Boss VE-2 Vocal Harmonist – New Boss Reverb Delay EQ Guitar Effect Pedal
£194.00
The Boss VE-2 Vocal Harmonist is a vocal effects pedal for live and studio use. The core of the VE-2 is a harmoniser that lets you create lush vocals readily. Simply set the songs key from the dial or plug a guitar into the input of the pedal and sing and the harmoniser will follow…
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The Boss VE-2 Vocal Harmonist is in New condition and made by Boss, it is a great Reverb Delay EQ Guitar Effect Pedal – The Boss VE-2 Vocal Harmonist is a vocal effects pedal for live and studio use. The core of the VE-2 is a harmoniser that readily lets you create lush vocals. Simply set the song key from the dial or plug a guitar into the input of the pedal and sing and the harmoniser will follow your music to create stirring emotional sounds without requiring advanced music theory knowledge.
Blend control also allows you to adjust the volume of the harmonies to sit perfectly in the mix. The VE-2 also provides additional effects such as reverb delay a blended reverb and delay and an enhancer effect. Three memory slots allow you to save and recall your favourite settings perfect for dynamic performances or variety in recorded segments.
This stompbox also includes a USB output that allows you to connect to a DAW ideal for home and studio recording. . Available from Just Pedals for o
nly £ 194 Harmonic flexibility The VE-2 offers a versatile harmoniser at its core perfect for singer-songwriters and band vocalists alike. with control over harmony type key and effect balance. This pedals guitar input will help follow the guitar playing so you don’t have to set the key manually. Or you can use hybrid mode to detect keys based on the guitar and then a manual setting when the guitar stops or plays lead. 24 different harmony types let you choose whatever suits your needs with 12 one-voice harmonies 12 two-voice harmonies for thicker sounds and other variations to add rich textured sound to your voice. Capable of subtle accompaniment or rich ensemble effects this harmoniser can’t be beaten in its flexibility. The VE-2 also lets you add a final layer of polish with your choice of delay reverb or combined delay and reverb as well as an enhancer effect for a studio-quality sound Suitable for studio and stage The VE-2 is perfect for live performance but is also very much at home in the studio thanks to its flexible design.
Patch memory lets you store up to four of your preferred settings and swap between them with the use of a footswitch. Phantom power on the unit lets you connect dynamic and condenser microphones alike. And USB audio connectivity lets you record directly into a DAW for home and studio recording. You could even use the VE-2 as a vocal mixing effect!
This harmoniser pedal can also be powered by both battery and mains AC power, making it easy to transport and connect in any setting. Features Vocal processor unit with harmoniser effects 24 harmony types for enriching vocals with one or two extra voices Blend and manual key controls to adjust pitch and mix of your effects Adjustable reverb and delay add space to your voice Automatic harmoniser reads guitar inputs to tune harmonies Variation mode adds additional voices to your harmonies Enhancer effect adds excitement and presence Perfect for use both live and in the studio Memory allows you to save and recall your favourite settings Footswitch input to switch between your saved sounds USB audio port for direct connection to DAWs for studio and home recording Powered via battery or AC power for portability
Specifications Nominal Input Level: MIC IN: -40 dBu (MicSens = Center) GUITAR IN: -10 dBuInput Impedance: MIC IN: 4 k&ohms; GUITAR IN: 1 MΩNominal Output Level: XLR OUT: -40 dBu PHONES/LINE OUT: -20 dBu GUITAR THRU: -10 dBuOutput Impedance: XLR OUT: 600 Ω PHONES/LINE OUT: 33 ΩEffect Types: Harmony Echo Enhance Number of Harmony Types: 12 x 2 (Variation) Number of Memory: 3 Connectors: MIC IN jack: XLR type balanced phantom power (DC 46 V 10 mA Max.) GUITAR IN jack: 1/4-inch phone type GUITAR THRU jack: 1/4-inch phone type XLR OUT jack: XLR type PHONES/LINE OUT jack: Stereo miniature phone type VARIATION MEMORY INC jack: 1/4-inch TRS phone type USB COMPUTER port: USB type B DC IN jack power Supply: Rechargeable Ni-MH battery (AA HR6) x 4 Alkaline battery (AA LR6) x 4 AC adaptor (sold separately)Current Draw: 200 mA max. (9 V) Expected Battery Life (under continuous use): Rechargeable Ni-MH battery*: Approx. 12 hours (phantom power off) Approx. 8 hours (phantom power on) Alkaline battery: Approx. 11 hours (phantom power off) Approx. 7 hours (phantom power on) Accessories: Owners Manual Safety leaflet 4 x alkaline battery (AA LR6) Dimensions (W x D x H): 156 x 116 x 64 mm (6.14″ x 4.57″ x 2.52″) Weight: 600 g (1 lbs. 6 oz.)
Please Note: The Boss VE-2 comes with 4 AA batteries included. AC Adaptor is sold separately.
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Boss is a prominent manufacturer of guitar effects pedals, multi-effects units, and related musical equipment, known for their durability, reliability, and wide range of effects. Founded in 1973 as a division of the Roland Corporation, Boss quickly became synonymous with high-quality effects pedals that are popular among guitarists and musicians worldwide.
Boss pedals are renowned for their rugged construction, intuitive controls, and signature sound quality. The company offers a comprehensive lineup of effects pedals covering various categories, including distortion, overdrive, delay, modulation, and more. Iconic pedals like the DS-1 Distortion, the DS-2 Turbo Distortion, the DD-3 Digital Delay, and the MT-2 Metal Zone have become staples on countless pedalboards due to their versatility and reliability.
In addition to individual pedals, Boss also produces multi-effects units, loopers, tuners, and accessories designed to meet the needs of modern guitarists and musicians. Their multi-effects units, such as the GT-1000 series, offer a wide range of effects and amp modeling capabilities in a single unit, providing players with a compact and convenient solution for achieving a variety of tones.
With a legacy of innovation and a commitment to quality, Boss continues to be a trusted name in the world of guitar effects, inspiring musicians to explore new sonic possibilities and express themselves creatively.
Delay
A delay pedal is a type of guitar effects pedal used to create echoes or repetitions of the original guitar signal. It achieves this by capturing the input signal, delaying it by a specified amount of time, and then playing it back. Delay pedals are versatile tools that can add depth, dimension, and ambience to guitar tones, and they are widely used across various music genres, from rock and blues to ambient and experimental.
Here are the key features and functions of a delay pedal:
1. **Delay Time**: This control adjusts the amount of time between the original signal and the delayed signal. Longer delay times result in more pronounced echoes, while shorter delay times produce tighter, slapback-style effects.
2. **Feedback (or Regeneration)**: The feedback control determines the number of repeats or echoes produced by the delay pedal. Increasing the feedback setting results in multiple repeats, creating a cascading effect of echoes. Careful adjustment of the feedback control allows you to dial in the desired amount of repetition without overwhelming the original signal.
3. **Mix (or Blend)**: The mix control adjusts the balance between the original (dry) signal and the delayed (wet) signal. Higher mix settings emphasize the delayed signal, while lower mix settings maintain the clarity and integrity of the original signal. This control allows you to blend the delayed signal with the dry signal to achieve the desired balance and level of effect.
4. **Tap Tempo**: Some delay pedals feature a tap tempo function that allows you to set the delay time by tapping a button in rhythm with the music. This feature is particularly useful for synchronizing the delay effect with the tempo of a song or performance.
5. **Modulation**: Many delay pedals include modulation controls that add modulation effects, such as chorus or vibrato, to the delayed signal. Modulation can add warmth, depth, and movement to the delay effect, creating a more immersive and dynamic sound.
Delay pedals offer several creative uses and applications for guitarists:
– **Spatial Effects**: By adjusting the delay time, feedback, and mix controls, delay pedals can create spacious, atmospheric effects that simulate the sound of a room, hall, or cavern. These effects add depth and dimension to guitar tones, creating a sense of space and ambience.
– **Rhythmic Patterns**: By syncing the delay time with the tempo of a song using tap tempo or preset rhythmic subdivisions, delay pedals can produce rhythmic patterns and textures that enhance the groove and feel of a performance.
– **Texture and Movement**: By introducing modulation effects to the delayed signal, delay pedals can add texture, movement, and character to guitar tones. Modulated delays create swirling, shimmering effects that enrich the sound and captivate the listener’s ear.
Overall, delay pedals are versatile tools that offer a wide range of creative possibilities for guitarists. Whether used subtly to add depth and ambience or used more prominently to create rhythmic patterns and textures, delay pedals can enhance your guitar tone and inspire new musical ideas.
EQ
While Ed Sheeran primarily relies on the natural sound of his acoustic guitar and vocals, he occasionally uses EQ (Equalization) to shape and enhance his tone during live performances or in the studio. EQ pedals or onboard preamps can allow him to adjust the frequency response of his guitar signal to suit the acoustics of different venues or to achieve specific tonal characteristics. Here’s how EQ might be utilized in Ed Sheeran’s setup:
1. **Tonal Shaping**: EQ can be used to adjust the balance of frequencies in the guitar signal, allowing Ed Sheeran to shape his tone to his liking. For example, he might boost the midrange frequencies to bring out the warmth and presence of his acoustic guitar, or cut certain frequencies to reduce any harshness or mud in the sound.
2. **Feedback Control**: In a live setting, EQ can help control feedback by notching out problematic frequencies that might cause the guitar signal to feed back through the amplification system. This can be particularly useful when performing in venues with challenging acoustics or high volume levels.
3. **Room Correction**: In situations where the venue’s acoustics are less than ideal, EQ can be used to compensate for any deficiencies in the sound. By adjusting the EQ settings, Ed Sheeran can tailor the guitar tone to sound more balanced and natural, regardless of the room’s acoustic properties.
4. **Matching Gear**: EQ can also be used to match the tone of Ed Sheeran’s guitar to the sound of other instruments or equipment in his setup. For example, he might adjust the EQ to complement the tonal characteristics of his vocal microphone or to blend seamlessly with backing tracks or other instruments.
Overall, while EQ may not be a central component of Ed Sheeran’s guitar effects setup, it can still play a valuable role in shaping his tone and ensuring that he achieves the desired sound in different performance environments. Whether used subtly for tonal shaping or more aggressively for feedback control, EQ allows Ed Sheeran to tailor his guitar tone to suit his musical vision and performance needs.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
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Reverb
Reverb, short for reverberation, is a fundamental audio effect that simulates the sound reflections and decay that occur in physical spaces, such as rooms, halls, or chambers. It adds depth, dimension, and ambiance to audio signals, creating a sense of space and realism. In the context of guitar effects, a reverb pedal is a device that generates and applies reverb effects to the guitar signal. Here’s how reverb pedals work and some common features:
1. **Reverb Types**: Reverb pedals typically offer different types of reverb effects, including spring reverb, plate reverb, hall reverb, room reverb, and ambient or modulated reverb. Each type emulates the characteristics of different physical spaces and has its own unique sound and character.
2. **Controls**: Reverb pedals feature various controls for adjusting parameters such as decay time, pre-delay, damping, tone, and mix. Decay time controls the length of the reverb tail or decay, while pre-delay adjusts the time between the original signal and the onset of the reverb. Damping controls the high-frequency content of the reverb, simulating absorption in the virtual space. Tone controls the overall tonal character of the reverb, and mix adjusts the balance between the dry (original) and wet (affected) signals.
3. **Modulation**: Some reverb pedals include modulation effects such as chorus or tremolo that modulate the reverb tail, adding movement and depth to the sound. Modulation can create lush, swirling textures and enhance the overall ambiance of the reverb effect.
4. **Trail Function**: Many reverb pedals offer a trail function, which allows the reverb tail to continue decaying naturally when the effect is bypassed. This prevents abrupt cutoffs and ensures smooth transitions between affected and unaffected signal states.
5. **Spring Tank vs. Digital Reverb**: Reverb pedals can use either spring tanks or digital processing to generate reverb effects. Spring reverb pedals emulate the sound of vintage spring reverb units found in amplifiers, while digital reverb pedals use algorithms to simulate a wide range of reverb types and settings.
6. **Size and Form Factor**: Reverb pedals come in various sizes and form factors, from compact mini pedals to larger, feature-rich units. Choose a pedal size and form factor that fits your pedalboard layout and offers the desired features and controls for your needs.
Reverb pedals are widely used in various music genres, including rock, blues, jazz, ambient, and experimental music. They can add depth, warmth, and atmosphere to guitar tones, enhance the spatial imaging of recordings, and create immersive soundscapes for performances. Whether used subtly to add a touch of room ambiance or dialed in for dramatic, expansive effects, reverb pedals are essential tools for shaping guitar tones and creating captivating sounds.
Real-time vocal harmonies and high-quality effects in an affordable, easy-to-operate pedal Auto harmony function automatically detects chords played on a connected guitar and generates perfectly matching harmonies, even during mid-song key changes Solo singers can create harmonies by manually setting the song key with a dedicated panel knob Hybrid Mode creates harmonies based on both guitar chord input and the manual key setting, Perfect for songs where the guitar part transition between rhythm and Lead playing 24 Harmony types to choose from (12 one- and two-voice harmonies plus variations that provide even fuller sounds)
Real-time vocal harmonies and high-quality effects in an affordable, easy-to-operate pedal Auto Harmony function automatically detects chords played on a connected guitar and generates perfectly matching harmonies, even during mid-song key changes Solo singers can create harmonies by manually setting the song key with a dedicated panel knob Hybrid mode creates harmonies based on both guitar chord input and the manual key setting, perfect for songs where the guitar part transitions between rhythm and lead playing Runs on four AA-size batteries or optional PSA-series AC adapter
The RV-200 delivers inspiring reverbs and premium sound in the streamlined BOSS 200 series design. Twelve versatile reverb types—including the newly developed Arpverb—provide everything from subtle spatial color to complex, dreamy textures for ambient explorations. Class-leading sound quality with 32-bit AD/DA, 32-bit floating point processing, and 96 kHz sampling rate. Fast, easy operation with hands-on controls. 127 user memories for storing sounds. Density control with six stages. Param knob to access extended functions within each reverb type. Selectable carryover for maintaining reverb trails when switching presets or bypassing the effect. Stereo I/O with wet/dry and dry mute output options. Two assignable footswitches.
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