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Boss RC-505MKII Loop Station with Microphone and Headphones – New Boss Looper Stereo EQ Guitar Effect Pedal

£549.00

The Boss RC-505KMII Loop Station Tabletop Looper is the next-generation tabletop looper that is the perfect tool for studio live performers vocalists and more. Featuring five stereo phrase tracks paired with exquisite audio quality with 32-bit AD/DA conversion and 32-bit-floating-point audio processing a plethora of built-in effects for mixing and a huge internal storage capacity…

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Description

The Boss RC-505MKII Loop Station with Microphone and Headphones is in New condition and made by Boss , it is a great Looper Stereo EQ Guitar Effect Pedal – The Boss RC-505KMII Loop Station Tabletop Looper is the next-generation tabletop looper that is the perfect tool for studio live performers vocalists and more. Featuring five stereo phrase tracks paired with exquisite audio quality with 32-bit AD/DA conversion and 32-bit-floating-point audio processing a plethora of built-in effects for mixing and a huge internal storage capacity this loop station lets you freely express your creativity with seemingly limitless flexibility. Jam-packed with new and improved tools and features to spark your creativity the Boss RC-5050MKII Loop Station allows you to traverse new terrain with the ultimate flexibility. Building on the success of the worlds most loved and popular tabletop looper the RC-505MKII features all-new built-in effects including Electric FX and Harmonic FX to sculpt your sounds. This bundle also includes a premium-quality vocal microphone headphones and an XLR cable to hook everything up. The SubZero SZM-11 is like no other. You will not find a better dynamic thats as high quality or durable in this price range to record and amplify vocals. The SZM-11s cardioid polar pattern provides you with a focused capture with excellent rejection of unwanted off-axis noise and ambience. This ensures that no matter how busy the environment is youll capture consistent highly usable results night after night. The SubZero SZ-MH200 Monitoring Headphones have been specially designed for studio and recording situations. Offering high-quality sound and a larger frequency range than most of their competitors these headphones offer excellent value for money. With a 3m cable an included 6.3mm adapter and a comfortable nonslip headband these are perfect for all studio situations. . Available from Just Pedals for only £ 549 Boss RC-505MKII Loop Station Complex looping with five stereo tracks The RC-505MKII Loop Station is the next step in advanced looping technology for professional performers whether youre a club performer beatboxer studio vocalist or guitar player keyboardist or electronic drummer the RC-505MKII will deliver the flexibility and versatility you need to perform at your best. Featuring five stereo phrase tracks you can create a slew of evolving and complex loops with complete control. Each of the five tracks features their own dedicated layout of controls comprised of a fader record overdub play stop and FX button. This allows you to build your loops with complete flexibility and customisation you need to get the most from your performances. A newly designed fader has been implemented to give you even more accurate adjustments thanks to the longer throw of each fader letting you control the volume of each phrase track even more accurately than ever before. A newly designed Mark Back function gives you even more control over performances than ever before with more accurate redo/undo settings to make sure you can stay on beat throughout your set. All of this with up to a maximum of 1.5 hours recording per track and approximately 13 hours in total makes the RC-505MKII a truly revolutionary looping station. Versatile and powerful built-in effects Not content with simply providing you with the platform to record your tracks on the RC-505MKII provides you with a wide range of powerful onboard effects to tailor and customise your sounds and edit on the fly. Split into two categories Input FX and Track FX the RC-505MKII is the perfect tool for adding colour and texture to your vocals guitar tracks and more. Manipulate and shape your incoming audio with Input FX and change your sound during playback after its recorded with the Track FX. Each phrase track on the RC-505MKII Loop Station has independent FX controls allowing you to customise each track without affecting everything in your loop giving you flexible control. These settings are also saved per memory and will be recalled individually per phrase track for instant recall of previous performance settings. The powerful onboard effects include a Robot voice manipulator Vocoder Vinyl Flick Beat Repeat and the newly added Harmonic and Electric FX perfect for sculpting and shaping the sound of your voice for beatboxing or in the studio singing. Not only that but there is a global compressor and reverb effects available to process the dynamics of your entire signal as well as adding space and depth with reverb. Each phrase track can utilise four simultaneous effects for a huge range of tone-shaping as well as having access to four quick banks for easy recall of sounds and tones from previous sessions. Expansive connectivity and extensive MIDI control Employing a plethora of different input options the RC-505MKII Loop Station Tabletop Looper is the ideal companion for the multi-instrumentalist musicians who are looking to loop not only their voice but other instruments such as electric guitars basses keyboards synthesisers and more. Featuring two XLR microphone inputs with phantom power two stereo line input pairs and three stereo line output pairs theres no limit to the different instrument or audio playback types you can include! Its not just electronic instruments you can connect through the RC-505MKII the MIDI input and output allow you to have in-depth control over MIDI VST instruments in your computer DAW or through compatible hardware instruments to expand your set-up and create cascading loops through all sources. Two expression pedal outputs allow you to control parameters with an expression pedal making it perfect for stomp-box performances with several instruments. Also featuring an onboard USB socket the RC-505MKII allows you to import and export your sounds as WAV samples as well as backing up data and importing rhythmic patterns with RC Rhythm Converter. Deep range of storage Possessing a large base of storage for your loops the RC-505MKII has a bank of 99 memories each holding information on the independent phrase tracks effects and much more that can be recalled at any time to have consistent performances. The onboard memory also allows you to store up to 85 rhythm patterns to load up pre-arrange performances to reduce setup time in stressful live show environments. SubZero SZM-11 Beta Dynamic Vocal Microphone Step in the spotlight Take centre stage with the SZM-11. The dynamic microphone is tailored to achieve optimised vocal results. The SZM-11 features a subtle low-end roll off at 50Hz. This is great for automatically removing the sub frequency content the engineer would naturally filter to prevent low frequency build up in performances and mixes. With a subtle high frequency boost the dynamic microphone makes any vocalist the centre of attention. No longer will you have to compete with the band or audience. The Spotlight now shines on you! Rugged design The SZM-11 is highly durable. It’s just as comfortable on stage as it is in the studio. The dynamic microphone is designed to take the knocks and drops synonymous with live performance whilst still providing you with consistent record ready results. The heavy duty metal mesh grille and protective foam insert protects the microphone from debris and dust whilst also acting as a pop shield. SubZero SZ-MH200 Monitoring Headphones Clear and comfortable monitoring headphones The SubZero SZ-MH200 Monitoring Headphones have been tuned specially for recording and monitoring situations with high audio quality and clarity of sound and dynamics. With a wide dynamic range these headphones are perfect for studio monitoring editing or general playback and offer rich detailed acoustics. With a 3.5mm stereo plug and a 6.3mm stereo adapter these headphones are perfect for use with audio interfaces mixers computers and mobile devices. The SZ-MH200 headphones feature closed back sealed earcups with ergonomic pads which are not only comfortable for longer recording and mixing sessions but also provide a very direct isolated sound which helps prevent loud headphones mixes from leaking into adjacent microphones. With a three meter cable and a comfortable non-clip headband which is perfect for staying in position when playing drums or moving round. Ideal for studio or live recorded sessions. These headphones offer professional features at an incredibly reasonable price. Specifications Boss RC-505MKII Loop Station Sampling Frequency: 44.1 kHz AD/DA Conversion: 32 bits Processing: 32-bit floating point Number of Tracks: 5 Data Format: WAV (44.1 kHz 32-bit float stereo) Maximum Recording Time: Approx. 1.5 hours (1 track) Approx.13 hours (total of All memories) Rhythm Type: 200 types or greater Rhythm Kit: 16 types Effects:Input effects: 49 types Track effects: 53 types Master effects: 2 typesMemory: 99 Nominal Input Level:MIC 1 2 INPUT: -40 dBu INST 1 2 INPUT: -10 dBuMaximum Input Level:MIC 1 2 INPUT: 0 dBu INST 1 2 INPUT: +7 dBu/+20 dBu (selectable)Input Impedance:MIC 1 2 INPUT: 3k ohms INST 1 2 INPUT: 1 M ohms/25 k ohms (selectable)Nominal Output Level:MAIN OUTPUT: -10 dBu SUB 1 2 OUTPUT: -10 dBuMaximum Output Level:MAIN OUTPUT: +7 dBu SUB 1 2 OUTPUT: +7 dBuOutput Impedance:MAIN OUTPUT: 1 k ohm SUB 1 2 OUTPUT: 1 k ohmRecommended Load Impedance:MAIN OUTPUT: 10 k ohms or greater SUB 1 2 OUTPUT: 10 k ohms or greaterDisplay: Graphic LCD (128 x 64 dots backlit LCD) Connectors:MIC IN 1 2 jack: XLR type (balanced phantom power: DC 48 V 10 mA Max INST IN 1 2 jacks MAIN OUT jacks SUB OUT 1 2 jacks: 1/4-inch phone type PHONES jack: Stereo 1/4-inch phone type CTL12/EXP1 jack CTL34/EXP2 jack: 1/4-inch TRS phone type USB port: USB B type MIDI (IN OUT) connectors DC IN jackCurrent Draw:1.0 A (with phantom power) 0.9 A (without phantom power)Dimensions (W x D x H): 420mm x 234mm x 67mm Weights: 1.8 kg Whats included:RC-505MKII AC adaptor Owners Manual Leaflet “Using the Unit Safely” Product Code: RC-505MKIISubZero SZM-11 Beta Dynamic Vocal Microphone Microphone Type: Dynamic Polar Pattern: Cardioid Frequency Response: 50Hz – 16Hz Sensitivity: -54db +3dB (0dB=1V/Pa at 1kHz) Output Impedance: 500ohms +30 (@1kHz) Output Type: Transformer Balanced Product Code: SZM-11B SubZero SZ-MH200 Monitoring Headphones Driver size: 53mm Sensitivity: 94 +/- 3dB Impedance: 60Ω Max Power: 1200mW Frequency range: 20Hz – 20kHz Weight: 300g Cable length: 3m Type of cable: Attached straight Plug: Gold-plated 3.5mm stereo Adapter: Gold-plated 6.3mm stereo

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About Boss

We have one of the largest online selection of new and used Boss music gear. If you are looking for your next pedal, we will have it online at JustPedals with fast delivery direct to you at home. Every item on the JustPedal menu is delivered by sellers to all areas of the USA & UK.

Boss is a prominent manufacturer of guitar effects pedals, multi-effects units, and related musical equipment, known for their durability, reliability, and wide range of effects. Founded in 1973 as a division of the Roland Corporation, Boss quickly became synonymous with high-quality effects pedals that are popular among guitarists and musicians worldwide.

Boss pedals are renowned for their rugged construction, intuitive controls, and signature sound quality. The company offers a comprehensive lineup of effects pedals covering various categories, including distortion, overdrive, delay, modulation, and more. Iconic pedals like the DS-1 Distortion, the DS-2 Turbo Distortion, the DD-3 Digital Delay, and the MT-2 Metal Zone have become staples on countless pedalboards due to their versatility and reliability.

In addition to individual pedals, Boss also produces multi-effects units, loopers, tuners, and accessories designed to meet the needs of modern guitarists and musicians. Their multi-effects units, such as the GT-1000 series, offer a wide range of effects and amp modeling capabilities in a single unit, providing players with a compact and convenient solution for achieving a variety of tones.

With a legacy of innovation and a commitment to quality, Boss continues to be a trusted name in the world of guitar effects, inspiring musicians to explore new sonic possibilities and express themselves creatively.

  • EQ
  • While Ed Sheeran primarily relies on the natural sound of his acoustic guitar and vocals, he occasionally uses EQ (Equalization) to shape and enhance his tone during live performances or in the studio. EQ pedals or onboard preamps can allow him to adjust the frequency response of his guitar signal to suit the acoustics of different venues or to achieve specific tonal characteristics. Here’s how EQ might be utilized in Ed Sheeran’s setup:

    1. **Tonal Shaping**: EQ can be used to adjust the balance of frequencies in the guitar signal, allowing Ed Sheeran to shape his tone to his liking. For example, he might boost the midrange frequencies to bring out the warmth and presence of his acoustic guitar, or cut certain frequencies to reduce any harshness or mud in the sound.

    2. **Feedback Control**: In a live setting, EQ can help control feedback by notching out problematic frequencies that might cause the guitar signal to feed back through the amplification system. This can be particularly useful when performing in venues with challenging acoustics or high volume levels.

    3. **Room Correction**: In situations where the venue’s acoustics are less than ideal, EQ can be used to compensate for any deficiencies in the sound. By adjusting the EQ settings, Ed Sheeran can tailor the guitar tone to sound more balanced and natural, regardless of the room’s acoustic properties.

    4. **Matching Gear**: EQ can also be used to match the tone of Ed Sheeran’s guitar to the sound of other instruments or equipment in his setup. For example, he might adjust the EQ to complement the tonal characteristics of his vocal microphone or to blend seamlessly with backing tracks or other instruments.

    Overall, while EQ may not be a central component of Ed Sheeran’s guitar effects setup, it can still play a valuable role in shaping his tone and ensuring that he achieves the desired sound in different performance environments. Whether used subtly for tonal shaping or more aggressively for feedback control, EQ allows Ed Sheeran to tailor his guitar tone to suit his musical vision and performance needs.

  • Guitar Effect Pedal
  • Looper
  • A looper pedal is a versatile tool used by guitarists to record and playback musical phrases in real-time. It allows musicians to layer multiple parts, create loops, and build entire arrangements on the fly. Looper pedals come in various configurations and offer different features, but they typically include the following functionalities:

    1. **Recording**: A looper pedal enables users to record a musical phrase by pressing a dedicated footswitch. Once the recording is initiated, the pedal captures the incoming audio signal from the guitar or other instrument and loops it back continuously.

    2. **Playback**: After recording a loop, the looper pedal plays back the recorded audio continuously in a seamless loop. This allows musicians to accompany themselves or create layered arrangements by adding additional musical parts on top of the original loop.

    3. **Overdubbing**: In addition to recording and playing back loops, looper pedals often feature overdubbing functionality, which allows users to layer additional recordings on top of existing loops. Musicians can continuously add new musical parts to the loop, building up complex arrangements in real-time.

    4. **Undo/Redo**: Many looper pedals include an undo/redo function, which allows users to remove the last recorded overdub or restore it if needed. This feature provides flexibility and allows for experimentation during live performances or recording sessions.

    5. **Stop/Clear**: Looper pedals typically include a stop/clear footswitch that allows users to stop playback and clear the recorded loop from memory. This enables musicians to start fresh with a new recording or transition to a different musical section during a performance.

    6. **Loop Length Control**: Some advanced looper pedals offer the ability to control the length of the recorded loop. Users can specify the length of the loop in measures or seconds, allowing for precise control over the timing and structure of the looped arrangement.

    7. **Built-in Effects**: Some looper pedals feature built-in effects such as reverse playback, half-speed playback, or pitch shifting, which can add creative possibilities and sonic experimentation to the looping process.

    Looper pedals are widely used by guitarists and other musicians for various applications, including live performance, songwriting, practice sessions, and studio recording. They provide a convenient and intuitive way to create, layer, and manipulate musical ideas in real-time, making them an essential tool for creative expression and musical exploration.

  • New
  • Stereo
  • Stereo effect pedals are guitar effects pedals that process the guitar signal in stereo, providing a wider and more immersive sound experience compared to mono effects pedals. These pedals split the guitar signal into two independent channels—left and right—and apply effects separately to each channel. Stereo effects pedals can create spatial effects, enhance the stereo image, and add depth and dimension to the guitar tone. Here are some common types of stereo effect pedals:

    1. **Stereo Reverb**: Stereo reverb pedals generate reverberation effects in stereo, simulating the acoustic reflections and ambience of various spaces. Stereo reverb pedals can create lush, expansive reverb tails that spread across the stereo field, adding depth and dimension to the guitar tone.

    2. **Stereo Delay**: Stereo delay pedals produce delay effects in stereo, with separate delay lines for the left and right channels. Stereo delay pedals can create intricate rhythmic patterns, ping-pong delays that bounce between the left and right channels, and spatial effects that enhance the stereo image.

    3. **Stereo Chorus**: Stereo chorus pedals modulate the guitar signal in stereo, creating rich, swirling modulation effects. Stereo chorus pedals can produce wide, shimmering textures that move across the stereo field, adding depth and movement to the guitar tone.

    4. **Stereo Phaser**: Stereo phaser pedals modulate the phase of the guitar signal in stereo, producing sweeping, swirling effects. Stereo phaser pedals can create dynamic stereo modulation effects that move back and forth between the left and right channels, enhancing the stereo image and spatial dimension.

    5. **Stereo Flanger**: Stereo flanger pedals modulate the guitar signal in stereo, producing jet-like, sweeping modulation effects. Stereo flanger pedals can create dramatic stereo sweeps and whooshing sounds that pan across the stereo field, adding movement and depth to the guitar tone.

    6. **Stereo Tremolo**: Stereo tremolo pedals modulate the volume of the guitar signal in stereo, producing rhythmic amplitude modulation effects. Stereo tremolo pedals can create pulsating, stereo tremolo effects that move between the left and right channels, adding rhythmic movement and spatial dynamics.

    7. **Stereo Modulation Multi-Effects**: Some multi-effects pedals feature stereo modulation effects, combining multiple stereo effects such as reverb, delay, chorus, phaser, and flanger in a single unit. These pedals offer a wide range of stereo modulation options and can create complex, layered soundscapes with enhanced stereo imaging.

    Stereo effect pedals are popular among guitarists seeking to create expansive, immersive soundscapes and enhance their overall tone with spatial effects. Whether used in stereo amplifier setups, stereo pedalboard configurations, or stereo recording environments, stereo effect pedals can add depth, dimension, and movement to the guitar tone, enriching the listening experience for both players and audiences.