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Boss RC-500 Loop Station Dual Track Looper Pedal with Power Supply – New Boss Looper Stereo Guitar Effect Pedal

£299.00

Play it. Then hear it played back to you in perfect detail. The Boss RC-500 Loop Station Dual Track Looper Pedal will take your looping skills to a different plane. This dual track looper command station boasts a goldmine of functions which will help you make the perfect loops with your music. Designed with full…

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Description

The Boss RC-500 Loop Station Dual Track Looper Pedal with Power Supply is in New condition and made by Boss , it is a great Looper Stereo Guitar Effect Pedal – Play it. Then hear it played back to you in perfect detail. The Boss RC-500 Loop Station Dual Track Looper Pedal will take your looping skills to a different plane. This dual track looper command station boasts a goldmine of functions which will help you make the perfect loops with your music. Designed with full stereo compatibility it will create soundscapes galore as well as proving to be a useful tool for practising and writing music. With two looping tracks at your disposal the possibilities are endless. Youll be able to create two looping tracks simultaneously – perfect for simultaneous vocals and guitar. Whether you want to record overdub layer or simply experiment the 57 preset rhythms and seven drumkits will help to inspire your playing and drive your music forward. And TRS MIDI input/outputs lend you even more control over your looping. Finally theres a Boss PSA-230 power supply included which means you can plug in and play straight away. . Available from Just Pedals for only £ 299 Dual track dynamism Discover new sonic possibilities. With two looping tracks to use simultaneously you can create music which is truly out of this world. From layering guitar tracks to making loops of both guitar and vocals you can experiment to your hearts content and open up your creativity like never before. You could feasibly make an entire track using the RC-500 especially when combining the drum and rhythm presets with two looping tacks. Its time to take your music-making to the next level. 13 hours of recording time Just imagine the riffs you can create in 13 hours. Youll never go short of inspiration with this pedal at your feet. Whether youre looking for simple snappy loops or long complex loop lines you can be sure that the RC-500 will accommodate you. Onboard storage will hold up to 99 phrase memories so you can easily revisit tracks youve made in the past and reignite your creativity. And class-leading sound quality ensures that you not only hear your music back but hear it in crystal-clear detail too. Plus with stereo compatibility you can go one step further and create your own stereo soundscapes – expand your sonic horizons. Get in your groove Need a drummer? The RC-500 has one for you. And itll never miss a beat. With 57 preset rhythms and seven inbuilt drumkits you can jam along to a tight rhythm – perfect for practising and writing music. A/B variations add even more spice to the mix whilst a colour-changing backlight lets you keep an eye on loop status in real time. Using the TRS MIDI input/output will enable you to save space and operate this pedal remotely through MIDI switchers and foot controllers. Quality power supply included The perfect PSU to power your Boss effects. With this new improved model the power cable length is increased to almost 10 feet giving you plenty of room to move around. An LED indicator is also included for quick visual verification of on/off status. Specifications Model Name: Boss RC-500 Loop Station Dual Track Looper Pedal PC: RC-500 Controls: Track 1 Slider Track 2 Slider 2 x Edit Tempo On/Off Memory Tempo Setup Menu Exit Enter Memory/Value Input Mic Level I/O: 2 x Input 2 x Output TRS MIDI CTL 1/2/Expression Mic In Footswitch: Rec/Play Stop Track Select Power: 4x AA Battery PSA-230 Power Supply Recording/Playback: Number of Track: 2 Data Format: WAV (44.1 kHz 32-bit float stereo) Maximum Recording Time: Approx. 1.5 hours (1 track) Approx.13 hours (Total Of All Memories) Rhythm Kit: 16 Types Effect: LOOP FX (only for loop tracks) Type: BEAT REPEAT BEAT SHIFT BEAT SCATTER VINYL FLICK Reverb (only for rhythm part) Memory: 99 Nominal Input Level: MIC IN:-40 dBu (variable) INST IN A/MONO?B: -10 dBu Input Impedance: MIC IN: 4 k ohms INST IN A/MONO B: 1 M ohm Nominal Output Level: OUTPUT A/MONO B: -10 dBu Output Impedance: OUTPUT A/MONO B: 1 k ohm Recommended Load Impedance: OUTPUT A/MONO B: 10 k ohms or Greater Bypass: Buffered Display: Graphic LCD (96 x 32 dots RGB backlit LCD) Connectors: INPUT A/MONO B jacks: 1/4-inch phone type OUTPUT A/MONO B jacks: 1/4-inch phone type STOP/MEMORY jack: 1/4-inch TRS phone type USB port: USB B type MIDI (IN OUT) jacks: stereo miniature type DC IN jack Dimensions (WxDxH): 170mm x 138mm x 62mm) Includes: Boss PSA-230 Power Supply

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About Boss

We have one of the largest online selection of new and used Boss music gear. If you are looking for your next pedal, we will have it online at JustPedals with fast delivery direct to you at home. Every item on the JustPedal menu is delivered by sellers to all areas of the USA & UK.

Boss is a prominent manufacturer of guitar effects pedals, multi-effects units, and related musical equipment, known for their durability, reliability, and wide range of effects. Founded in 1973 as a division of the Roland Corporation, Boss quickly became synonymous with high-quality effects pedals that are popular among guitarists and musicians worldwide.

Boss pedals are renowned for their rugged construction, intuitive controls, and signature sound quality. The company offers a comprehensive lineup of effects pedals covering various categories, including distortion, overdrive, delay, modulation, and more. Iconic pedals like the DS-1 Distortion, the DS-2 Turbo Distortion, the DD-3 Digital Delay, and the MT-2 Metal Zone have become staples on countless pedalboards due to their versatility and reliability.

In addition to individual pedals, Boss also produces multi-effects units, loopers, tuners, and accessories designed to meet the needs of modern guitarists and musicians. Their multi-effects units, such as the GT-1000 series, offer a wide range of effects and amp modeling capabilities in a single unit, providing players with a compact and convenient solution for achieving a variety of tones.

With a legacy of innovation and a commitment to quality, Boss continues to be a trusted name in the world of guitar effects, inspiring musicians to explore new sonic possibilities and express themselves creatively.

  • Guitar Effect Pedal
  • Looper
  • A looper pedal is a versatile tool used by guitarists to record and playback musical phrases in real-time. It allows musicians to layer multiple parts, create loops, and build entire arrangements on the fly. Looper pedals come in various configurations and offer different features, but they typically include the following functionalities:

    1. **Recording**: A looper pedal enables users to record a musical phrase by pressing a dedicated footswitch. Once the recording is initiated, the pedal captures the incoming audio signal from the guitar or other instrument and loops it back continuously.

    2. **Playback**: After recording a loop, the looper pedal plays back the recorded audio continuously in a seamless loop. This allows musicians to accompany themselves or create layered arrangements by adding additional musical parts on top of the original loop.

    3. **Overdubbing**: In addition to recording and playing back loops, looper pedals often feature overdubbing functionality, which allows users to layer additional recordings on top of existing loops. Musicians can continuously add new musical parts to the loop, building up complex arrangements in real-time.

    4. **Undo/Redo**: Many looper pedals include an undo/redo function, which allows users to remove the last recorded overdub or restore it if needed. This feature provides flexibility and allows for experimentation during live performances or recording sessions.

    5. **Stop/Clear**: Looper pedals typically include a stop/clear footswitch that allows users to stop playback and clear the recorded loop from memory. This enables musicians to start fresh with a new recording or transition to a different musical section during a performance.

    6. **Loop Length Control**: Some advanced looper pedals offer the ability to control the length of the recorded loop. Users can specify the length of the loop in measures or seconds, allowing for precise control over the timing and structure of the looped arrangement.

    7. **Built-in Effects**: Some looper pedals feature built-in effects such as reverse playback, half-speed playback, or pitch shifting, which can add creative possibilities and sonic experimentation to the looping process.

    Looper pedals are widely used by guitarists and other musicians for various applications, including live performance, songwriting, practice sessions, and studio recording. They provide a convenient and intuitive way to create, layer, and manipulate musical ideas in real-time, making them an essential tool for creative expression and musical exploration.

  • New
  • Stereo
  • Stereo effect pedals are guitar effects pedals that process the guitar signal in stereo, providing a wider and more immersive sound experience compared to mono effects pedals. These pedals split the guitar signal into two independent channels—left and right—and apply effects separately to each channel. Stereo effects pedals can create spatial effects, enhance the stereo image, and add depth and dimension to the guitar tone. Here are some common types of stereo effect pedals:

    1. **Stereo Reverb**: Stereo reverb pedals generate reverberation effects in stereo, simulating the acoustic reflections and ambience of various spaces. Stereo reverb pedals can create lush, expansive reverb tails that spread across the stereo field, adding depth and dimension to the guitar tone.

    2. **Stereo Delay**: Stereo delay pedals produce delay effects in stereo, with separate delay lines for the left and right channels. Stereo delay pedals can create intricate rhythmic patterns, ping-pong delays that bounce between the left and right channels, and spatial effects that enhance the stereo image.

    3. **Stereo Chorus**: Stereo chorus pedals modulate the guitar signal in stereo, creating rich, swirling modulation effects. Stereo chorus pedals can produce wide, shimmering textures that move across the stereo field, adding depth and movement to the guitar tone.

    4. **Stereo Phaser**: Stereo phaser pedals modulate the phase of the guitar signal in stereo, producing sweeping, swirling effects. Stereo phaser pedals can create dynamic stereo modulation effects that move back and forth between the left and right channels, enhancing the stereo image and spatial dimension.

    5. **Stereo Flanger**: Stereo flanger pedals modulate the guitar signal in stereo, producing jet-like, sweeping modulation effects. Stereo flanger pedals can create dramatic stereo sweeps and whooshing sounds that pan across the stereo field, adding movement and depth to the guitar tone.

    6. **Stereo Tremolo**: Stereo tremolo pedals modulate the volume of the guitar signal in stereo, producing rhythmic amplitude modulation effects. Stereo tremolo pedals can create pulsating, stereo tremolo effects that move between the left and right channels, adding rhythmic movement and spatial dynamics.

    7. **Stereo Modulation Multi-Effects**: Some multi-effects pedals feature stereo modulation effects, combining multiple stereo effects such as reverb, delay, chorus, phaser, and flanger in a single unit. These pedals offer a wide range of stereo modulation options and can create complex, layered soundscapes with enhanced stereo imaging.

    Stereo effect pedals are popular among guitarists seeking to create expansive, immersive soundscapes and enhance their overall tone with spatial effects. Whether used in stereo amplifier setups, stereo pedalboard configurations, or stereo recording environments, stereo effect pedals can add depth, dimension, and movement to the guitar tone, enriching the listening experience for both players and audiences.

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