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Boss Waza Tube Amp Expander with GA-FC Foot Controller – New Boss Looper Reverb Delay EQ Guitar Effect Pedal

£1,215.00

Create sonic fire. The Boss Waza Tube Amp Expander brings together an extensive range of carefully developed features that will elevate your Boss Waza Tube Amp to the pinnacle of performance. Itll let you really experience the power of your amp. Its advanced reactive load section allows you to crank up your amp to the…

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Description

The Boss Waza Tube Amp Expander with GA-FC Foot Controller is in New condition and made by Boss , it is a great Looper Reverb Delay EQ Guitar Effect Pedal – Create sonic fire. The Boss Waza Tube Amp Expander brings together an extensive range of carefully developed features that will elevate your Boss Waza Tube Amp to the pinnacle of performance. Itll let you really experience the power of your amp. Its advanced reactive load section allows you to crank up your amp to the max without altering its tone or having to play too loud.But thats far from all this awesome unit can do. Youll enjoy versatile tone in your amp like never before. A built-in effects engine and external effects loop provide you with a wealth of sonic possibilities including reverb compressor and delay effects. Four different EQs let you shape your perfect tone. Were still only scratching the surface of its capabilities. This is sonic freedom. And theres no need to keep running over to change your tone thanks to the included Boss GA-FC Guitar Amp Foot Controller. With six switches and two expression pedal inputs you have full control over the channel and effects. Switch between 4 channels or toggle effects on and off all while continuing to play. And if you need even more control you can even connect two expression pedals to adjust overall volume and drive. All you need to manage your sound in one convenient package. . Available from Just Pedals for only £ 1215 Specifications General Control Knobs: Speaker Out Line Out Phones Resonance-Z Presence-Z Rig Reverb Speaker impedance Buttons: FX Loop Effects Solo/EQ Amp CTL Switches: Input Level (10W 50W 100W) L/R Ground Lift (Normal Lift) Moho (FOH) Ground Lift (Normal Life) Amp CTL (Latch Pulse Invert) Return Ground Lift (Normal Life) Send Ground Lift (Normal Life) Level (-10 +4) Loop (Series Parallel) Power Consumption: 100 W Accessories: Owner s Manual Power Cord Rack Mount Angle x 2 (for EIA-2U) GA-FC Sticker Technical From Tube Amp Input: Maximum Input Power: 150W Input Impedance: 4/8/16 Ohms (Selectable) Safety Load (Power Off): 16 Ohms To Speaker Output: Rated Power Output: 100W (8 Ohms) Load Impedance: 4-16 Ohms Nominal Output Level: Line Out L/R: +4 dBu Line Out Mono (FOH): +4 dBu FX Loop Nominal Output Level: -10/+4 dBu (Selectable) Maximum Output Level: Line Out L/R: +2-dBu Line Out Mono (FOH): +20 dBu FX Loop Send: +6 dBu (-10) /+20 dBu (+4) FX Loop Return Impedance: 1 M Ohms Output Impedance: Line Out L/R: 600 Ohms Line Out Mono (FOH): 600 Ohms FX Loop Send: 1 k Ohm Connectors From Tube Amp Jack: 1/4 Phone Type Speaker Out Jacks (Out A Out B): 1/4 Phone Type Line Out L/R Connectors: XLR Type Line Out Mono (FOH) Connector: XLR Type Phones Jack: Stereo 1/4 Phone Type FX Loop (Send Return) Jacks: 1/4 Phone Type GA-FC Jack: 1/4 TRS Phone Type Amp CTL Jack: 1/4 Phone Type USB Computer Port: USB B Type MIDI (IN THRU/OUT) Connectors: 5-Pin Dimensions Width: 15 (380mm) Depth: 11.6875 (296mm) Height: 4.375 (110mm) Weight: 6.8kg (15lbs) Boss GA-FC Guitar Amp Foot Controller Inputs: 2 x 1/4″ Jack (Expression Pedal) Outputs: 1 x 1/4” Jack (Amplifier Connection) Controls: PANEL switch EFFECTS switch CH 1 – CH 4 switches Height: 49 mm Width: 392 mm Depth: 81 mm Weight: 1 Kg

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About Boss

We have one of the largest online selection of new and used Boss music gear. If you are looking for your next pedal, we will have it online at JustPedals with fast delivery direct to you at home. Every item on the JustPedal menu is delivered by sellers to all areas of the USA & UK.

Boss is a prominent manufacturer of guitar effects pedals, multi-effects units, and related musical equipment, known for their durability, reliability, and wide range of effects. Founded in 1973 as a division of the Roland Corporation, Boss quickly became synonymous with high-quality effects pedals that are popular among guitarists and musicians worldwide.

Boss pedals are renowned for their rugged construction, intuitive controls, and signature sound quality. The company offers a comprehensive lineup of effects pedals covering various categories, including distortion, overdrive, delay, modulation, and more. Iconic pedals like the DS-1 Distortion, the DS-2 Turbo Distortion, the DD-3 Digital Delay, and the MT-2 Metal Zone have become staples on countless pedalboards due to their versatility and reliability.

In addition to individual pedals, Boss also produces multi-effects units, loopers, tuners, and accessories designed to meet the needs of modern guitarists and musicians. Their multi-effects units, such as the GT-1000 series, offer a wide range of effects and amp modeling capabilities in a single unit, providing players with a compact and convenient solution for achieving a variety of tones.

With a legacy of innovation and a commitment to quality, Boss continues to be a trusted name in the world of guitar effects, inspiring musicians to explore new sonic possibilities and express themselves creatively.

  • Delay
  • A delay pedal is a type of guitar effects pedal used to create echoes or repetitions of the original guitar signal. It achieves this by capturing the input signal, delaying it by a specified amount of time, and then playing it back. Delay pedals are versatile tools that can add depth, dimension, and ambience to guitar tones, and they are widely used across various music genres, from rock and blues to ambient and experimental.

    Here are the key features and functions of a delay pedal:

    1. **Delay Time**: This control adjusts the amount of time between the original signal and the delayed signal. Longer delay times result in more pronounced echoes, while shorter delay times produce tighter, slapback-style effects.

    2. **Feedback (or Regeneration)**: The feedback control determines the number of repeats or echoes produced by the delay pedal. Increasing the feedback setting results in multiple repeats, creating a cascading effect of echoes. Careful adjustment of the feedback control allows you to dial in the desired amount of repetition without overwhelming the original signal.

    3. **Mix (or Blend)**: The mix control adjusts the balance between the original (dry) signal and the delayed (wet) signal. Higher mix settings emphasize the delayed signal, while lower mix settings maintain the clarity and integrity of the original signal. This control allows you to blend the delayed signal with the dry signal to achieve the desired balance and level of effect.

    4. **Tap Tempo**: Some delay pedals feature a tap tempo function that allows you to set the delay time by tapping a button in rhythm with the music. This feature is particularly useful for synchronizing the delay effect with the tempo of a song or performance.

    5. **Modulation**: Many delay pedals include modulation controls that add modulation effects, such as chorus or vibrato, to the delayed signal. Modulation can add warmth, depth, and movement to the delay effect, creating a more immersive and dynamic sound.

    Delay pedals offer several creative uses and applications for guitarists:

    – **Spatial Effects**: By adjusting the delay time, feedback, and mix controls, delay pedals can create spacious, atmospheric effects that simulate the sound of a room, hall, or cavern. These effects add depth and dimension to guitar tones, creating a sense of space and ambience.

    – **Rhythmic Patterns**: By syncing the delay time with the tempo of a song using tap tempo or preset rhythmic subdivisions, delay pedals can produce rhythmic patterns and textures that enhance the groove and feel of a performance.

    – **Texture and Movement**: By introducing modulation effects to the delayed signal, delay pedals can add texture, movement, and character to guitar tones. Modulated delays create swirling, shimmering effects that enrich the sound and captivate the listener’s ear.

    Overall, delay pedals are versatile tools that offer a wide range of creative possibilities for guitarists. Whether used subtly to add depth and ambience or used more prominently to create rhythmic patterns and textures, delay pedals can enhance your guitar tone and inspire new musical ideas.

  • EQ
  • While Ed Sheeran primarily relies on the natural sound of his acoustic guitar and vocals, he occasionally uses EQ (Equalization) to shape and enhance his tone during live performances or in the studio. EQ pedals or onboard preamps can allow him to adjust the frequency response of his guitar signal to suit the acoustics of different venues or to achieve specific tonal characteristics. Here’s how EQ might be utilized in Ed Sheeran’s setup:

    1. **Tonal Shaping**: EQ can be used to adjust the balance of frequencies in the guitar signal, allowing Ed Sheeran to shape his tone to his liking. For example, he might boost the midrange frequencies to bring out the warmth and presence of his acoustic guitar, or cut certain frequencies to reduce any harshness or mud in the sound.

    2. **Feedback Control**: In a live setting, EQ can help control feedback by notching out problematic frequencies that might cause the guitar signal to feed back through the amplification system. This can be particularly useful when performing in venues with challenging acoustics or high volume levels.

    3. **Room Correction**: In situations where the venue’s acoustics are less than ideal, EQ can be used to compensate for any deficiencies in the sound. By adjusting the EQ settings, Ed Sheeran can tailor the guitar tone to sound more balanced and natural, regardless of the room’s acoustic properties.

    4. **Matching Gear**: EQ can also be used to match the tone of Ed Sheeran’s guitar to the sound of other instruments or equipment in his setup. For example, he might adjust the EQ to complement the tonal characteristics of his vocal microphone or to blend seamlessly with backing tracks or other instruments.

    Overall, while EQ may not be a central component of Ed Sheeran’s guitar effects setup, it can still play a valuable role in shaping his tone and ensuring that he achieves the desired sound in different performance environments. Whether used subtly for tonal shaping or more aggressively for feedback control, EQ allows Ed Sheeran to tailor his guitar tone to suit his musical vision and performance needs.

  • Guitar Effect Pedal
  • Looper
  • A looper pedal is a versatile tool used by guitarists to record and playback musical phrases in real-time. It allows musicians to layer multiple parts, create loops, and build entire arrangements on the fly. Looper pedals come in various configurations and offer different features, but they typically include the following functionalities:

    1. **Recording**: A looper pedal enables users to record a musical phrase by pressing a dedicated footswitch. Once the recording is initiated, the pedal captures the incoming audio signal from the guitar or other instrument and loops it back continuously.

    2. **Playback**: After recording a loop, the looper pedal plays back the recorded audio continuously in a seamless loop. This allows musicians to accompany themselves or create layered arrangements by adding additional musical parts on top of the original loop.

    3. **Overdubbing**: In addition to recording and playing back loops, looper pedals often feature overdubbing functionality, which allows users to layer additional recordings on top of existing loops. Musicians can continuously add new musical parts to the loop, building up complex arrangements in real-time.

    4. **Undo/Redo**: Many looper pedals include an undo/redo function, which allows users to remove the last recorded overdub or restore it if needed. This feature provides flexibility and allows for experimentation during live performances or recording sessions.

    5. **Stop/Clear**: Looper pedals typically include a stop/clear footswitch that allows users to stop playback and clear the recorded loop from memory. This enables musicians to start fresh with a new recording or transition to a different musical section during a performance.

    6. **Loop Length Control**: Some advanced looper pedals offer the ability to control the length of the recorded loop. Users can specify the length of the loop in measures or seconds, allowing for precise control over the timing and structure of the looped arrangement.

    7. **Built-in Effects**: Some looper pedals feature built-in effects such as reverse playback, half-speed playback, or pitch shifting, which can add creative possibilities and sonic experimentation to the looping process.

    Looper pedals are widely used by guitarists and other musicians for various applications, including live performance, songwriting, practice sessions, and studio recording. They provide a convenient and intuitive way to create, layer, and manipulate musical ideas in real-time, making them an essential tool for creative expression and musical exploration.

  • New
  • Reverb
  • Reverb, short for reverberation, is a fundamental audio effect that simulates the sound reflections and decay that occur in physical spaces, such as rooms, halls, or chambers. It adds depth, dimension, and ambiance to audio signals, creating a sense of space and realism. In the context of guitar effects, a reverb pedal is a device that generates and applies reverb effects to the guitar signal. Here’s how reverb pedals work and some common features:

    1. **Reverb Types**: Reverb pedals typically offer different types of reverb effects, including spring reverb, plate reverb, hall reverb, room reverb, and ambient or modulated reverb. Each type emulates the characteristics of different physical spaces and has its own unique sound and character.

    2. **Controls**: Reverb pedals feature various controls for adjusting parameters such as decay time, pre-delay, damping, tone, and mix. Decay time controls the length of the reverb tail or decay, while pre-delay adjusts the time between the original signal and the onset of the reverb. Damping controls the high-frequency content of the reverb, simulating absorption in the virtual space. Tone controls the overall tonal character of the reverb, and mix adjusts the balance between the dry (original) and wet (affected) signals.

    3. **Modulation**: Some reverb pedals include modulation effects such as chorus or tremolo that modulate the reverb tail, adding movement and depth to the sound. Modulation can create lush, swirling textures and enhance the overall ambiance of the reverb effect.

    4. **Trail Function**: Many reverb pedals offer a trail function, which allows the reverb tail to continue decaying naturally when the effect is bypassed. This prevents abrupt cutoffs and ensures smooth transitions between affected and unaffected signal states.

    5. **Spring Tank vs. Digital Reverb**: Reverb pedals can use either spring tanks or digital processing to generate reverb effects. Spring reverb pedals emulate the sound of vintage spring reverb units found in amplifiers, while digital reverb pedals use algorithms to simulate a wide range of reverb types and settings.

    6. **Size and Form Factor**: Reverb pedals come in various sizes and form factors, from compact mini pedals to larger, feature-rich units. Choose a pedal size and form factor that fits your pedalboard layout and offers the desired features and controls for your needs.

    Reverb pedals are widely used in various music genres, including rock, blues, jazz, ambient, and experimental music. They can add depth, warmth, and atmosphere to guitar tones, enhance the spatial imaging of recordings, and create immersive soundscapes for performances. Whether used subtly to add a touch of room ambiance or dialed in for dramatic, expansive effects, reverb pedals are essential tools for shaping guitar tones and creating captivating sounds.

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