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Boss ODB-3 Bass Overdrive Pedal – New Boss EQ Overdrive Fuzz Guitar Effect Pedal

£102.00

One of the meanest bass overdrive circuits ever invented. The Boss ODB-3 Bass Overdrive Pedal offers remarkable versatility and stunning clarity from its driven tones. Optimized for bass frequencies the simple controls make dialling in a range of overdriven tones very straightforward. The EQ knob allows you to personally tailor the amount of low end…

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Description

The Boss ODB-3 Bass Overdrive Pedal is in New condition and made by Boss , it is a great EQ Overdrive Fuzz Guitar Effect Pedal – One of the meanest bass overdrive circuits ever invented. The Boss ODB-3 Bass Overdrive Pedal offers remarkable versatility and stunning clarity from its driven tones. Optimized for bass frequencies the simple controls make dialling in a range of overdriven tones very straightforward. The EQ knob allows you to personally tailor the amount of low end and high end present in your signal giving you complete control over your tone and a notable level of sonic customisation. Listed as an overdrive this pedal certainly produces a rich creamy overdriven tone filled with harmonic saturation however it also has the capacity to excel at much higher gain levels even pushing towards fully-fledged fuzz. This unrivalled versatility make it one of the best choices for the discerning bassist needing to take his tone up a notch and access a wide range of thick full overdriven sounds. . Available from Just Pedals for only £ 102 Cut through any mix Time to take your tone up a gear. The Boss ODB-3 Bass Overdrive Pedal legitimately suits any musical style delivering resonant powerful overdrive thatll cut through the mix with ease. The simple four-knob layout makes use straightforward and youll find it very easy dialling in a range of tones from light clean boost all the way through to fuzzed out high-gain distortion this pedal can do it all. This means its a great choice for heavier musical styles as many Metal pedals can only do the high gain element whereas the ODB-3 has enough grit to sound phenomenal with the Gain control cranked but can also do the quieter subtle drive just as well. If youre looking for a pedal to elevate your playing look no further than the Boss ODB-3. Features Over Drive pedal specifically designed for bass Onboard two-band equalizer Balance knob controls dry/overdriven sound AC adaptor or 9V battery operation BOSS 5-year warranty Specifications Nominal Input Level: -20 dBu Input Impedance: 1 M ohms Nominal Output Level: -20 dBu Output Impedance: 1 k ohms Equivalent Input: Noise Level -110 dBu (IHF-A Typ.) Connectors: INPUT Jack OUTPUT Jack AC Adaptor Jack (DC 9 V) Power Supply: DC 9 V: Dry Battery 9 V type (6F22/9 V) AC Adaptor Current Draw: 15 mA (DC 9 V) Accessories: Dry Battery 9 V type (6F22/9 V)

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About Boss

We have one of the largest online selection of new and used Boss music gear. If you are looking for your next pedal, we will have it online at JustPedals with fast delivery direct to you at home. Every item on the JustPedal menu is delivered by sellers to all areas of the USA & UK.

Boss is a prominent manufacturer of guitar effects pedals, multi-effects units, and related musical equipment, known for their durability, reliability, and wide range of effects. Founded in 1973 as a division of the Roland Corporation, Boss quickly became synonymous with high-quality effects pedals that are popular among guitarists and musicians worldwide.

Boss pedals are renowned for their rugged construction, intuitive controls, and signature sound quality. The company offers a comprehensive lineup of effects pedals covering various categories, including distortion, overdrive, delay, modulation, and more. Iconic pedals like the DS-1 Distortion, the DS-2 Turbo Distortion, the DD-3 Digital Delay, and the MT-2 Metal Zone have become staples on countless pedalboards due to their versatility and reliability.

In addition to individual pedals, Boss also produces multi-effects units, loopers, tuners, and accessories designed to meet the needs of modern guitarists and musicians. Their multi-effects units, such as the GT-1000 series, offer a wide range of effects and amp modeling capabilities in a single unit, providing players with a compact and convenient solution for achieving a variety of tones.

With a legacy of innovation and a commitment to quality, Boss continues to be a trusted name in the world of guitar effects, inspiring musicians to explore new sonic possibilities and express themselves creatively.

  • EQ
  • While Ed Sheeran primarily relies on the natural sound of his acoustic guitar and vocals, he occasionally uses EQ (Equalization) to shape and enhance his tone during live performances or in the studio. EQ pedals or onboard preamps can allow him to adjust the frequency response of his guitar signal to suit the acoustics of different venues or to achieve specific tonal characteristics. Here’s how EQ might be utilized in Ed Sheeran’s setup:

    1. **Tonal Shaping**: EQ can be used to adjust the balance of frequencies in the guitar signal, allowing Ed Sheeran to shape his tone to his liking. For example, he might boost the midrange frequencies to bring out the warmth and presence of his acoustic guitar, or cut certain frequencies to reduce any harshness or mud in the sound.

    2. **Feedback Control**: In a live setting, EQ can help control feedback by notching out problematic frequencies that might cause the guitar signal to feed back through the amplification system. This can be particularly useful when performing in venues with challenging acoustics or high volume levels.

    3. **Room Correction**: In situations where the venue’s acoustics are less than ideal, EQ can be used to compensate for any deficiencies in the sound. By adjusting the EQ settings, Ed Sheeran can tailor the guitar tone to sound more balanced and natural, regardless of the room’s acoustic properties.

    4. **Matching Gear**: EQ can also be used to match the tone of Ed Sheeran’s guitar to the sound of other instruments or equipment in his setup. For example, he might adjust the EQ to complement the tonal characteristics of his vocal microphone or to blend seamlessly with backing tracks or other instruments.

    Overall, while EQ may not be a central component of Ed Sheeran’s guitar effects setup, it can still play a valuable role in shaping his tone and ensuring that he achieves the desired sound in different performance environments. Whether used subtly for tonal shaping or more aggressively for feedback control, EQ allows Ed Sheeran to tailor his guitar tone to suit his musical vision and performance needs.

  • Fuzz
  • Fuzz is a type of distortion effect used in guitar playing that produces a thick, saturated, and buzzy tone. Unlike other distortion effects that aim to replicate the sound of overdriven tube amplifiers, fuzz pedals create a more extreme and aggressive distortion by drastically clipping the guitar signal. This results in a distinctive and powerful sound characterized by rich harmonics, sustain, and a pronounced edge.

    Key features of a fuzz pedal include:

    1. **Gain**: Controls the amount of distortion or fuzz applied to the guitar signal. Increasing the gain produces a more saturated and aggressive tone, while lower gain settings offer a cleaner sound with less distortion.

    2. **Tone**: Adjusts the frequency response of the fuzz effect. This control allows you to shape the tonal character of the fuzz, from dark and bass-heavy to bright and treble-focused.

    3. **Level (or Volume)**: Sets the overall output level of the fuzz pedal. This control allows you to match the volume of the fuzz effect with the rest of your signal chain or amplifier.

    Fuzz pedals are popular among guitarists across various music genres, particularly in rock, blues, and psychedelic music. They can be used in a variety of ways:

    1. **Rhythmic Riffs**: Fuzz pedals are often used to create thick and aggressive rhythm guitar tones with plenty of sustain and grit. They can add depth and intensity to power chords, riffs, and palm-muted passages.

    2. **Lead Solos**: Fuzz pedals are also commonly used for lead guitar tones, allowing players to achieve soaring, saturated tones with singing sustain and harmonically rich overtones. They can add presence and impact to guitar solos, making them stand out in a mix.

    3. **Experimental Sounds**: Fuzz pedals are versatile tools that can be used to create a wide range of unconventional and experimental guitar sounds. They can produce oscillating feedback, glitchy textures, and otherworldly tones when pushed to their extremes.

    Overall, fuzz pedals offer guitarists a powerful and expressive means of shaping their tone and adding character to their playing. Whether used subtly for a touch of warmth and edge or dialed up for extreme distortion and sustain, fuzz pedals can inspire creativity and enhance the sonic palette of any guitarist.

  • Guitar Effect Pedal
  • New
  • Overdrive
  • An overdrive pedal is a type of guitar effects pedal that simulates the sound of a vintage tube amplifier pushed into overdrive or distortion. It adds warmth, richness, and harmonic complexity to the guitar signal, creating a smooth, saturated tone that ranges from mild grit to full-on distortion. Here’s how overdrive pedals work and some common features:

    1. **Gain**: The gain control adjusts the amount of overdrive or distortion applied to the guitar signal. Turning up the gain increases the intensity of the overdrive, while lowering it produces a cleaner, more transparent sound.

    2. **Level**: The level control adjusts the output volume of the pedal. This allows you to match the volume level of the overdriven signal with your clean signal or boost the overall volume for solos or lead lines.

    3. **Tone**: The tone control (sometimes labeled as “tone” or “EQ”) adjusts the frequency response of the overdriven signal. Turning it clockwise boosts the highs and cuts the lows, resulting in a brighter tone. Turning it counterclockwise boosts the lows and cuts the highs, producing a darker tone.

    4. **Drive (or Distortion)**: Some overdrive pedals feature a separate drive control, which determines the intensity of the overdrive effect independently of the gain control. This allows for more fine-tuned control over the amount of saturation and distortion in the tone.

    5. **True Bypass vs. Buffered Bypass**: Overdrive pedals may have either true bypass or buffered bypass circuits. True bypass preserves the guitar’s original tone when the pedal is turned off, while buffered bypass maintains signal integrity and prevents signal loss when the pedal is engaged.

    6. **Voicing Options**: Some overdrive pedals offer voicing options or switchable modes that allow you to tailor the character of the overdrive to suit your playing style or musical genre. This may include options for different clipping diodes, EQ curves, or saturation levels.

    7. **Stacking**: Overdrive pedals are often used in combination with other effects pedals, such as boost pedals, distortion pedals, or modulation effects. Stacking multiple overdrive pedals can create unique tonal textures and dynamic range, allowing for greater versatility and customization of your guitar tone.

    Overdrive pedals are widely used in various music genres, including blues, rock, country, and jazz. Guitarists use them to add warmth, grit, and character to their tone, whether they’re playing rhythm parts, lead lines, or solos. An overdrive pedal is a staple on many pedalboards, offering classic tones and timeless appeal for guitarists of all levels and styles.

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