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Boss HM-2W Waza Craft Heavy Metal Distortion Pedal – New Boss EQ Distortion Guitar Effect Pedal


The Boss HM-2W Waza Craft Heavy Metal Distortion Pedal sees the iconic heavy metal pedal get its long-awaited Waza recreation. One of the most influential pedals of all time the Swedish death metal genre was built around the monolithic grinding tones presented by the original produced from 83-91. With choice upgrades and full retention of…

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The Boss HM-2W Waza Craft Heavy Metal Distortion Pedal is in New condition and made by Boss , it is a great EQ Distortion Guitar Effect Pedal – The Boss HM-2W Waza Craft Heavy Metal Distortion Pedal sees the iconic heavy metal pedal get its long-awaited Waza recreation. One of the most influential pedals of all time the Swedish death metal genre was built around the monolithic grinding tones presented by the original produced from 83-91. With choice upgrades and full retention of the HM-2s unique character this new version arrives to modernise a classic. A personal favourite of David Gilmour and Entombed the distinctive tones quickly caught the attention of those seeking true sonic destruction. The common setting is to crank every control to 10- really! Untapped gain hard asymmetrical clipping and the signature suspension bridge EQ curve mean that when maxed out this pedal really starts to roar. Featuring a brand new Custom mode this pushes the HM-2W into even more extreme sonic territory. More gain more responsive EQ and a lower noise floor gives extended flexibility ideal for down tuning. On the surface however the black and orange colour scheme keeps the aesthetic of the original for authenticity. Devastating distortion with expanded functionality means the HM-2W has well and truly delivered on the hype. . Available from Just Pedals for only £ 159 21st century chainsaw The HM-2s reputation has become near-mythical due to its unique distortion properties and rarity in recent years. Building on this legacy is the Boss HM-2W Waza Craft Heavy Metal Distortion Pedal. Lovingly recreating all the tonal character of the iconic original Boss gave it the Waza treatment to drag the chainsaw-esque toneset into the modern age. Designed to optimise tonal brutality the suspension bridge EQ curve features two prominent peaks and a trough between. The low peak sits right on the fundamental frequency of the low E string meaning any chugging is going to pack a serious punch. The mid-bass dip is centered around 240Hz which was placed to remove any muddiness that may emerge. The second peak boosts the midrange which is mostly comprised of odd-order harmonics creating a generous crunch. These combine along with the extreme gain boost to deliver crushingly powerful distortion with the distinctive grit that creates the chainsaw tone. Modernised The layout of the HM-2W is the same as its predecessor so dialing in mammoth tones will feel instantly familiar. Four orange knobs give you all the tools needed to carve out crushing grinding distortion with ease: Level – Controls global outputted volume. L – Adjust the prominence of your bass response. H – Adjust the prominence of your treble response. Dist. – Alter the intensity of the effect. At higher settings this maximises gain through the op-amp for devastatingly powerful distortion.All with a lower noise floor and however you dial in your heavy tone just got even heavier. The enclosure itself is exactly what you expect from Boss- robust and reliable. Built to be tour-ready whether on stage in the studio or just practicing the sturdy housing ensures your heavy tones remain uncompromised. And with its eye-catching aesthetic this pedal is bound to become a mainstay on your board a hotline to instantly unlocking ground-shatteringly thick distortion. Specifications Nominal Input Level: -20 dBu Input Impedance: 1 M ohm Nominal Output Level: -20 dBu Output Impedance: 1 k ohm Recommended Load Impedance: 10 k ohms or greater Bypass: Buffered bypass Controls:Pedal switch Mode switch DIST. knob COLOR MIX H knob COLOR MIX L knob LEVEL knobIndicator: CHECK indicator (Used for indication of check battery) Connectors:INPUT jack: 1/4-inch phone type OUTPUT jack: 1/4-inch phone type DC IN jackPower Supply:Alkaline battery (9 V 6LR61 or 6LF22) or Carbon-zinc battery (9 V 6F22) AC adaptor (PSA series: sold separately)Current Draw: 30 mA Expected battery life under continuous use (These figures will vary depending on the actual conditions of use.):Alkaline: Approx. 24 hours Carbon: Approx. 8 hoursDimensions: 73 (W) x 129 (D) x 59 (H) mm / 2-7/8 (W) x 5-1/8 (D) x 2-3/8 (H) inches Weight (including battery): 440 g / 1 lb


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About Boss

We have one of the largest online selection of new and used Boss music gear. If you are looking for your next pedal, we will have it online at JustPedals with fast delivery direct to you at home. Every item on the JustPedal menu is delivered by sellers to all areas of the USA & UK.

Boss is a prominent manufacturer of guitar effects pedals, multi-effects units, and related musical equipment, known for their durability, reliability, and wide range of effects. Founded in 1973 as a division of the Roland Corporation, Boss quickly became synonymous with high-quality effects pedals that are popular among guitarists and musicians worldwide.

Boss pedals are renowned for their rugged construction, intuitive controls, and signature sound quality. The company offers a comprehensive lineup of effects pedals covering various categories, including distortion, overdrive, delay, modulation, and more. Iconic pedals like the DS-1 Distortion, the DS-2 Turbo Distortion, the DD-3 Digital Delay, and the MT-2 Metal Zone have become staples on countless pedalboards due to their versatility and reliability.

In addition to individual pedals, Boss also produces multi-effects units, loopers, tuners, and accessories designed to meet the needs of modern guitarists and musicians. Their multi-effects units, such as the GT-1000 series, offer a wide range of effects and amp modeling capabilities in a single unit, providing players with a compact and convenient solution for achieving a variety of tones.

With a legacy of innovation and a commitment to quality, Boss continues to be a trusted name in the world of guitar effects, inspiring musicians to explore new sonic possibilities and express themselves creatively.

  • Distortion
  • A distortion pedal is a type of guitar effects pedal used to add gain, saturation, and harmonic distortion to the guitar signal, resulting in a more aggressive and gritty tone. Distortion pedals are widely used across various music genres, particularly in rock, metal, punk, and alternative styles, to achieve heavier and more intense guitar tones.

    Here are the key features and functions of a distortion pedal:

    1. **Gain (or Drive)**: The gain control adjusts the amount of distortion applied to the guitar signal. Increasing the gain setting increases the level of saturation and overdrive, resulting in a more distorted and aggressive tone. Lower gain settings produce a cleaner sound with less distortion.

    2. **Tone**: The tone control adjusts the frequency response of the distorted signal, allowing you to tailor the tonal characteristics of the distortion effect. Depending on the pedal, the tone control may boost or cut specific frequency ranges, such as bass, midrange, or treble, to shape the overall sound.

    3. **Level (or Output)**: The level control adjusts the overall output volume of the distorted signal. This allows you to match the level of the distorted signal with the rest of your effects chain or amplifier, ensuring consistent volume levels when engaging the pedal.

    4. **Mode (or Voice)**: Some distortion pedals feature multiple modes or voicings that offer different types of distortion or gain characteristics. These modes may include options such as “Vintage,” “Modern,” or “High Gain,” each providing a distinct tonal flavor and level of saturation.

    Distortion pedals offer several benefits and creative uses for guitarists:

    – **Increased Gain and Sustain**: By adding gain and saturation to the guitar signal, distortion pedals increase the overall volume and sustain of the instrument, allowing notes and chords to ring out longer and with more intensity.

    – **Tonal Shaping**: Distortion pedals often include tone controls that allow you to shape the frequency response of the distorted signal. This allows you to dial in the desired amount of bass, midrange, and treble to suit your playing style and musical preferences.

    – **Emphasis of Harmonics**: Distortion pedals emphasize the harmonics and overtones present in the guitar signal, resulting in a richer, more complex tone with added depth and character. This can make lead lines and solos stand out and cut through the mix more effectively.

    – **Versatility and Flexibility**: Distortion pedals come in a wide range of styles and voicings, from mild overdrive to high-gain distortion. This versatility allows you to choose a pedal that best suits your playing style, musical genre, and tonal preferences.

    Overall, distortion pedals are essential tools for guitarists seeking to achieve heavier, more aggressive, and saturated tones. Whether used subtly to add warmth and edge to clean tones or used more aggressively to create crushing distortion, distortion pedals can enhance your guitar tone and bring new dimensions to your playing.

  • EQ
  • While Ed Sheeran primarily relies on the natural sound of his acoustic guitar and vocals, he occasionally uses EQ (Equalization) to shape and enhance his tone during live performances or in the studio. EQ pedals or onboard preamps can allow him to adjust the frequency response of his guitar signal to suit the acoustics of different venues or to achieve specific tonal characteristics. Here’s how EQ might be utilized in Ed Sheeran’s setup:

    1. **Tonal Shaping**: EQ can be used to adjust the balance of frequencies in the guitar signal, allowing Ed Sheeran to shape his tone to his liking. For example, he might boost the midrange frequencies to bring out the warmth and presence of his acoustic guitar, or cut certain frequencies to reduce any harshness or mud in the sound.

    2. **Feedback Control**: In a live setting, EQ can help control feedback by notching out problematic frequencies that might cause the guitar signal to feed back through the amplification system. This can be particularly useful when performing in venues with challenging acoustics or high volume levels.

    3. **Room Correction**: In situations where the venue’s acoustics are less than ideal, EQ can be used to compensate for any deficiencies in the sound. By adjusting the EQ settings, Ed Sheeran can tailor the guitar tone to sound more balanced and natural, regardless of the room’s acoustic properties.

    4. **Matching Gear**: EQ can also be used to match the tone of Ed Sheeran’s guitar to the sound of other instruments or equipment in his setup. For example, he might adjust the EQ to complement the tonal characteristics of his vocal microphone or to blend seamlessly with backing tracks or other instruments.

    Overall, while EQ may not be a central component of Ed Sheeran’s guitar effects setup, it can still play a valuable role in shaping his tone and ensuring that he achieves the desired sound in different performance environments. Whether used subtly for tonal shaping or more aggressively for feedback control, EQ allows Ed Sheeran to tailor his guitar tone to suit his musical vision and performance needs.

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