Unchain your gain. The MXR 5150 EVH Overdrive Pedal will bring a crushing edge to every riff you write adding saturated crunch and Van Halens classic overdriven tone. An array of control dials including a three-band EQ Gain and Output ensures you have total control over your searing hot sound. Add crunch clarity and sparkle…
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The MXR 5150 EVH Overdrive Pedal is in New condition and made by MXR , it is a great Noise Gate EQ Boost Overdrive Guitar Effect Pedal – Unchain your gain. The MXR 5150 EVH Overdrive Pedal will bring a crushing edge to every riff you write adding saturated crunch and Van Halens classic overdriven tone. An array of control dials including a three-band EQ Gain and Output ensures you have total control over your searing hot sound. Add crunch clarity and sparkle then watch your riffs erupt with newfound intensity and bite. But this pedal is no one-trick pony. It also features a handy noise gate for seamless playing ensuring that your tone has minimal unwanted noise. Then theres the Boost button which will add compression and gain – perfect for explosive solos. If youre looking for the perfect tool to add tube-like tone and crushing overdrive – youve found it. Once its on your pedalboard theres no going back… . Available from Just Pedals for only £ 219 The Van Halen sound Its legendary. Van Halen wasnt known for his country licks and soft jazz solos – he was a rocker. As such it was only fitting that his signature overdrive pedal represents this. Thats why this MOSFET-loaded expertly crafted pedal delivers stunningly crushing overdrive helping to spice up your riffs no end. You can use the three-band EQ to shape your core tone whilst the Gain dial lets you decide how much dirt you want to add to the mix. The question isnt how much overdrive this pedal can give you but rather how much overdrive do you want? More effects – the ultimate all-in-one It doesnt stop at overdrive. Van Halen clearly wanted this pedal to cover every need of the modern-day musician. Therefore theres a built-in noise gate activated with the Gate button. Thisll eliminate all unwanted noise and ensure you have a crystal-clear sound at all times. Theres also a Boost button which will instantly add gain and compression to your sound sending this pedal into an overdrive frenzy. Armed with these tools onstage nothing will stop you from achieving the same level of tonal perfection as Van Halen himself. Features Legendary Eddie Van Halen Tone in a Compact Pedal Designed in Collaboration with Eddie Van Halen Multi-Stage MOSFETs Overdrive Passive 3-Band EQ for Versatile Tone Tweaking Boost Switch for Extra Gain and Compression Built-In Smart Gate Circuit Robust Metal Construction Specifications Input: 1 x 1/4″ Jack Output: 1 x 1/4″ Jack Controls: Gain Treble Mid Bass Output Gate Buttons: Boost Switches: On/Off Construction: Metal
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MXR is a renowned manufacturer of guitar effects pedals and audio electronics, recognized for their classic designs and high-quality sound. Established in the 1970s, MXR has played a significant role in shaping the landscape of effects pedals, producing iconic units that have become staples in countless musicians’ rigs. The company’s pedals are celebrated for their rugged construction, intuitive controls, and versatile tones, making them popular among guitarists and bassists across genres.
MXR’s product lineup encompasses a wide range of effects categories, including distortion, delay, modulation, and more. Some of their most notable pedals include the Phase 90 phaser, the Dyna Comp compressor, and the Carbon Copy analog delay, all of which have earned legendary status among players for their distinctive sound and reliability. With a legacy of innovation and a commitment to quality, MXR continues to be a respected name in the world of guitar effects, inspiring musicians to explore new sonic possibilities and express themselves creatively.
Boost
A “boost” pedal, also known as a “clean boost,” is a type of guitar effects pedal designed to increase the volume of the guitar signal without adding significant distortion or coloration to the tone. Boost pedals are used to amplify the signal level, allowing guitarists to achieve higher volume levels or to push their amplifier into overdrive for increased saturation and sustain.
Boost pedals typically feature a simple interface with controls for adjusting the level of boost, often represented by a single knob or a toggle switch. When engaged, the boost pedal increases the gain of the signal passing through it, effectively amplifying the sound. Unlike overdrive or distortion pedals, which introduce clipping and saturation to the signal, boost pedals aim to provide a clean and transparent volume increase.
Boost pedals are versatile tools that can serve various purposes in a guitarist’s rig:
1. **Volume Boost**: Boost pedals can be used to increase the volume of the guitar signal, allowing players to stand out during solos or to compensate for differences in volume between guitars or pickup settings.
2. **Overdrive Stacking**: Boost pedals are commonly used to push the front end of an overdrive or distortion pedal, resulting in increased saturation and sustain. By placing the boost pedal before a drive pedal in the signal chain, guitarists can achieve higher levels of gain and distortion without sacrificing clarity or dynamics.
3. **Amp Pushing**: Boost pedals can also be used to drive the input stage of a tube amplifier harder, causing the amp to naturally overdrive and produce a more saturated and harmonically rich tone. This is particularly useful for guitarists seeking to achieve classic tube amp breakup at lower volume levels.
4. **Tone Shaping**: Some boost pedals feature EQ controls or tone shaping options, allowing guitarists to tailor the frequency response of their signal. These pedals can be used to boost specific frequencies or to shape the overall tonal characteristics of the guitar sound.
Overall, boost pedals are essential tools for guitarists looking to enhance their tone, increase volume levels, or drive their amplifier into overdrive for added saturation and sustain. Whether used as a standalone effect or in combination with other pedals, boost pedals offer versatility and flexibility in shaping the guitar sound.
EQ
While Ed Sheeran primarily relies on the natural sound of his acoustic guitar and vocals, he occasionally uses EQ (Equalization) to shape and enhance his tone during live performances or in the studio. EQ pedals or onboard preamps can allow him to adjust the frequency response of his guitar signal to suit the acoustics of different venues or to achieve specific tonal characteristics. Here’s how EQ might be utilized in Ed Sheeran’s setup:
1. **Tonal Shaping**: EQ can be used to adjust the balance of frequencies in the guitar signal, allowing Ed Sheeran to shape his tone to his liking. For example, he might boost the midrange frequencies to bring out the warmth and presence of his acoustic guitar, or cut certain frequencies to reduce any harshness or mud in the sound.
2. **Feedback Control**: In a live setting, EQ can help control feedback by notching out problematic frequencies that might cause the guitar signal to feed back through the amplification system. This can be particularly useful when performing in venues with challenging acoustics or high volume levels.
3. **Room Correction**: In situations where the venue’s acoustics are less than ideal, EQ can be used to compensate for any deficiencies in the sound. By adjusting the EQ settings, Ed Sheeran can tailor the guitar tone to sound more balanced and natural, regardless of the room’s acoustic properties.
4. **Matching Gear**: EQ can also be used to match the tone of Ed Sheeran’s guitar to the sound of other instruments or equipment in his setup. For example, he might adjust the EQ to complement the tonal characteristics of his vocal microphone or to blend seamlessly with backing tracks or other instruments.
Overall, while EQ may not be a central component of Ed Sheeran’s guitar effects setup, it can still play a valuable role in shaping his tone and ensuring that he achieves the desired sound in different performance environments. Whether used subtly for tonal shaping or more aggressively for feedback control, EQ allows Ed Sheeran to tailor his guitar tone to suit his musical vision and performance needs.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
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Noise Gate
A noise gate is a type of guitar effects pedal used to reduce unwanted noise and hum in the guitar signal chain. It works by automatically muting or attenuating the signal when it falls below a certain threshold, effectively “gating” out background noise during silent passages or when the guitar is not being played.
Here are the key features and functions of a noise gate pedal:
1. **Threshold**: The threshold control sets the level at which the noise gate activates. Any signal below this threshold will be attenuated or muted. Adjusting the threshold allows users to customize the sensitivity of the noise gate to match the level of background noise in their signal chain.
2. **Decay (or Release)**: The decay control determines how quickly the noise gate closes after the signal falls below the threshold. A shorter decay time results in a faster response, while a longer decay time allows for a more gradual fade-out. This control helps to smooth out the transition between active and muted signal states.
3. **Attack (or Hold)**: Some noise gate pedals feature an attack control, which determines how quickly the gate opens when the signal exceeds the threshold. This control can be useful for preserving the initial transient of guitar notes and preventing them from being cut off abruptly.
4. **Range (or Depth)**: The range control adjusts the amount of attenuation applied to the signal when the noise gate is active. Increasing the range increases the amount of signal suppression, effectively reducing background noise and hum.
5. **Release (or Hold)**: The release control sets the amount of time the gate remains closed after the signal falls below the threshold before reopening. This control helps to avoid chopping off sustained notes or chords prematurely by allowing the gate to stay closed for a specified duration.
Noise gate pedals are commonly used in guitar rigs to eliminate unwanted noise from high-gain amplifiers, noisy effects pedals, or noisy venues. They can help improve the overall clarity and definition of the guitar tone by reducing background noise and hum, especially during quiet passages or when using high levels of distortion or gain.
Overall, noise gate pedals are valuable tools for guitarists looking to achieve cleaner, more articulate tones by effectively controlling unwanted noise in their signal chain.
Overdrive
Overdrive is a popular guitar effect that creates a warm, distorted sound by amplifying the signal of an electric guitar, typically using a pedal or an amp’s built-in circuit. The effect simulates the natural distortion that occurs when a tube amplifier is pushed to its limit, creating a rich, harmonic response that adds sustain, warmth, and character to the tone. Overdrive pedals are commonly used to add grit and growl to a clean tone without the harshness of full distortion.
The overdrive effect works by boosting the input signal, causing the amplifier to break up and clip the waveform, resulting in a smooth, musical distortion. This is often more subtle and less aggressive than other forms of distortion, making overdrive pedals ideal for blues, classic rock, and country players who seek a dynamic sound that responds to their playing touch. Overdrive pedals can be used in conjunction with other effects like delay and reverb to shape a more complex, evolving sound. Popular overdrive pedals include the Ibanez Tube Screamer, the Fulltone OCD, and the Boss OD-3, each offering different tonal characteristics, from smooth and bluesy to punchy and aggressive.
Power: single 9-volt battery or dunlop ecb-003 ac adapter Controls: footswitch toggles effect on/bypass (red led indicates on) Three-position switch selects type of noise reduction: hiss, mid range, or fuji gate Led shows level of noise reduction Made in benicia, californa
All-in-one pedal-The JOYO Chopper-Z is a simple, all-in-one solution for guitarists looking for modern metal tone live and in the studio. Use it to instantly transform clean tones into a high gain monster or as an all-in-one solution for recording. Precise pedal–Chopper-Z is a high gain amp simulations, meanwhile, it features 412 cabinet modulation and Flexible & Usable 3-band EQ, adding a new flavor to your existing distortion tone. Unique pedal–built-in adjustable noise gate knob, developed specifically for the Chopper-Z, to reduce your signal noise. Charming pedal–Metal aluminum alloy case and good precision components making it solid and durable, moreover, its innovative R-series ambience LED lights delivers a feeling of charming. Before playing, please make sure the guitar is fully connected with the pedal. in order to make JOYO pedals work properly and avoiding unexpected noise, we recommend you to purchase an extra JOYO original power adapter, or choose the other reliable bra… read more
MXR and Custom Audio Electronics founder Bob Bradshaw join forces to bring you a dynamic new line of pedals The Boost/Overdrive and Boost pedals are the first offerings in the series produced by MXR, featuring the unique sonic stamp of legendary designer Bob Bradshaw Since 1980, CAE's innovative pedal designs were made in limited quantities only for his select clientele Model Number: MC402 The MC-402 Boost/Overdrive Pedal cleans up nicely when you roll back your guitar volume, making it extremely responsive to picking dynamics without thinning your tone
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