Electro Harmonix Lester K Stereo Rotary Speaker Emulator – New Electro Harmonix Stereo EQ Overdrive Guitar Effect Pedal
£170.46
Timeless rotary rhythms. Anyone whos ever used a Leslie rotating speaker with their instrument knows its main drawback – its enormous size and weight! The Electro Harmonix Lester K Stereo Rotary Speaker Emulator puts the classic swirling tremolo effect of a Leslie in the palm of your hand. Electro-Harmonixs Lester K lets you get your…
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The Electro Harmonix Lester K Stereo Rotary Speaker Emulator is in New condition and made by Electro Harmonix , it is a great Stereo EQ Overdrive Guitar Effect Pedal – Timeless rotary rhythms. Anyone whos ever used a Leslie rotating speaker with their instrument knows its main drawback – its enormous size and weight! The Electro Harmonix Lester K Stereo Rotary Speaker Emulator puts the classic swirling tremolo effect of a Leslie in the palm of your hand. Electro-Harmonixs Lester K lets you get your guitar or keyboard closer to that unmistakable Leslie sound than ever before. Funky distorted Hammond tones are just a twist away thanks to the Lester Ks authentic tube-style overdrive with the Balance knob acting as a powerful yet musical equaliser. Youll have all the control of a real Leslie with independent low and high speed settings as well as an acceleration control for an accurate transition when you hit the infamous Speed/Brake switch. The Lester K is a first-rate full-featured Leslie emulation. Give it a whirl. . Available from Just Pedals for only £ 170.46 Every classic control and more Realistic reliable rotary controls. To those acquainted with rotating speakers the EHX Lester Ks range of features will be both familiar and a breath of fresh air. Switch between slow and fast rotation speeds by hitting the Speed/Brake switch once. Likewise slow the effect down to a full stop by holding the switch for more than half a second just as you would on the real thing. However the Lester provides modern versatility too with super-accurate control over the RPM of both the Slow and Fast spin rates which emulate the originals default settings at their 12 oclock positions. For a final level of high-end functionality the Lester K also features an expression pedal input for on-the-fly trem speed swells. Behind the Balance knob An EQ with history. On a pedal with a stereo output one might expect the Balance knob to control the comparative strength of the left and right signals. So why does the Lesters Balance act as a sweet-sounding resonant EQ control? The answer lies in the construction of a Leslie rotating speaker. Leslies contain two speakers. A high-frequency horn which physically spins at the desired speed and a bass woofer speaker with rotating baffle in front of it to create its signature Leslie swirl. Recording engineers would mic up these two outputs separately and it is the precise treble/bass blend which the Lester Ks Balance knob controls. From crisp and crunchy highs when fully clockwise to smooth rounded lows at its minimum theres a world of timeless tone at your fingertips. Full stereo satisfaction One trick engineers use when recording a rotating speaker is to place two microphones at different points in the rotation then placing these to the left or the right of the listener for a mesmerising “ping-pong” effect. Thanks to the Lesters mono/stereo output connections you can recreate this easily by sending the left and right signals to two separate amps or to distinct recording inputs which can then be panned left or right. Specifications >Product Code: LESTER K Inputs:) 1 x Mono (1/4″ Jack) Outputs: 1 x Mono (1/4″ Jack) 1 x Stereo (1/4″ Jack) Additional Connections: 1 x Expression Pedal (1/4″ Jack) Controls: Volume Slow Fast Drive Balance Buttons: Speed/Brake Bypass Power: 9V AC Adapter (200mA Negative Centre) (Included) 100mA min. Current draw: 135mA @ 9VDC Dimensions: 102(w) x 121(l) x 58(h) mm
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Electro-Harmonix (EHX) is a legendary manufacturer of guitar pedals and audio electronics, renowned for their distinctive sound and pioneering designs. Established in 1968 by Mike Matthews, EHX has played a significant role in shaping the landscape of effects pedals. The company’s pedals are celebrated for their innovative circuits and unique tones, earning them a dedicated following among musicians across genres. From classics like the Big Muff Pi fuzz to modern favorites like the POG octave generator, Electro-Harmonix pedals are known for their versatility and sonic character.
EHX’s product lineup spans a wide range of effects categories, including distortion, modulation, delay, and reverb, among others. Their pedals often feature intuitive controls and rugged construction, making them suitable for both stage and studio use. In addition to their iconic standalone pedals, Electro-Harmonix has also produced notable units such as the Memory Man delay/echo and the Holy Grail reverb, which have become staples in many guitarist’s rigs. With a legacy of innovation and a commitment to quality, Electro-Harmonix continues to be a leading force in the world of guitar effects, inspiring musicians to explore new sonic possibilities.
EQ
While Ed Sheeran primarily relies on the natural sound of his acoustic guitar and vocals, he occasionally uses EQ (Equalization) to shape and enhance his tone during live performances or in the studio. EQ pedals or onboard preamps can allow him to adjust the frequency response of his guitar signal to suit the acoustics of different venues or to achieve specific tonal characteristics. Here’s how EQ might be utilized in Ed Sheeran’s setup:
1. **Tonal Shaping**: EQ can be used to adjust the balance of frequencies in the guitar signal, allowing Ed Sheeran to shape his tone to his liking. For example, he might boost the midrange frequencies to bring out the warmth and presence of his acoustic guitar, or cut certain frequencies to reduce any harshness or mud in the sound.
2. **Feedback Control**: In a live setting, EQ can help control feedback by notching out problematic frequencies that might cause the guitar signal to feed back through the amplification system. This can be particularly useful when performing in venues with challenging acoustics or high volume levels.
3. **Room Correction**: In situations where the venue’s acoustics are less than ideal, EQ can be used to compensate for any deficiencies in the sound. By adjusting the EQ settings, Ed Sheeran can tailor the guitar tone to sound more balanced and natural, regardless of the room’s acoustic properties.
4. **Matching Gear**: EQ can also be used to match the tone of Ed Sheeran’s guitar to the sound of other instruments or equipment in his setup. For example, he might adjust the EQ to complement the tonal characteristics of his vocal microphone or to blend seamlessly with backing tracks or other instruments.
Overall, while EQ may not be a central component of Ed Sheeran’s guitar effects setup, it can still play a valuable role in shaping his tone and ensuring that he achieves the desired sound in different performance environments. Whether used subtly for tonal shaping or more aggressively for feedback control, EQ allows Ed Sheeran to tailor his guitar tone to suit his musical vision and performance needs.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
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Overdrive
Overdrive is a popular guitar effect that creates a warm, distorted sound by amplifying the signal of an electric guitar, typically using a pedal or an amp’s built-in circuit. The effect simulates the natural distortion that occurs when a tube amplifier is pushed to its limit, creating a rich, harmonic response that adds sustain, warmth, and character to the tone. Overdrive pedals are commonly used to add grit and growl to a clean tone without the harshness of full distortion.
The overdrive effect works by boosting the input signal, causing the amplifier to break up and clip the waveform, resulting in a smooth, musical distortion. This is often more subtle and less aggressive than other forms of distortion, making overdrive pedals ideal for blues, classic rock, and country players who seek a dynamic sound that responds to their playing touch. Overdrive pedals can be used in conjunction with other effects like delay and reverb to shape a more complex, evolving sound. Popular overdrive pedals include the Ibanez Tube Screamer, the Fulltone OCD, and the Boss OD-3, each offering different tonal characteristics, from smooth and bluesy to punchy and aggressive.
Stereo
Stereo effect pedals are guitar effects pedals that process the guitar signal in stereo, providing a wider and more immersive sound experience compared to mono effects pedals. These pedals split the guitar signal into two independent channels—left and right—and apply effects separately to each channel. Stereo effects pedals can create spatial effects, enhance the stereo image, and add depth and dimension to the guitar tone. Here are some common types of stereo effect pedals:
1. **Stereo Reverb**: Stereo reverb pedals generate reverberation effects in stereo, simulating the acoustic reflections and ambience of various spaces. Stereo reverb pedals can create lush, expansive reverb tails that spread across the stereo field, adding depth and dimension to the guitar tone.
2. **Stereo Delay**: Stereo delay pedals produce delay effects in stereo, with separate delay lines for the left and right channels. Stereo delay pedals can create intricate rhythmic patterns, ping-pong delays that bounce between the left and right channels, and spatial effects that enhance the stereo image.
3. **Stereo Chorus**: Stereo chorus pedals modulate the guitar signal in stereo, creating rich, swirling modulation effects. Stereo chorus pedals can produce wide, shimmering textures that move across the stereo field, adding depth and movement to the guitar tone.
4. **Stereo Phaser**: Stereo phaser pedals modulate the phase of the guitar signal in stereo, producing sweeping, swirling effects. Stereo phaser pedals can create dynamic stereo modulation effects that move back and forth between the left and right channels, enhancing the stereo image and spatial dimension.
5. **Stereo Flanger**: Stereo flanger pedals modulate the guitar signal in stereo, producing jet-like, sweeping modulation effects. Stereo flanger pedals can create dramatic stereo sweeps and whooshing sounds that pan across the stereo field, adding movement and depth to the guitar tone.
6. **Stereo Tremolo**: Stereo tremolo pedals modulate the volume of the guitar signal in stereo, producing rhythmic amplitude modulation effects. Stereo tremolo pedals can create pulsating, stereo tremolo effects that move between the left and right channels, adding rhythmic movement and spatial dynamics.
7. **Stereo Modulation Multi-Effects**: Some multi-effects pedals feature stereo modulation effects, combining multiple stereo effects such as reverb, delay, chorus, phaser, and flanger in a single unit. These pedals offer a wide range of stereo modulation options and can create complex, layered soundscapes with enhanced stereo imaging.
Stereo effect pedals are popular among guitarists seeking to create expansive, immersive soundscapes and enhance their overall tone with spatial effects. Whether used in stereo amplifier setups, stereo pedalboard configurations, or stereo recording environments, stereo effect pedals can add depth, dimension, and movement to the guitar tone, enriching the listening experience for both players and audiences.
Studio-quality compressor/limiter lets the user precisely tune dynamics regardless of the instrument or situation. The compressor/limiter includes a full complement of controls: Volume, Attack, Release and Sustain, plus pushbuttons for Hard or Soft Knee and the Limiter. Foot-switchable overdrive section adds versatility and includes dedicated controls for Volume, Tone and Drive. Together with the compressor it produces a sound that’s saturated, smooth and slippery. Adjustable Swell function creates bowed, fade in and reverse effects. True stereo operation, can be used as Mono In and Out, Mono In and Stereo Out, or Stereo In and Stereo Out.
Truly independent stereo outputs Individual flanger Individual chorus Chorus and flanger may be used together Filter matrix mode available allowing you to manually sweep the flanger
30 second stereo looper with continuous overdubbing, reverse, speed adjust and tempo only adjust Up to 3 seconds of stereo echo with adjustable reverberant washes Up to 3 seconds of stereo multi-tap delay with adjustable number of taps and taps amplitude envelope Up to 300 mS stereo echo with modulation Up to 3 seconds of intelligent reverse echo
Capture a frozen moment and turn it into a tonally unique sonic foundation Sound Retainer delivers infinite sustain of any note or chord Three selectable decay rates It's like adding an extra musician to the band.
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