Boss OS-2 Overdrive/Distortion Pedal – New Boss Overdrive Distortion Guitar Effect Pedal
£94.10
The Boss OS-2 Overdrive/Distortion Pedal combines two iconic circuits into one enclosure to truly offer the best of both worlds. The DS-1 is one of the most iconic distortion pedals ever loved by Kurt Cobain and Joe Satriani alike while the SD-1 is the most distinctive overdrive in existence heavily used by the likes of…
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The Boss OS-2 Overdrive/Distortion Pedal is in New condition and made by Boss , it is a great Overdrive Distortion Guitar Effect Pedal – The Boss OS-2 Overdrive/Distortion Pedal combines two iconic circuits into one enclosure to truly offer the best of both worlds. The DS-1 is one of the most iconic distortion pedals ever loved by Kurt Cobain and Joe Satriani alike while the SD-1 is the most distinctive overdrive in existence heavily used by the likes of Eddie Van Halen and David Gilmour; now get the authentic sounds of both from one Boss pedal. The Color control on the far right blends the two circuits into one huge sound further to the right will venture more towards brilliant distortion whereas left leans more towards gritty overdrive finding your sweet spot in the middle is where the joy lays with the OS-2. . Available from Just Pedals for only £ 94.1 Balancing act Worlds collide. The Boss OS-2 Overdrive/Distortion Pedal offers the unique ability to blend overdriven and distorted sounds into one mammoth tone. This special unit gives you both the famous DS-1 and SD-1s sounds but combining them into radical new thick dirty tones is where the magic of this pedal lays. Interestingly these two circuits compliment each other remarkably well thanks in part to the SD-1 clipping asymmetrically while the DS-1 clips symmetrically so you get the harmonic purity and richness of the DS-1s symmetrical clipping and the gritty crunch of the SD-1 asymmetrical clipping. If youre in need of a versatile dirt box that can access a wide range of gritty tones to suit any application its hard to go wrong with the OS-2. Specifications Controls: Tone Level Drive Colour Input Impedence: 1 M ohms Output Impedence: 10 K ohms or greater Power Supply: DC 9 V: Dry Battery 9 V type (6F22/9 V) AC Adaptor Included: Dry Battery 9 V type (6F22/9 V) Connectors: INPUT Jack OUTPUT Jack AC Adaptor Jack (DC 9 V) Dimensions: Width: 73mm Depth: 129mm Height: 59mm Weight: 400g
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Boss is a prominent manufacturer of guitar effects pedals, multi-effects units, and related musical equipment, known for their durability, reliability, and wide range of effects. Founded in 1973 as a division of the Roland Corporation, Boss quickly became synonymous with high-quality effects pedals that are popular among guitarists and musicians worldwide.
Boss pedals are renowned for their rugged construction, intuitive controls, and signature sound quality. The company offers a comprehensive lineup of effects pedals covering various categories, including distortion, overdrive, delay, modulation, and more. Iconic pedals like the DS-1 Distortion, the DS-2 Turbo Distortion, the DD-3 Digital Delay, and the MT-2 Metal Zone have become staples on countless pedalboards due to their versatility and reliability.
In addition to individual pedals, Boss also produces multi-effects units, loopers, tuners, and accessories designed to meet the needs of modern guitarists and musicians. Their multi-effects units, such as the GT-1000 series, offer a wide range of effects and amp modeling capabilities in a single unit, providing players with a compact and convenient solution for achieving a variety of tones.
With a legacy of innovation and a commitment to quality, Boss continues to be a trusted name in the world of guitar effects, inspiring musicians to explore new sonic possibilities and express themselves creatively.
Distortion
A distortion pedal is a type of guitar effects pedal used to add gain, saturation, and harmonic distortion to the guitar signal, resulting in a more aggressive and gritty tone. Distortion pedals are widely used across various music genres, particularly in rock, metal, punk, and alternative styles, to achieve heavier and more intense guitar tones.
Here are the key features and functions of a distortion pedal:
1. **Gain (or Drive)**: The gain control adjusts the amount of distortion applied to the guitar signal. Increasing the gain setting increases the level of saturation and overdrive, resulting in a more distorted and aggressive tone. Lower gain settings produce a cleaner sound with less distortion.
2. **Tone**: The tone control adjusts the frequency response of the distorted signal, allowing you to tailor the tonal characteristics of the distortion effect. Depending on the pedal, the tone control may boost or cut specific frequency ranges, such as bass, midrange, or treble, to shape the overall sound.
3. **Level (or Output)**: The level control adjusts the overall output volume of the distorted signal. This allows you to match the level of the distorted signal with the rest of your effects chain or amplifier, ensuring consistent volume levels when engaging the pedal.
4. **Mode (or Voice)**: Some distortion pedals feature multiple modes or voicings that offer different types of distortion or gain characteristics. These modes may include options such as “Vintage,” “Modern,” or “High Gain,” each providing a distinct tonal flavor and level of saturation.
Distortion pedals offer several benefits and creative uses for guitarists:
– **Increased Gain and Sustain**: By adding gain and saturation to the guitar signal, distortion pedals increase the overall volume and sustain of the instrument, allowing notes and chords to ring out longer and with more intensity.
– **Tonal Shaping**: Distortion pedals often include tone controls that allow you to shape the frequency response of the distorted signal. This allows you to dial in the desired amount of bass, midrange, and treble to suit your playing style and musical preferences.
– **Emphasis of Harmonics**: Distortion pedals emphasize the harmonics and overtones present in the guitar signal, resulting in a richer, more complex tone with added depth and character. This can make lead lines and solos stand out and cut through the mix more effectively.
– **Versatility and Flexibility**: Distortion pedals come in a wide range of styles and voicings, from mild overdrive to high-gain distortion. This versatility allows you to choose a pedal that best suits your playing style, musical genre, and tonal preferences.
Overall, distortion pedals are essential tools for guitarists seeking to achieve heavier, more aggressive, and saturated tones. Whether used subtly to add warmth and edge to clean tones or used more aggressively to create crushing distortion, distortion pedals can enhance your guitar tone and bring new dimensions to your playing.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
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Overdrive
An overdrive pedal is a type of guitar effects pedal that simulates the sound of a vintage tube amplifier pushed into overdrive or distortion. It adds warmth, richness, and harmonic complexity to the guitar signal, creating a smooth, saturated tone that ranges from mild grit to full-on distortion. Here’s how overdrive pedals work and some common features:
1. **Gain**: The gain control adjusts the amount of overdrive or distortion applied to the guitar signal. Turning up the gain increases the intensity of the overdrive, while lowering it produces a cleaner, more transparent sound.
2. **Level**: The level control adjusts the output volume of the pedal. This allows you to match the volume level of the overdriven signal with your clean signal or boost the overall volume for solos or lead lines.
3. **Tone**: The tone control (sometimes labeled as “tone” or “EQ”) adjusts the frequency response of the overdriven signal. Turning it clockwise boosts the highs and cuts the lows, resulting in a brighter tone. Turning it counterclockwise boosts the lows and cuts the highs, producing a darker tone.
4. **Drive (or Distortion)**: Some overdrive pedals feature a separate drive control, which determines the intensity of the overdrive effect independently of the gain control. This allows for more fine-tuned control over the amount of saturation and distortion in the tone.
5. **True Bypass vs. Buffered Bypass**: Overdrive pedals may have either true bypass or buffered bypass circuits. True bypass preserves the guitar’s original tone when the pedal is turned off, while buffered bypass maintains signal integrity and prevents signal loss when the pedal is engaged.
6. **Voicing Options**: Some overdrive pedals offer voicing options or switchable modes that allow you to tailor the character of the overdrive to suit your playing style or musical genre. This may include options for different clipping diodes, EQ curves, or saturation levels.
7. **Stacking**: Overdrive pedals are often used in combination with other effects pedals, such as boost pedals, distortion pedals, or modulation effects. Stacking multiple overdrive pedals can create unique tonal textures and dynamic range, allowing for greater versatility and customization of your guitar tone.
Overdrive pedals are widely used in various music genres, including blues, rock, country, and jazz. Guitarists use them to add warmth, grit, and character to their tone, whether they’re playing rhythm parts, lead lines, or solos. An overdrive pedal is a staple on many pedalboards, offering classic tones and timeless appeal for guitarists of all levels and styles.
Take off with overdrive, distortion or a combination of both effects in one powerful pedal Dedicated Level, Tone, Drive and Mode controls for awesome sound shaping Status LED for effect on/off and battery check Runs on 9 V battery or the Behringer PSU-SB DC power supply (not included) First-class electronic On/Off switch for highest signal integrity in bypass mode
Legendary distortion used by guitarists everywhere since 1978. BOSS’s first distortion pedal defined a bold new sound, delivering hard-edged attack and smooth sustain that’s been a staple of players for generations. The classic DS-1 tone is behind the signature sounds of numerous rock legends, and is ready to fuel your own signature sound today. Hard-edged attack remains clear even at maximum distortion settings, ideal for heavy rhythms and cutting solos. Works great as a booster at low distortion settings. Unique tone control offers a wide range of sound shaping. Doesn’t mask the unique sound characteristics of different guitars, pickups, and styles. Turning down the guitar’s volume cleans up the tone without introducing muddiness. BOSS five-year warranty.
Flexible distortion pedal capable of producing blended overdrive/distortion sounds Provides both "over-the-top" distortion sounds and less extreme overdrive tones for rhythm playing Includes Level, Tone, Drive and Color controls for precise tonal shaping BOSS five-year warranty
Introduced in 1978 among the earliest models in the BOSS compact series, the orange DS-1 redefined the sound of distortion and remains as influential today as ever. The DS-1 is the top-selling BOSS compact pedal ever. DS-1W is the latest version of the legendary DS-1, upgraded and hand built in Japan with Waza Craftsmanship for the ultimate BOSS tone experience. Newly revised two-stage gain circuit with discrete analog components. Standard mode delivers the legendary sound of the original DS-1. Versatile Tone knob provides wide-ranging frequency control fine-tuned for each modended range and versatility whilst retaining the look and character of the DS-1. Two modes offer increased versatility when the pedal is used as a gain booster. Premium buffer for clean and clear tone when bypassed.
Since its release in 1981, the workhorse SD-1 Super Overdrive has been the core gain pedal for generations of players across every musical genre. Based around the revolutionary asymmetrical clipping circuit from the OD-1 Overdrive—one of the three original BOSS compact pedals from 1977. The SD-1 delivers rich, smooth, and highly musical overdrive tones that continue to inspire guitarists everywhere. Genre-defining BOSS overdrive sound. Unique asymmetrical clipping circuit produces tube-like overdrive characteristics. Mild-to-moderate drive tones with focused midrange and tight low end. Ideal for use with clean and slightly driven amps. Also works great for bringing tightness and definition to high-gain amp tones. Stacks well with boost, overdrive, and distortion pedals. AC adaptor not included, optional BOSS PSA adaptor recommended.
Boss is a prominent manufacturer of guitar effects pedals, multi-effects units, and related musical equipment, known for their durability, reliability, and wide range of effects. Founded in 1973 as a division of the Roland Corporation, Boss quickly became synonymous with high-quality effects pedals that are popular among guitarists and musicians worldwide.
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