Boss FS-6 Dual Footswitch – New Boss Stereo EQ Guitar Effect Pedal
£68.80
Switching made simple. The Boss FS-6 Dual Footswitch is a compact yet robust foot switch unit which has a streamlined design. The FS-6 Dual Footswitch features two large switches labelled A and B for quick and easy switching. The FS-6 can be used with a wide variety of equipment and instruments. From drum machines and…
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The Boss FS-6 Dual Footswitch is in New condition and made by Boss , it is a great Stereo EQ Guitar Effect Pedal – Switching made simple. The Boss FS-6 Dual Footswitch is a compact yet robust foot switch unit which has a streamlined design. The FS-6 Dual Footswitch features two large switches labelled A and B for quick and easy switching. The FS-6 can be used with a wide variety of equipment and instruments. From drum machines and guitar amps to visual devices and more. Anything that possesses a 1/4-inch jack or 1/4-inch TRS jack will connect to the FS-6. You can also connect stereo sources via the stereo input jack. You can also set each of the switches to latch or momentary modes depending on your needs. The robust and compact design makes the unit highly portable ideal for transporting and live performances. . Available from Just Pedals for only £ 68.8 Features Each footswitch can be assigned latch- or momentary-type Stereo input jack for single stereo cable connection Can be connected to other footswitches (FS-5L/FS-5U/FS-6/AB-2) for extension Connect to a wide variety of instruments rhythm machines guitar amps and electronic devices that have control input jacks compatible with FS-5L/FS-5U Specifications Controls: Pedal Switch A B / POLARITY Switch A B / Mode Switch A B Connectors: Jack A Jack B (1/4 inch phone type) Jack A & B (TRS 1/4 inch phone type) Power Supply: DC 9 V: Dry battery/9 V 6F22 (carbon) 6LR61 (alkaline) Current Draw: 8 mA (max.) Accessories: Dry battery/9 V (6F22) Owners Manual Dimensions (WxDxH): 188 mm (7-7/16 inches) x 91mm (3-5/8 inches) x 43mm (1-3/4 inches) Weight: 470 grams (1 lbs.)
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Boss is a prominent manufacturer of guitar effects pedals, multi-effects units, and related musical equipment, known for their durability, reliability, and wide range of effects. Founded in 1973 as a division of the Roland Corporation, Boss quickly became synonymous with high-quality effects pedals that are popular among guitarists and musicians worldwide.
Boss pedals are renowned for their rugged construction, intuitive controls, and signature sound quality. The company offers a comprehensive lineup of effects pedals covering various categories, including distortion, overdrive, delay, modulation, and more. Iconic pedals like the DS-1 Distortion, the DS-2 Turbo Distortion, the DD-3 Digital Delay, and the MT-2 Metal Zone have become staples on countless pedalboards due to their versatility and reliability.
In addition to individual pedals, Boss also produces multi-effects units, loopers, tuners, and accessories designed to meet the needs of modern guitarists and musicians. Their multi-effects units, such as the GT-1000 series, offer a wide range of effects and amp modeling capabilities in a single unit, providing players with a compact and convenient solution for achieving a variety of tones.
With a legacy of innovation and a commitment to quality, Boss continues to be a trusted name in the world of guitar effects, inspiring musicians to explore new sonic possibilities and express themselves creatively.
EQ
While Ed Sheeran primarily relies on the natural sound of his acoustic guitar and vocals, he occasionally uses EQ (Equalization) to shape and enhance his tone during live performances or in the studio. EQ pedals or onboard preamps can allow him to adjust the frequency response of his guitar signal to suit the acoustics of different venues or to achieve specific tonal characteristics. Here’s how EQ might be utilized in Ed Sheeran’s setup:
1. **Tonal Shaping**: EQ can be used to adjust the balance of frequencies in the guitar signal, allowing Ed Sheeran to shape his tone to his liking. For example, he might boost the midrange frequencies to bring out the warmth and presence of his acoustic guitar, or cut certain frequencies to reduce any harshness or mud in the sound.
2. **Feedback Control**: In a live setting, EQ can help control feedback by notching out problematic frequencies that might cause the guitar signal to feed back through the amplification system. This can be particularly useful when performing in venues with challenging acoustics or high volume levels.
3. **Room Correction**: In situations where the venue’s acoustics are less than ideal, EQ can be used to compensate for any deficiencies in the sound. By adjusting the EQ settings, Ed Sheeran can tailor the guitar tone to sound more balanced and natural, regardless of the room’s acoustic properties.
4. **Matching Gear**: EQ can also be used to match the tone of Ed Sheeran’s guitar to the sound of other instruments or equipment in his setup. For example, he might adjust the EQ to complement the tonal characteristics of his vocal microphone or to blend seamlessly with backing tracks or other instruments.
Overall, while EQ may not be a central component of Ed Sheeran’s guitar effects setup, it can still play a valuable role in shaping his tone and ensuring that he achieves the desired sound in different performance environments. Whether used subtly for tonal shaping or more aggressively for feedback control, EQ allows Ed Sheeran to tailor his guitar tone to suit his musical vision and performance needs.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
New
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Stereo
Stereo effect pedals are guitar effects pedals that process the guitar signal in stereo, providing a wider and more immersive sound experience compared to mono effects pedals. These pedals split the guitar signal into two independent channels—left and right—and apply effects separately to each channel. Stereo effects pedals can create spatial effects, enhance the stereo image, and add depth and dimension to the guitar tone. Here are some common types of stereo effect pedals:
1. **Stereo Reverb**: Stereo reverb pedals generate reverberation effects in stereo, simulating the acoustic reflections and ambience of various spaces. Stereo reverb pedals can create lush, expansive reverb tails that spread across the stereo field, adding depth and dimension to the guitar tone.
2. **Stereo Delay**: Stereo delay pedals produce delay effects in stereo, with separate delay lines for the left and right channels. Stereo delay pedals can create intricate rhythmic patterns, ping-pong delays that bounce between the left and right channels, and spatial effects that enhance the stereo image.
3. **Stereo Chorus**: Stereo chorus pedals modulate the guitar signal in stereo, creating rich, swirling modulation effects. Stereo chorus pedals can produce wide, shimmering textures that move across the stereo field, adding depth and movement to the guitar tone.
4. **Stereo Phaser**: Stereo phaser pedals modulate the phase of the guitar signal in stereo, producing sweeping, swirling effects. Stereo phaser pedals can create dynamic stereo modulation effects that move back and forth between the left and right channels, enhancing the stereo image and spatial dimension.
5. **Stereo Flanger**: Stereo flanger pedals modulate the guitar signal in stereo, producing jet-like, sweeping modulation effects. Stereo flanger pedals can create dramatic stereo sweeps and whooshing sounds that pan across the stereo field, adding movement and depth to the guitar tone.
6. **Stereo Tremolo**: Stereo tremolo pedals modulate the volume of the guitar signal in stereo, producing rhythmic amplitude modulation effects. Stereo tremolo pedals can create pulsating, stereo tremolo effects that move between the left and right channels, adding rhythmic movement and spatial dynamics.
7. **Stereo Modulation Multi-Effects**: Some multi-effects pedals feature stereo modulation effects, combining multiple stereo effects such as reverb, delay, chorus, phaser, and flanger in a single unit. These pedals offer a wide range of stereo modulation options and can create complex, layered soundscapes with enhanced stereo imaging.
Stereo effect pedals are popular among guitarists seeking to create expansive, immersive soundscapes and enhance their overall tone with spatial effects. Whether used in stereo amplifier setups, stereo pedalboard configurations, or stereo recording environments, stereo effect pedals can add depth, dimension, and movement to the guitar tone, enriching the listening experience for both players and audiences.
Turn instrument effects on/off with your foot. The FS-6 combines the functions of the FS-5L (latch type) and FS-5U (momentary type) footswitches. Each footswitch can be assigned latch- or momentary-type. Stereo input jack for single stereo cable connection. Can be connected to other footswitches (FS-5U/FS-5L/FS-6/AB-2) for extension. Connect to a wide variety of instruments, rhythm machines, guitar amps and electronic devices that have control input jacks compatible with FS-5U/FS-5L.
Wireless foot control for digital music score apps, YouTube videos, DAWs, and supported BOSS and Roland gear wirelessly over Bluetooth. Ultra-compact and fully customizable, the FS-1-WL is an essential hands-free partner for all your creative needs. Expand your setup with external footswitches and an expression pedal. Rear-panel switch for selecting MIDI mode or HID mode (three onboard setups available in HID mode). HID mode sends keyboard commands for controlling software on computers and mobile devices. MIDI mode sends PC/CC messages for controlling MIDI devices. USB port for use as a class-compliant MIDI input device (HID mode not supported over USB). Dedicated editor (macOS/Windows/iOS/Android) to customize footswitch assignments and save setups for different applications. Three rugged footswitches with smooth and quiet operation. Runs on two AAA batteries or an optional PSA-series adaptor.
Designed for guitar amp channel switching, signal processor on-off switching etc Sturdy, extruded aluminium chassis Simply connect the appropriate cable from footswitch to the unit Operation: guitar style, dual latching Requires 1/4-inch trs cable, sold separately
Product 1: Each footswitch can be assigned latch- or momentary-type Product 1: Stereo input jack for single stereo cable connection Product 1: Can be connected to other footswitches (FS-5L/FS-5U/FS-6/AB-2) for extension Product 1: Connect to a wide variety of instruments, rhythm machines, guitar amps, and electronic devices that have control input jacks compatible with FS-5L/FS-5U Product 2: The Bluetooth Audio MIDI Dual Adaptor (BT-DUAL) is a compact adaptor that brings Bluetooth audio and MIDI capabilities to compatible BOSS products. Product 2: Compatible with the BOSS CUBE Street II (CUBE-ST2). Product 2: Once installed, you can pair with a Bluetooth device such as smartphone or tablet and communicate wirelessly with the product. Product 2: Supports Bluetooth audio and Bluetooth MIDI (BLE-MIDI) communication standards.
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