitar signal in real-time.
This approach often results in a warmer, more natural sound that many musicians find desirable for its organic qualities.
Distortion
A distortion pedal is a type of guitar effects pedal used to add gain, saturation, and harmonic distortion to the guitar signal, resulting in a more aggressive and gritty tone. Distortion pedals are widely used across various music genres, particularly in rock, metal, punk, and alternative styles, to achieve heavier and more intense guitar tones.
Here are the key features and functions of a distortion pedal:
1. **Gain (or Drive)**: The gain control adjusts the amount of distortion applied to the guitar signal. Increasing the gain setting increases the level of saturation and overdrive, resulting in a more distorted and aggressive tone. Lower gain settings produce a cleaner sound with less distortion.
2. **Tone**: The tone control adjusts the frequency response of the distorted signal, allowing you to tailor the tonal characteristics of the distortion effect. Depending on the pedal, the tone control may boost or cut specific frequency ranges, such as bass, midrange, or treble, to shape the overall sound.
3. **Level (or Output)**: The level control adjusts the overall output volume of the distorted signal. This allows you to match the level of the distorted signal with the rest of your effects chain or amplifier, ensuring consistent volume levels when engaging the pedal.
4. **Mode (or Voice)**: Some distortion pedals feature multiple modes or voicings that offer different types of distortion or gain characteristics. These modes may include options such as “Vintage,” “Modern,” or “High Gain,” each providing a distinct tonal flavor and level of saturation.
Distortion pedals offer several benefits and creative uses for guitarists:
– **Increased Gain and Sustain**: By adding gain and saturation to the guitar signal, distortion pedals increase the overall volume and sustain of the instrument, allowing notes and chords to ring out longer and with more intensity.
– **Tonal Shaping**: Distortion pedals often include tone controls that allow you to shape the frequency response of the distorted signal. This allows you to dial in the desired amount of bass, midrange, and treble to suit your playing style and musical preferences.
– **Emphasis of Harmonics**: Distortion pedals emphasize the harmonics and overtones present in the guitar signal, resulting in a richer, more complex tone with added depth and character. This can make lead lines and solos stand out and cut through the mix more effectively.
– **Versatility and Flexibility**: Distortion pedals come in a wide range of styles and voicings, from mild overdrive to high-gain distortion. This versatility allows you to choose a pedal that best suits your playing style, musical genre, and tonal preferences.
Overall, distortion pedals are essential tools for guitarists seeking to achieve heavier, more aggressive, and saturated tones. Whether used subtly to add warmth and edge to clean tones or used more aggressively to create crushing distortion, distortion pedals can enhance your guitar tone and bring new dimensions to your playing.
EQ
While Ed Sheeran primarily relies on the natural sound of his acoustic guitar and vocals, he occasionally uses EQ (Equalization) to shape and enhance his tone during live performances or in the studio. EQ pedals or onboard preamps can allow him to adjust the frequency response of his guitar signal to suit the acoustics of different venues or to achieve specific tonal characteristics. Here’s how EQ might be utilized in Ed Sheeran’s setup:
1. **Tonal Shaping**: EQ can be used to adjust the balance of frequencies in the guitar signal, allowing Ed Sheeran to shape his tone to his liking. For example, he might boost the midrange frequencies to bring out the warmth and presence of his acoustic guitar, or cut certain frequencies to reduce any harshness or mud in the sound.
2. **Feedback Control**: In a live setting, EQ can help control feedback by notching out problematic frequencies that might cause the guitar signal to feed back through the amplification system. This can be particularly useful when performing in venues with challenging acoustics or high volume levels.
3. **Room Correction**: In situations where the venue’s acoustics are less than ideal, EQ can be used to compensate for any deficiencies in the sound. By adjusting the EQ settings, Ed Sheeran can tailor the guitar tone to sound more balanced and natural, regardless of the room’s acoustic properties.
4. **Matching Gear**: EQ can also be used to match the tone of Ed Sheeran’s guitar to the sound of other instruments or equipment in his setup. For example, he might adjust the EQ to complement the tonal characteristics of his vocal microphone or to blend seamlessly with backing tracks or other instruments.
Overall, while EQ may not be a central component of Ed Sheeran’s guitar effects setup, it can still play a valuable role in shaping his tone and ensuring that he achieves the desired sound in different performance environments. Whether used subtly for tonal shaping or more aggressively for feedback control, EQ allows Ed Sheeran to tailor his guitar tone to suit his musical vision and performance needs.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
New
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Single Effects for Bass Bass Effects Basses We emphasise a balanced combination of careful workmanship and selected materials. OUR GOAL – Your satisfaction is our top priority and takes centre stage.
Analog Preamp, comp and Overdrive bass effect pedal Classic optical compressing sound, 3-band EQ with PRE/POST selection for enhancing and shaping your bass tone High impedance input and XLR balanced output Special Design Buffer Bypass Circuit Keeps the Sound Pristine Working with 9V Center Negative Regular Pedal Power Supply(not included)
Authentic v-tone modeling technology capable of dialing up big vintage tube tones, funky slap sounds, crunchy distortions and all in between Provides a truckload of great amps in a single stomp box—from traditional bass amps to modern overdriven amp tones that would typically require a multitude of effects units Presence control for definition and upper harmonics plus ultra-musical 2-band eq specifically tuned for bass guitars Output available on ¼' ts or balanced, gold-plated xlr connectors Runs on nine v battery or the behringer psu-sb dc power supply (not included)
ORIGINAL FENDER-DESIGNED DISTORTION CIRCUIT: Designed by our in-house experts, the Hammertone Distortion is a low-noise, high-power rock machine with a dynamic and versatile sound. ACTIVE EQ CONTROLS: Active Bass and Treble controls provide massive control over your tone, with up to 15db of boost or cut. INTERNAL TONE CONTROLS: The internal trim-pot controls allow for pre-set adjustments to further shape your sound. A mid-range trimmer lets you add bite and bark, while the tone control allows you to dial down super-high frequencies to tame your amp. CUSTOM COLOUR “F” LOGO KNOBS: Paying homage to Fender’s historic custom colors, these “F” logo knobs are easy to read, easy to grip and stand out on stage. RUGGED ROAD-WORTHY HARDWARE: The rugged aluminum enclosure and metal hardware deliver road-worthy reliability. True bypass switching ensure easy setup and pure tone.
Take off with overdrive, distortion or a combination of both effects in one powerful pedal Dedicated Level, Tone, Drive and Mode controls for awesome sound shaping Status LED for effect on/off and battery check Runs on 9 V battery or the Behringer PSU-SB DC power supply (not included) First-class electronic On/Off switch for highest signal integrity in bypass mode
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