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Boss MT-2W Waza Craft Metal Zone Distortion Pedal – New Boss Analogue EQ Boost Distortion Guitar Effect Pedal

£126.00

The Boss MT-2 Metal Zone Guitar Effects Pedal offers an all-analog upgrade to the generation-defining distortion pedal. The Standard mode provides an improved update to the original MT-2 sound with greater clarity while Custom mode modernises the timbre and gives greater polish with a widened frequency range improved dynamic response and tightened low end. The…

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Description

The Boss MT-2W Waza Craft Metal Zone Distortion Pedal is in New condition and made by Boss , it is a great Analogue EQ Boost Distortion Guitar Effect Pedal – The Boss MT-2 Metal Zone Guitar Effects Pedal offers an all-analog upgrade to the generation-defining distortion pedal. The Standard mode provides an improved update to the original MT-2 sound with greater clarity while Custom mode modernises the timbre and gives greater polish with a widened frequency range improved dynamic response and tightened low end. The sweepable mid boost/cut still allows you to flick back and forth between old school mid-scooped metal tones and much fatter doomier mid-heavy sounds now just with an expanded range. This is complemented by the astonishing amount of gain this pedal can deliver. . Available from Just Pedals for only £ 126 Upgrading the mythical MT-2 How do you upgrade an icon? Go analog! The unique dual-stage gain circuit from the original has been fully re-built using independent all-analog components. This means greatly reduced noise and improved clarity all without losing its signature mid-range character. If you’re an ultra-high gain player that means this pedal will only add to your sound without any unwanted noise. The biggest addition is the new Custom mode which gives a much wider frequency range tightens the low end and gives a greater dynamic response. Its also been expanded from 2 to 3-band EQ for even greater tonal control. This along with the new premium buffer for even quieter operation when not in-use gives an added sheen to one of the most aggressive distortion pedals ever devised. Secrets of the Metal Zone The Boss MT-2 Metal Zone is one of the most complex dirt pedals in existence and has probably the most sophisticated (and least understood) tone control circuit on any mass-market pedal. In simple terms you’ve got the input buffer the pre-distortion tone shaping circuit the gain stage and clipping diodes the post-distortion tone shaping circuit the High and Low tone controls and the sweepable Mid tone control. The pre-distortion tone shaping gives a notable “mid hump”. If you put a wah pedal in front of a distortion pedal you’ll find you can alter the tone of the distortion by moving the wah. This what’s going on here: a peak in the frequency response is being created to boost mid-range and shape the sound of the distortion. Next is essentially a two-stage clipping circuit. At minimum gain there’s just enough signal to make the diodes conduct so it generates a light crunch. As the gain gets up to x8 or more the op-amp will start to clip too and the boosted output will be clipped hard by the diodes. So this gain control doesn’t just go to 11 it goes way up to 252! By that point all that is left is a ridiculously heavily clipped signal. After the diodes we’ve got our raw distortion with as much gain and crunch as anyone could possibly want. Then comes a filter that gives a soft lowpass action and removes some treble. The post-distortion tone shaping is a more sophisticated version of the pre-distortion tone shaping circuit and has two gyrators and therefore two peaks in the frequency response. The sweepable mid control is in essence a semi-parametric EQ and gives a cut or boost of 15dB. Whereas on many other distortion or overdrive pedals the chosen op-amp or clipping diodes have a major influence on the outputted sound in the MT-2 it’s really all about frequency response. Heavily shaped at every stage those frequency responses determine the sound of the pedal much more than component choice ever would. That initial mid-hump before the distortion high-gain double clipping and then the scooped-mid response after it gives the pedal its signature tone. Add to that the high degree of tonal control that comes from the powerful EQ and you’ve got a successful pedal- you just need to know how to use it. Specifications Nominal Input Level: 20 dBu Input Impedance: 1 M ohm Nominal Output Level: 20 dBu Recommended Load Impedances: 10 k ohms or greater Bypass: Premium buffered bypass for dependable tone Controls: High Mid Low Level Distortion and Mode Input jack: 1/4-inch phone type Output Jack: 1/4-inch phone type Power Supply: Alkaline 9 V 6LR61 batter (Approx. 18 hour life) or AC power adaptor (sold separately) Dimensions:73mm (W) x 129mm (D) x 59mm (H) Weight: 440g / 1lbs

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About Boss

We have one of the largest online selection of new and used Boss music gear. If you are looking for your next pedal, we will have it online at JustPedals with fast delivery direct to you at home. Every item on the JustPedal menu is delivered by sellers to all areas of the USA & UK.

Boss is a prominent manufacturer of guitar effects pedals, multi-effects units, and related musical equipment, known for their durability, reliability, and wide range of effects. Founded in 1973 as a division of the Roland Corporation, Boss quickly became synonymous with high-quality effects pedals that are popular among guitarists and musicians worldwide.

Boss pedals are renowned for their rugged construction, intuitive controls, and signature sound quality. The company offers a comprehensive lineup of effects pedals covering various categories, including distortion, overdrive, delay, modulation, and more. Iconic pedals like the DS-1 Distortion, the DS-2 Turbo Distortion, the DD-3 Digital Delay, and the MT-2 Metal Zone have become staples on countless pedalboards due to their versatility and reliability.

In addition to individual pedals, Boss also produces multi-effects units, loopers, tuners, and accessories designed to meet the needs of modern guitarists and musicians. Their multi-effects units, such as the GT-1000 series, offer a wide range of effects and amp modeling capabilities in a single unit, providing players with a compact and convenient solution for achieving a variety of tones.

With a legacy of innovation and a commitment to quality, Boss continues to be a trusted name in the world of guitar effects, inspiring musicians to explore new sonic possibilities and express themselves creatively.

  • Analogue
  • Boost
  • A “boost” pedal, also known as a “clean boost,” is a type of guitar effects pedal designed to increase the volume of the guitar signal without adding significant distortion or coloration to the tone. Boost pedals are used to amplify the signal level, allowing guitarists to achieve higher volume levels or to push their amplifier into overdrive for increased saturation and sustain.

    Boost pedals typically feature a simple interface with controls for adjusting the level of boost, often represented by a single knob or a toggle switch. When engaged, the boost pedal increases the gain of the signal passing through it, effectively amplifying the sound. Unlike overdrive or distortion pedals, which introduce clipping and saturation to the signal, boost pedals aim to provide a clean and transparent volume increase.

    Boost pedals are versatile tools that can serve various purposes in a guitarist’s rig:

    1. **Volume Boost**: Boost pedals can be used to increase the volume of the guitar signal, allowing players to stand out during solos or to compensate for differences in volume between guitars or pickup settings.

    2. **Overdrive Stacking**: Boost pedals are commonly used to push the front end of an overdrive or distortion pedal, resulting in increased saturation and sustain. By placing the boost pedal before a drive pedal in the signal chain, guitarists can achieve higher levels of gain and distortion without sacrificing clarity or dynamics.

    3. **Amp Pushing**: Boost pedals can also be used to drive the input stage of a tube amplifier harder, causing the amp to naturally overdrive and produce a more saturated and harmonically rich tone. This is particularly useful for guitarists seeking to achieve classic tube amp breakup at lower volume levels.

    4. **Tone Shaping**: Some boost pedals feature EQ controls or tone shaping options, allowing guitarists to tailor the frequency response of their signal. These pedals can be used to boost specific frequencies or to shape the overall tonal characteristics of the guitar sound.

    Overall, boost pedals are essential tools for guitarists looking to enhance their tone, increase volume levels, or drive their amplifier into overdrive for added saturation and sustain. Whether used as a standalone effect or in combination with other pedals, boost pedals offer versatility and flexibility in shaping the guitar sound.

  • Distortion
  • A distortion pedal is a type of guitar effects pedal used to add gain, saturation, and harmonic distortion to the guitar signal, resulting in a more aggressive and gritty tone. Distortion pedals are widely used across various music genres, particularly in rock, metal, punk, and alternative styles, to achieve heavier and more intense guitar tones.

    Here are the key features and functions of a distortion pedal:

    1. **Gain (or Drive)**: The gain control adjusts the amount of distortion applied to the guitar signal. Increasing the gain setting increases the level of saturation and overdrive, resulting in a more distorted and aggressive tone. Lower gain settings produce a cleaner sound with less distortion.

    2. **Tone**: The tone control adjusts the frequency response of the distorted signal, allowing you to tailor the tonal characteristics of the distortion effect. Depending on the pedal, the tone control may boost or cut specific frequency ranges, such as bass, midrange, or treble, to shape the overall sound.

    3. **Level (or Output)**: The level control adjusts the overall output volume of the distorted signal. This allows you to match the level of the distorted signal with the rest of your effects chain or amplifier, ensuring consistent volume levels when engaging the pedal.

    4. **Mode (or Voice)**: Some distortion pedals feature multiple modes or voicings that offer different types of distortion or gain characteristics. These modes may include options such as “Vintage,” “Modern,” or “High Gain,” each providing a distinct tonal flavor and level of saturation.

    Distortion pedals offer several benefits and creative uses for guitarists:

    – **Increased Gain and Sustain**: By adding gain and saturation to the guitar signal, distortion pedals increase the overall volume and sustain of the instrument, allowing notes and chords to ring out longer and with more intensity.

    – **Tonal Shaping**: Distortion pedals often include tone controls that allow you to shape the frequency response of the distorted signal. This allows you to dial in the desired amount of bass, midrange, and treble to suit your playing style and musical preferences.

    – **Emphasis of Harmonics**: Distortion pedals emphasize the harmonics and overtones present in the guitar signal, resulting in a richer, more complex tone with added depth and character. This can make lead lines and solos stand out and cut through the mix more effectively.

    – **Versatility and Flexibility**: Distortion pedals come in a wide range of styles and voicings, from mild overdrive to high-gain distortion. This versatility allows you to choose a pedal that best suits your playing style, musical genre, and tonal preferences.

    Overall, distortion pedals are essential tools for guitarists seeking to achieve heavier, more aggressive, and saturated tones. Whether used subtly to add warmth and edge to clean tones or used more aggressively to create crushing distortion, distortion pedals can enhance your guitar tone and bring new dimensions to your playing.

  • EQ
  • While Ed Sheeran primarily relies on the natural sound of his acoustic guitar and vocals, he occasionally uses EQ (Equalization) to shape and enhance his tone during live performances or in the studio. EQ pedals or onboard preamps can allow him to adjust the frequency response of his guitar signal to suit the acoustics of different venues or to achieve specific tonal characteristics. Here’s how EQ might be utilized in Ed Sheeran’s setup:

    1. **Tonal Shaping**: EQ can be used to adjust the balance of frequencies in the guitar signal, allowing Ed Sheeran to shape his tone to his liking. For example, he might boost the midrange frequencies to bring out the warmth and presence of his acoustic guitar, or cut certain frequencies to reduce any harshness or mud in the sound.

    2. **Feedback Control**: In a live setting, EQ can help control feedback by notching out problematic frequencies that might cause the guitar signal to feed back through the amplification system. This can be particularly useful when performing in venues with challenging acoustics or high volume levels.

    3. **Room Correction**: In situations where the venue’s acoustics are less than ideal, EQ can be used to compensate for any deficiencies in the sound. By adjusting the EQ settings, Ed Sheeran can tailor the guitar tone to sound more balanced and natural, regardless of the room’s acoustic properties.

    4. **Matching Gear**: EQ can also be used to match the tone of Ed Sheeran’s guitar to the sound of other instruments or equipment in his setup. For example, he might adjust the EQ to complement the tonal characteristics of his vocal microphone or to blend seamlessly with backing tracks or other instruments.

    Overall, while EQ may not be a central component of Ed Sheeran’s guitar effects setup, it can still play a valuable role in shaping his tone and ensuring that he achieves the desired sound in different performance environments. Whether used subtly for tonal shaping or more aggressively for feedback control, EQ allows Ed Sheeran to tailor his guitar tone to suit his musical vision and performance needs.

  • Guitar Effect Pedal
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