Tone that will make your knees quake. The MXR Timmy Overdrive is ready to add crunch to your rig bringing you a versatile range of overdriven tones. Designed by veteran pedal expert Paul Cochrane you know that this means business. Go from subtle distortion to a menacing crunch with a simple twist of the knob.…
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The MXR CSP027 Timmy Overdrive is in New condition and made by MXR , it is a great Overdrive Distortion Guitar Effect Pedal- Tone that will make your knees quake. The MXR Timmy Overdrive is ready to add crunch to your rig bringing you a versatile range of overdriven tones. Designed by veteran pedal expert Paul Cochrane you know that this means business. Go from subtle distortion to a menacing crunch with a simple twist of the knob. Your guitar tone is about to go up a gear. The Timmy Overdrive may sound like an untamed beast but it promises simplicity with a modest design. Youll never have to worry about running out of space on your pedalboard. And when youre ready to go back to your safe clean sound your signal wont be coloured by the circuitry. Thats a dream come true for working guitarists. . Available from Just Pedals for only £ 149 Are You Ready to Tame the Beast? Responsive range meets gritty texture. The MXR Timmy Overdrive is a force to be reckoned with. Though its sound is big and bold this wild beast is surprisingly small fitting seamlessly into your rig without taking up space. But just remember size isnt everything. From five sensitive controls you can take your tone from a gentle nibble to a ferocious crunch. Dial your sound for distorted perfection. Whether its bass treble or gain that needs tweaking the MXR Timmy gives you ultimate control. Add to this three clipping styles to cover a multitude of situations and youre prepared to take on an army of audiophiles. MXR are masters in guitar tone. Their bespoke range of pedals are loved the world over bringing a wealth of unique guitar sounds to every rig. The Timmy Overdrive is no exception. Just plug in dial your sound and shred like never before. Features A working guitar player’s dream come true Versatile tonal range – from subtle crunch to snarling bite Designed by the master pedal builder Paul Cochrane Huge application small footprint Uncoloured guitar tone guaranteed Choose from three different clipping styles to cover a multitude of situations Super saturated sound perfect for fat chords and dextrous lead Refine your sonic profile with ingeniously configured Bass and Treble controls Specifications Effect Type: Overdrive Circuitry: Analogue Controls: Bass Clip Gain Volume and Treble Input: 1/4″ Jack Output: 1/4″ Jack Power Adapter: 9V DC Power Supply Colour: Blue Product Code: JD-CSP027
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MXR is a renowned manufacturer of guitar effects pedals and audio electronics, recognized for their classic designs and high-quality sound. Established in the 1970s, MXR has played a significant role in shaping the landscape of effects pedals, producing iconic units that have become staples in countless musicians’ rigs. The company’s pedals are celebrated for their rugged construction, intuitive controls, and versatile tones, making them popular among guitarists and bassists across genres.
MXR’s product lineup encompasses a wide range of effects categories, including distortion, delay, modulation, and more. Some of their most notable pedals include the Phase 90 phaser, the Dyna Comp compressor, and the Carbon Copy analog delay, all of which have earned legendary status among players for their distinctive sound and reliability. With a legacy of innovation and a commitment to quality, MXR continues to be a respected name in the world of guitar effects, inspiring musicians to explore new sonic possibilities and express themselves creatively.
Distortion
A distortion pedal is a type of guitar effects pedal used to add gain, saturation, and harmonic distortion to the guitar signal, resulting in a more aggressive and gritty tone. Distortion pedals are widely used across various music genres, particularly in rock, metal, punk, and alternative styles, to achieve heavier and more intense guitar tones.
Here are the key features and functions of a distortion pedal:
1. **Gain (or Drive)**: The gain control adjusts the amount of distortion applied to the guitar signal. Increasing the gain setting increases the level of saturation and overdrive, resulting in a more distorted and aggressive tone. Lower gain settings produce a cleaner sound with less distortion.
2. **Tone**: The tone control adjusts the frequency response of the distorted signal, allowing you to tailor the tonal characteristics of the distortion effect. Depending on the pedal, the tone control may boost or cut specific frequency ranges, such as bass, midrange, or treble, to shape the overall sound.
3. **Level (or Output)**: The level control adjusts the overall output volume of the distorted signal. This allows you to match the level of the distorted signal with the rest of your effects chain or amplifier, ensuring consistent volume levels when engaging the pedal.
4. **Mode (or Voice)**: Some distortion pedals feature multiple modes or voicings that offer different types of distortion or gain characteristics. These modes may include options such as “Vintage,” “Modern,” or “High Gain,” each providing a distinct tonal flavor and level of saturation.
Distortion pedals offer several benefits and creative uses for guitarists:
– **Increased Gain and Sustain**: By adding gain and saturation to the guitar signal, distortion pedals increase the overall volume and sustain of the instrument, allowing notes and chords to ring out longer and with more intensity.
– **Tonal Shaping**: Distortion pedals often include tone controls that allow you to shape the frequency response of the distorted signal. This allows you to dial in the desired amount of bass, midrange, and treble to suit your playing style and musical preferences.
– **Emphasis of Harmonics**: Distortion pedals emphasize the harmonics and overtones present in the guitar signal, resulting in a richer, more complex tone with added depth and character. This can make lead lines and solos stand out and cut through the mix more effectively.
– **Versatility and Flexibility**: Distortion pedals come in a wide range of styles and voicings, from mild overdrive to high-gain distortion. This versatility allows you to choose a pedal that best suits your playing style, musical genre, and tonal preferences.
Overall, distortion pedals are essential tools for guitarists seeking to achieve heavier, more aggressive, and saturated tones. Whether used subtly to add warmth and edge to clean tones or used more aggressively to create crushing distortion, distortion pedals can enhance your guitar tone and bring new dimensions to your playing.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
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Overdrive
Overdrive is a popular guitar effect that creates a warm, distorted sound by amplifying the signal of an electric guitar, typically using a pedal or an amp’s built-in circuit. The effect simulates the natural distortion that occurs when a tube amplifier is pushed to its limit, creating a rich, harmonic response that adds sustain, warmth, and character to the tone. Overdrive pedals are commonly used to add grit and growl to a clean tone without the harshness of full distortion.
The overdrive effect works by boosting the input signal, causing the amplifier to break up and clip the waveform, resulting in a smooth, musical distortion. This is often more subtle and less aggressive than other forms of distortion, making overdrive pedals ideal for blues, classic rock, and country players who seek a dynamic sound that responds to their playing touch. Overdrive pedals can be used in conjunction with other effects like delay and reverb to shape a more complex, evolving sound. Popular overdrive pedals include the Ibanez Tube Screamer, the Fulltone OCD, and the Boss OD-3, each offering different tonal characteristics, from smooth and bluesy to punchy and aggressive.
Since its release in 1981, the workhorse SD-1 Super Overdrive has been the core gain pedal for generations of players across every musical genre. Based around the revolutionary asymmetrical clipping circuit from the OD-1 Overdrive—one of the three original BOSS compact pedals from 1977. The SD-1 delivers rich, smooth, and highly musical overdrive tones that continue to inspire guitarists everywhere. Genre-defining BOSS overdrive sound. Unique asymmetrical clipping circuit produces tube-like overdrive characteristics. Mild-to-moderate drive tones with focused midrange and tight low end. Ideal for use with clean and slightly driven amps. Also works great for bringing tightness and definition to high-gain amp tones. Stacks well with boost, overdrive, and distortion pedals. AC adaptor not included, optional BOSS PSA adaptor recommended.
A collaboration between MXR and Analog Man Adds warmth and grit while allowing the sound and feel of your high-end gear to shine Thru-hole components personally tested by Analog Mike Boost/OD/Distortion switch allows you to set the overall attitude of the pedal’s output Allows all of your signal chain’s nuances to come through, from strings to amp tubes
Take off with overdrive, distortion or a combination of both effects in one powerful pedal Dedicated Level, Tone, Drive and Mode controls for awesome sound shaping Status LED for effect on/off and battery check Runs on 9 V battery or the Behringer PSU-SB DC power supply (not included) First-class electronic On/Off switch for highest signal integrity in bypass mode
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