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The 2016 – 2017 EarthQuaker Devices Avalanche Run Stereo Reverb &a… is in used condition and made by EarthQuaker Devices , it is a great Stereo Reverb Blue Sparkle / White Print Guitar Effect Pedal – Very good condition with a few small marks – check the pictures for more detail. Full working order. With box.Part ex is welcome – Please get in to… . Available from Just Pedals for only £276.88 (+delivery)
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We have one of the largest online selection of new and used EarthQuaker Devices music gear. If you are looking for your next pedal, we will have it online at JustPedals with fast delivery direct to you at home. Every item on the JustPedal menu is delivered by sellers to all areas of the USA & UK.
EarthQuaker Devices is renowned for its innovative and high-quality guitar effects pedals. Some of their most popular products include the Avalanche Run, a versatile stereo reverb and delay pedal, and the Afterneath, known for its unique and atmospheric reverb sounds. The Hoof Fuzz is another favorite, offering rich, creamy fuzz tones, while the Plumes delivers a fresh take on the classic overdrive pedal. Each pedal is handcrafted with meticulous attention to detail in Akron, Ohio, and is celebrated for both its robust build and distinctive sound-shaping capabilities.
We are pleased to offer a wide selection of EarthQuaker Devices products for sale online in the UK, with efficient postage options available. Whether you’re looking for the lush modulations of the Sea Machine chorus or the dynamic range of the Dispatch Master delay and reverb, our inventory is well-stocked to meet your needs. Browse our extensive catalog to find the perfect addition to your pedalboard, and enjoy the convenience of having these exceptional pedals delivered straight to your door.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
Reverb
Reverb, short for reverberation, is a fundamental audio effect that simulates the sound reflections and decay that occur in physical spaces, such as rooms, halls, or chambers. It adds depth, dimension, and ambiance to audio signals, creating a sense of space and realism. In the context of guitar effects, a reverb pedal is a device that generates and applies reverb effects to the guitar signal. Here’s how reverb pedals work and some common features:
1. **Reverb Types**: Reverb pedals typically offer different types of reverb effects, including spring reverb, plate reverb, hall reverb, room reverb, and ambient or modulated reverb. Each type emulates the characteristics of different physical spaces and has its own unique sound and character.
2. **Controls**: Reverb pedals feature various controls for adjusting parameters such as decay time, pre-delay, damping, tone, and mix. Decay time controls the length of the reverb tail or decay, while pre-delay adjusts the time between the original signal and the onset of the reverb. Damping controls the high-frequency content of the reverb, simulating absorption in the virtual space. Tone controls the overall tonal character of the reverb, and mix adjusts the balance between the dry (original) and wet (affected) signals.
3. **Modulation**: Some reverb pedals include modulation effects such as chorus or tremolo that modulate the reverb tail, adding movement and depth to the sound. Modulation can create lush, swirling textures and enhance the overall ambiance of the reverb effect.
4. **Trail Function**: Many reverb pedals offer a trail function, which allows the reverb tail to continue decaying naturally when the effect is bypassed. This prevents abrupt cutoffs and ensures smooth transitions between affected and unaffected signal states.
5. **Spring Tank vs. Digital Reverb**: Reverb pedals can use either spring tanks or digital processing to generate reverb effects. Spring reverb pedals emulate the sound of vintage spring reverb units found in amplifiers, while digital reverb pedals use algorithms to simulate a wide range of reverb types and settings.
6. **Size and Form Factor**: Reverb pedals come in various sizes and form factors, from compact mini pedals to larger, feature-rich units. Choose a pedal size and form factor that fits your pedalboard layout and offers the desired features and controls for your needs.
Reverb pedals are widely used in various music genres, including rock, blues, jazz, ambient, and experimental music. They can add depth, warmth, and atmosphere to guitar tones, enhance the spatial imaging of recordings, and create immersive soundscapes for performances. Whether used subtly to add a touch of room ambiance or dialed in for dramatic, expansive effects, reverb pedals are essential tools for shaping guitar tones and creating captivating sounds.
Stereo
Stereo effect pedals are guitar effects pedals that process the guitar signal in stereo, providing a wider and more immersive sound experience compared to mono effects pedals. These pedals split the guitar signal into two independent channels—left and right—and apply effects separately to each channel. Stereo effects pedals can create spatial effects, enhance the stereo image, and add depth and dimension to the guitar tone. Here are some common types of stereo effect pedals:
1. **Stereo Reverb**: Stereo reverb pedals generate reverberation effects in stereo, simulating the acoustic reflections and ambience of various spaces. Stereo reverb pedals can create lush, expansive reverb tails that spread across the stereo field, adding depth and dimension to the guitar tone.
2. **Stereo Delay**: Stereo delay pedals produce delay effects in stereo, with separate delay lines for the left and right channels. Stereo delay pedals can create intricate rhythmic patterns, ping-pong delays that bounce between the left and right channels, and spatial effects that enhance the stereo image.
3. **Stereo Chorus**: Stereo chorus pedals modulate the guitar signal in stereo, creating rich, swirling modulation effects. Stereo chorus pedals can produce wide, shimmering textures that move across the stereo field, adding depth and movement to the guitar tone.
4. **Stereo Phaser**: Stereo phaser pedals modulate the phase of the guitar signal in stereo, producing sweeping, swirling effects. Stereo phaser pedals can create dynamic stereo modulation effects that move back and forth between the left and right channels, enhancing the stereo image and spatial dimension.
5. **Stereo Flanger**: Stereo flanger pedals modulate the guitar signal in stereo, producing jet-like, sweeping modulation effects. Stereo flanger pedals can create dramatic stereo sweeps and whooshing sounds that pan across the stereo field, adding movement and depth to the guitar tone.
6. **Stereo Tremolo**: Stereo tremolo pedals modulate the volume of the guitar signal in stereo, producing rhythmic amplitude modulation effects. Stereo tremolo pedals can create pulsating, stereo tremolo effects that move between the left and right channels, adding rhythmic movement and spatial dynamics.
7. **Stereo Modulation Multi-Effects**: Some multi-effects pedals feature stereo modulation effects, combining multiple stereo effects such as reverb, delay, chorus, phaser, and flanger in a single unit. These pedals offer a wide range of stereo modulation options and can create complex, layered soundscapes with enhanced stereo imaging.
Stereo effect pedals are popular among guitarists seeking to create expansive, immersive soundscapes and enhance their overall tone with spatial effects. Whether used in stereo amplifier setups, stereo pedalboard configurations, or stereo recording environments, stereo effect pedals can add depth, dimension, and movement to the guitar tone, enriching the listening experience for both players and audiences.
Used
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Controls Time: This controls the delay time and goes from 0ms to just under 2000ms. Repeats: Controls the regeneration of the delay, from zero repeats to near infinite. Tone: Controls the tone for the delay line only. Roll off highs to the left, roll off lows to the right and get a flat response in the middle. Mix: The is the volume control for the delay line. This blends in the wet with dry until 1 o’clock, 1 o’clock to 3 o’clock boosts the wet signal over the dry and 3 o’clock up brings down dry until it is fully wet when all the way up.
Controls Mix: The Mix control is a wet/dry blend that adjusts the overall level of the affected signal. Time: Sets the delay time from 0ms to 1500ms (1.5 seconds). Reverb: Controls the amount of reverb. Counterclockwise is less reverb, clockwise is more reverb. Repeats: controls the regeneration of the delay signal. When the Repeats control is set to maximum, you’ll get infinite repeats without runaway self-oscillation, which makes it great for creating drones, dialing in the ultimate post-rock guitar sound without feedback, or just having fun.
4 5/8'' x 2 1/2'' x 2.25'' with knobs Any standard 9 volt DC power supply with a negative centre 2.1mm barrel. No battery option. Depth: Sets reverb intensity Dwell: Adjusts the length and thickness of the decay. Attack: Sets the delay of the pick attack on the wet signal from 30ms-150ms.
The Modes control changes the way the Drag control functions. The LED will change colors indicating which mode you are in Expression pedal control jack for the Drag. Any expression pedal will work with the Afterneath. Tip is the wiper, Ring is 5v and Sleeve is ground Flexi-Switch Technology allows you to simultaneously use momentary and latching style switching Uses electronic buffered bypass, it requires power to pass signal and the buffer is always active. You may experience a pop the first time the Afterneath is switched on after power up Factory set in “tails mode. ” This means that the wet signal will naturally decay and slowly fade to silence after the effect is switched off
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