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Boss RC-505MKII Loop Station with Shure SM58 – New Boss Looper Stereo Guitar Effect Pedal


The Boss RC-505KMII Loop Station Tabletop Looper is the next-generation tabletop looper that is the perfect tool for studio live performers vocalists and more. Featuring five stereo phrase tracks paired with exquisite audio quality with 32-bit AD/DA conversion and 32-bit-floating-point audio processing a plethora of built-in effects for mixing and a huge internal storage capacity…

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The Boss RC-505MKII Loop Station with Shure SM58 is in New condition and made by Boss , it is a great Looper Stereo Guitar Effect Pedal – The Boss RC-505KMII Loop Station Tabletop Looper is the next-generation tabletop looper that is the perfect tool for studio live performers vocalists and more. Featuring five stereo phrase tracks paired with exquisite audio quality with 32-bit AD/DA conversion and 32-bit-floating-point audio processing a plethora of built-in effects for mixing and a huge internal storage capacity this loop station lets you freely express your creativity with seemingly limitless flexibility. Jam-packed with new and improved tools and features to spark your creativity the Boss RC-5050MKII Loop Station allows you to traverse new terrain with the ultimate flexibility. Building on the success of the worlds most loved and popular tabletop looper the RC-505MKII features all-new built-in effects including Electric FX and Harmonic FX to sculpt your sounds. Complete with the RC-505MKII is one of the most iconic vocal microphones ever made – the SM58. The Shure SM58 Dynamic Vocal Mic is used by top artists around the world. Its ability to isolate vocals and cut out background noise makes it an industry favourite. Capturing every nuance of your vocal performance the SM58 can be used to loop sounds you make whether youre singing beatboxing or MCing. You can depend on the SM58 to do your voice justice. Exceptional performance and build quality have earnt it a legendary reputation both in the recording studio and on stage. The bundle also includes a premium-quality XLR cable to hook the microphone up to the RC-505MKII with specialised Neutrik connectors that ensure the highest sonic fidelity. . Available from Just Pedals for only £ 629 Boss RC-505MKII Loop Station Complex looping with five stereo tracks The RC-505MKII Loop Station is the next step in advanced looping technology for professional performers whether youre a club performer beatboxer studio vocalist or guitar player keyboardist or electronic drummer the RC-505MKII will deliver the flexibility and versatility you need to perform at your best. Featuring five stereo phrase tracks you can create a slew of evolving and complex loops with complete control. Each of the five tracks features their own dedicated layout of controls comprised of a fader record overdub play stop and FX button. This allows you to build your loops with complete flexibility and customisation you need to get the most from your performances. A newly designed fader has been implemented to give you even more accurate adjustments thanks to the longer throw of each fader letting you control the volume of each phrase track even more accurately than ever before. A newly designed Mark Back function gives you even more control over performances than ever before with more accurate redo/undo settings to make sure you can stay on beat throughout your set. All of this with up to a maximum of 1.5 hours recording per track and approximately 13 hours in total makes the RC-505MKII a truly revolutionary looping station. Versatile and powerful built-in effects Not content with simply providing you with the platform to record your tracks on the RC-505MKII provides you with a wide range of powerful onboard effects to tailor and customise your sounds and edit on the fly. Split into two categories Input FX and Track FX the RC-505MKII is the perfect tool for adding colour and texture to your vocals guitar tracks and more. Manipulate and shape your incoming audio with Input FX and change your sound during playback after its recorded with the Track FX. Each phrase track on the RC-505MKII Loop Station has independent FX controls allowing you to customise each track without affecting everything in your loop giving you flexible control. These settings are also saved per memory and will be recalled individually per phrase track for instant recall of previous performance settings. The powerful onboard effects include a Robot voice manipulator Vocoder Vinyl Flick Beat Repeat and the newly added Harmonic and Electric FX perfect for sculpting and shaping the sound of your voice for beatboxing or in the studio singing. Not only that but there is a global compressor and reverb effects available to process the dynamics of your entire signal as well as adding space and depth with reverb. Each phrase track can utilise four simultaneous effects for a huge range of tone-shaping as well as having access to four quick banks for easy recall of sounds and tones from previous sessions. Expansive connectivity and extensive MIDI control Employing a plethora of different input options the RC-505MKII Loop Station Tabletop Looper is the ideal companion for the multi-instrumentalist musicians who are looking to loop not only their voice but other instruments such as electric guitars basses keyboards synthesisers and more. Featuring two XLR microphone inputs with phantom power two stereo line input pairs and three stereo line output pairs theres no limit to the different instrument or audio playback types you can include! Its not just electronic instruments you can connect through the RC-505MKII the MIDI input and output allow you to have in-depth control over MIDI VST instruments in your computer DAW or through compatible hardware instruments to expand your set-up and create cascading loops through all sources. Two expression pedal outputs allow you to control parameters with an expression pedal making it perfect for stomp-box performances with several instruments. Also featuring an onboard USB socket the RC-505MKII allows you to import and export your sounds as WAV samples as well as backing up data and importing rhythmic patterns with RC Rhythm Converter. Deep range of storage Possessing a large base of storage for your loops the RC-505MKII has a bank of 99 memories each holding information on the independent phrase tracks effects and much more that can be recalled at any time to have consistent performances. The onboard memory also allows you to store up to 85 rhythm patterns to load up pre-arrange performances to reduce setup time in stressful live show environments. Shure Sm58 Dynamic Cardiod Vocal Microphone The microphone to beat You’ve heard the Shure SM58 a thousand times before. Tuned to deliver the warmth of your voice and project it over the crowds. It’s ideal for lead singers back-up singers and public speakers. Since going on sale in 1966 the SM58 has become the industry standard. Designed from the very beginning for life on the road. It became famous for its toughness and steel mesh filter that reduces wind and ‘pop’ noises – it picks up your voice and nothing else.Iconic vocal sound The SM58 has a signature sound that was created for live music. Shure achieved it by boosting the mid-range. This little trick means it doesn’t matter who uses it their voice will cut through the mix. The sound profile was also designed with a cardioid polar pattern and ‘bass roll-off’. This feature allows for the ‘proximity effect’ (increasing bass by moving closer to the mic) letting singers make changes to their vocal tone on the fly. The clear sound is never interrupted either. The SM58 stops noise from vibrations and handling of the microphone thanks to a built-in shock mount that protects the clarity of your voice.Built to last You can expect the SM58 to withstand the wear and tear of touring. Shure went to great lengths to make sure the SM58 would still work even after serious damage. Built from an all-metal construction using heat and water-resistant adhesives the microphone cartridge is protected to deliver years of great performance. You can be confident of its durability – Shure tried freezing it cooking it and submerging it. They even dropped it from a 7-storey building and it still worked! Once you know that you understand why it’s the microphone The Rolling Stones go on tour with.Accept no imitation. Gear4music deals directly with Shure all of our SM58s are certified genuine products. Specifications Boss RC-505MKII Loop Station Sampling Frequency: 44.1 kHz AD/DA Conversion: 32 bits Processing: 32-bit floating point Number of Tracks: 5 Data Format: WAV (44.1 kHz 32-bit float stereo) Maximum Recording Time: Approx. 1.5 hours (1 track) Approx.13 hours (total of All memories) Rhythm Type: 200 types or greater Rhythm Kit: 16 types Effects:Input effects: 49 types Track effects: 53 types Master effects: 2 typesMemory: 99 Nominal Input Level:MIC 1 2 INPUT: -40 dBu INST 1 2 INPUT: -10 dBuMaximum Input Level:MIC 1 2 INPUT: 0 dBu INST 1 2 INPUT: +7 dBu/+20 dBu (selectable)Input Impedance:MIC 1 2 INPUT: 3k ohms INST 1 2 INPUT: 1 M ohms/25 k ohms (selectable)Nominal Output Level:MAIN OUTPUT: -10 dBu SUB 1 2 OUTPUT: -10 dBuMaximum Output Level:MAIN OUTPUT: +7 dBu SUB 1 2 OUTPUT: +7 dBuOutput Impedance:MAIN OUTPUT: 1 k ohm SUB 1 2 OUTPUT: 1 k ohmRecommended Load Impedance:MAIN OUTPUT: 10 k ohms or greater SUB 1 2 OUTPUT: 10 k ohms or greaterDisplay: Graphic LCD (128 x 64 dots backlit LCD) Connectors:MIC IN 1 2 jack: XLR type (balanced phantom power: DC 48 V 10 mA Max INST IN 1 2 jacks MAIN OUT jacks SUB OUT 1 2 jacks: 1/4-inch phone type PHONES jack: Stereo 1/4-inch phone type CTL12/EXP1 jack CTL34/EXP2 jack: 1/4-inch TRS phone type USB port: USB B type MIDI (IN OUT) connectors DC IN jackCurrent Draw:1.0 A (with phantom power) 0.9 A (without phantom power)Dimensions (W x D x H): 420mm x 234mm x 67mm Weights: 1.8 kg Whats included:RC-505MKII AC adaptor Owners Manual Leaflet “Using the Unit Safely” Product Code: RC-505MKIIShure SM58 Dynamic Cardioid Vocal Microphone Transducer Type: Dynamic Polar Pattern: Cardioid Frequency response: 50Hz – 15kHz Sensitivity: -545dBV/Pa / 188mV/Pa (@ 1kHz) Impedance: 150Ω (300Ω actual) for inputs rated low impedance Dimensions: 162mm (6-3/8″) L x 51mm (2″) W Weight: 298g (10.5oz) A similar model is also available with the addition of an on/off switch – SM58S


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About Boss

We have one of the largest online selection of new and used Boss music gear. If you are looking for your next pedal, we will have it online at JustPedals with fast delivery direct to you at home. Every item on the JustPedal menu is delivered by sellers to all areas of the USA & UK.

Boss is a prominent manufacturer of guitar effects pedals, multi-effects units, and related musical equipment, known for their durability, reliability, and wide range of effects. Founded in 1973 as a division of the Roland Corporation, Boss quickly became synonymous with high-quality effects pedals that are popular among guitarists and musicians worldwide.

Boss pedals are renowned for their rugged construction, intuitive controls, and signature sound quality. The company offers a comprehensive lineup of effects pedals covering various categories, including distortion, overdrive, delay, modulation, and more. Iconic pedals like the DS-1 Distortion, the DS-2 Turbo Distortion, the DD-3 Digital Delay, and the MT-2 Metal Zone have become staples on countless pedalboards due to their versatility and reliability.

In addition to individual pedals, Boss also produces multi-effects units, loopers, tuners, and accessories designed to meet the needs of modern guitarists and musicians. Their multi-effects units, such as the GT-1000 series, offer a wide range of effects and amp modeling capabilities in a single unit, providing players with a compact and convenient solution for achieving a variety of tones.

With a legacy of innovation and a commitment to quality, Boss continues to be a trusted name in the world of guitar effects, inspiring musicians to explore new sonic possibilities and express themselves creatively.

  • Guitar Effect Pedal
  • Looper
  • A looper pedal is a versatile tool used by guitarists to record and playback musical phrases in real-time. It allows musicians to layer multiple parts, create loops, and build entire arrangements on the fly. Looper pedals come in various configurations and offer different features, but they typically include the following functionalities:

    1. **Recording**: A looper pedal enables users to record a musical phrase by pressing a dedicated footswitch. Once the recording is initiated, the pedal captures the incoming audio signal from the guitar or other instrument and loops it back continuously.

    2. **Playback**: After recording a loop, the looper pedal plays back the recorded audio continuously in a seamless loop. This allows musicians to accompany themselves or create layered arrangements by adding additional musical parts on top of the original loop.

    3. **Overdubbing**: In addition to recording and playing back loops, looper pedals often feature overdubbing functionality, which allows users to layer additional recordings on top of existing loops. Musicians can continuously add new musical parts to the loop, building up complex arrangements in real-time.

    4. **Undo/Redo**: Many looper pedals include an undo/redo function, which allows users to remove the last recorded overdub or restore it if needed. This feature provides flexibility and allows for experimentation during live performances or recording sessions.

    5. **Stop/Clear**: Looper pedals typically include a stop/clear footswitch that allows users to stop playback and clear the recorded loop from memory. This enables musicians to start fresh with a new recording or transition to a different musical section during a performance.

    6. **Loop Length Control**: Some advanced looper pedals offer the ability to control the length of the recorded loop. Users can specify the length of the loop in measures or seconds, allowing for precise control over the timing and structure of the looped arrangement.

    7. **Built-in Effects**: Some looper pedals feature built-in effects such as reverse playback, half-speed playback, or pitch shifting, which can add creative possibilities and sonic experimentation to the looping process.

    Looper pedals are widely used by guitarists and other musicians for various applications, including live performance, songwriting, practice sessions, and studio recording. They provide a convenient and intuitive way to create, layer, and manipulate musical ideas in real-time, making them an essential tool for creative expression and musical exploration.

  • New
  • Stereo
  • Stereo effect pedals are guitar effects pedals that process the guitar signal in stereo, providing a wider and more immersive sound experience compared to mono effects pedals. These pedals split the guitar signal into two independent channels—left and right—and apply effects separately to each channel. Stereo effects pedals can create spatial effects, enhance the stereo image, and add depth and dimension to the guitar tone. Here are some common types of stereo effect pedals:

    1. **Stereo Reverb**: Stereo reverb pedals generate reverberation effects in stereo, simulating the acoustic reflections and ambience of various spaces. Stereo reverb pedals can create lush, expansive reverb tails that spread across the stereo field, adding depth and dimension to the guitar tone.

    2. **Stereo Delay**: Stereo delay pedals produce delay effects in stereo, with separate delay lines for the left and right channels. Stereo delay pedals can create intricate rhythmic patterns, ping-pong delays that bounce between the left and right channels, and spatial effects that enhance the stereo image.

    3. **Stereo Chorus**: Stereo chorus pedals modulate the guitar signal in stereo, creating rich, swirling modulation effects. Stereo chorus pedals can produce wide, shimmering textures that move across the stereo field, adding depth and movement to the guitar tone.

    4. **Stereo Phaser**: Stereo phaser pedals modulate the phase of the guitar signal in stereo, producing sweeping, swirling effects. Stereo phaser pedals can create dynamic stereo modulation effects that move back and forth between the left and right channels, enhancing the stereo image and spatial dimension.

    5. **Stereo Flanger**: Stereo flanger pedals modulate the guitar signal in stereo, producing jet-like, sweeping modulation effects. Stereo flanger pedals can create dramatic stereo sweeps and whooshing sounds that pan across the stereo field, adding movement and depth to the guitar tone.

    6. **Stereo Tremolo**: Stereo tremolo pedals modulate the volume of the guitar signal in stereo, producing rhythmic amplitude modulation effects. Stereo tremolo pedals can create pulsating, stereo tremolo effects that move between the left and right channels, adding rhythmic movement and spatial dynamics.

    7. **Stereo Modulation Multi-Effects**: Some multi-effects pedals feature stereo modulation effects, combining multiple stereo effects such as reverb, delay, chorus, phaser, and flanger in a single unit. These pedals offer a wide range of stereo modulation options and can create complex, layered soundscapes with enhanced stereo imaging.

    Stereo effect pedals are popular among guitarists seeking to create expansive, immersive soundscapes and enhance their overall tone with spatial effects. Whether used in stereo amplifier setups, stereo pedalboard configurations, or stereo recording environments, stereo effect pedals can add depth, dimension, and movement to the guitar tone, enriching the listening experience for both players and audiences.

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