Ampeg SCR-DI Bass DI with Scrambler Overdrive – New Ampeg Preamp EQ Overdrive Bass Guitar Effect Pedal
£231.50
The Ampeg SCR-DI Bass Bi with Scrambler Overdrive combines a classic Ampeg preamp EQ pedal and overdrive stomp box in a rugged design built to deliver Ampeg tone in any situation. The all-new Bass Scrambler overdrive can be used to dial in tube-like grind while the classic Ampeg EQ offers additional tonal control including Ultra-Hi…
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The Ampeg SCR-DI Bass DI with Scrambler Overdrive is in New condition and made by Ampeg , it is a great Preamp EQ Overdrive Bass Guitar Effect Pedal- The Ampeg SCR-DI Bass Bi with Scrambler Overdrive combines a classic Ampeg preamp EQ pedal and overdrive stomp box in a rugged design built to deliver Ampeg tone in any situation. The all-new Bass Scrambler overdrive can be used to dial in tube-like grind while the classic Ampeg EQ offers additional tonal control including Ultra-Hi and Ultra-Lo tone shaping. With flexible connectivity options the Ampeg SCR-DI is perfect for practice recording and performing. This all-around solution has all the connections to get Ampeg tone out of any rig and send it all to front-of-house to ensure the audience hears your tone. With a built-in headphone out and aux in for practicing along with backing tracks the SCR-DI is also a fantastic practice tool that can fit right into your gig bag. . Available from Just Pedals for only £ 231.5 “The SCR-DI is the most bass-friendly DI ever created” remarks Ampeg Product Manager Zane Williams. “It delivers a huge range of classic Ampeg tones its an EQ pedal its got fantastic overdrive…its got everything a performing bass player needs.” “Its great to be able to practice with the same gear you use when performing. The SCR-DI is perfect for silent practice on the road or at home” remarks Williams. “You know you will always have the tone you want no matter where you are playing.” Features Classic Ampeg Tone Legacy Ampeg preamp and tone stack circuits Wide range of authentic Ampeg tones from smooth Portaflex to harmonically-rich SVT The Bass Players DI The connections you need to drive your rig and deliver your exact tone to front-of-house Dedicated XLR balanced line out with ground lift Affected 1/4 output Unaffected 1/4 thru Total Tonal Control A complete Ampeg EQ pedal with massive tone choices Classic 3-band tone stack Ultra-Hi and Ultra-Lo circuits for additional tonal flexibility Footswitchable Powerful Bass Overdrive Pedal New Bass Scrambler overdrive delivers true SVT grit grind and sag Separate drive and blend controls Footswitchable Built to Last Roadworthy die-cast zinc chassis construction Durable metal switches No-slip rubber feet for solid stage performance Specifications Signal to Noise Ratio: 90 dB (20 Hz – 20 kHz unweighted) Maximum Gain @ 1 kHz: Input: 24 dB; 45 dB Scrambler in/max. Aux input: 27 dB Tone Controls: Bass: +14/-14 dB @ 40 Hz Mid: +5/-11 dB @ 500 Hz Treble: +16/-15 dB @ 4 kHz Power Requirements: Internal: 9 V Battery External: 9-12 VDC @ 100 mA Size (H x W x D): 2.2 in x 7.6 in x 4.3 in (56 mm x 193 mm x 110 mm) Weight: 2.6 lb / 1.2 kg (approximately)
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Yamaha Guitar Group, Inc. (YGG) acquired the Ampeg brand in 2018—bringing it under the same roof as Yamaha basses/guitars/amplifiers and digital innovators Line 6. Honouring 70+ years of celebrated Ampeg history and the 50th anniversary of the amplifier that put Ampeg on the rock ‘n’ roll map, the first thing developed by YGG was the Heritage 50th Anniversary SVT, a product that quickly became one of the most requested amplifiers amongst touring artists and backline companies.
Bass
In the realm of guitar effects, “bass” pedals are designed specifically for bass guitars, enhancing their low-end frequencies and allowing bassists to shape their tone and explore new sonic possibilities. These pedals cater to the unique characteristics of the bass guitar and provide various effects to modify its sound. For instance, overdrive and distortion pedals add gain and saturation, giving the bass a gritty or distorted tone. Compression pedals help even out dynamics by smoothing out the volume of loud and soft notes, resulting in a consistent and punchy sound. EQ pedals enable bassists to sculpt their tone by boosting or cutting specific frequencies, allowing them to emphasize certain parts of the sound or compensate for room acoustics.
Other popular bass effects include envelope filters, which produce dynamic filter sweeps in response to playing dynamics, adding rhythmic groove to bass lines. Octave pedals generate harmonies one or two octaves below the original note, creating a fuller and more powerful sound. Modulation effects like chorus, flanger, and phaser add depth and movement by modulating the pitch or phase, creating swirling textures and enhancing the overall presence of the bass line. Lastly, delay and reverb pedals introduce ambience and spatial depth, adding echoes and reflections that enhance the sense of space in music. These diverse effects allow bassists to expand their sonic palette and express their creativity in numerous ways.
EQ
While Ed Sheeran primarily relies on the natural sound of his acoustic guitar and vocals, he occasionally uses EQ (Equalization) to shape and enhance his tone during live performances or in the studio. EQ pedals or onboard preamps can allow him to adjust the frequency response of his guitar signal to suit the acoustics of different venues or to achieve specific tonal characteristics. Here’s how EQ might be utilized in Ed Sheeran’s setup:
1. **Tonal Shaping**: EQ can be used to adjust the balance of frequencies in the guitar signal, allowing Ed Sheeran to shape his tone to his liking. For example, he might boost the midrange frequencies to bring out the warmth and presence of his acoustic guitar, or cut certain frequencies to reduce any harshness or mud in the sound.
2. **Feedback Control**: In a live setting, EQ can help control feedback by notching out problematic frequencies that might cause the guitar signal to feed back through the amplification system. This can be particularly useful when performing in venues with challenging acoustics or high volume levels.
3. **Room Correction**: In situations where the venue’s acoustics are less than ideal, EQ can be used to compensate for any deficiencies in the sound. By adjusting the EQ settings, Ed Sheeran can tailor the guitar tone to sound more balanced and natural, regardless of the room’s acoustic properties.
4. **Matching Gear**: EQ can also be used to match the tone of Ed Sheeran’s guitar to the sound of other instruments or equipment in his setup. For example, he might adjust the EQ to complement the tonal characteristics of his vocal microphone or to blend seamlessly with backing tracks or other instruments.
Overall, while EQ may not be a central component of Ed Sheeran’s guitar effects setup, it can still play a valuable role in shaping his tone and ensuring that he achieves the desired sound in different performance environments. Whether used subtly for tonal shaping or more aggressively for feedback control, EQ allows Ed Sheeran to tailor his guitar tone to suit his musical vision and performance needs.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
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Overdrive
Overdrive is a popular guitar effect that creates a warm, distorted sound by amplifying the signal of an electric guitar, typically using a pedal or an amp’s built-in circuit. The effect simulates the natural distortion that occurs when a tube amplifier is pushed to its limit, creating a rich, harmonic response that adds sustain, warmth, and character to the tone. Overdrive pedals are commonly used to add grit and growl to a clean tone without the harshness of full distortion.
The overdrive effect works by boosting the input signal, causing the amplifier to break up and clip the waveform, resulting in a smooth, musical distortion. This is often more subtle and less aggressive than other forms of distortion, making overdrive pedals ideal for blues, classic rock, and country players who seek a dynamic sound that responds to their playing touch. Overdrive pedals can be used in conjunction with other effects like delay and reverb to shape a more complex, evolving sound. Popular overdrive pedals include the Ibanez Tube Screamer, the Fulltone OCD, and the Boss OD-3, each offering different tonal characteristics, from smooth and bluesy to punchy and aggressive.
Preamp
A preamp, short for preamplifier, is an electronic device used to amplify weak signals from guitars, microphones, or other audio sources before they are sent to a power amplifier or recording device. Preamps serve several important functions in audio systems:
1. **Signal Boosting**: The primary function of a preamp is to increase the level of weak signals to line level, which is the standard level used in audio equipment. This boost ensures that the signal remains strong and clear throughout the audio chain, minimizing noise and distortion.
2. **Tone Shaping**: Many preamps feature tone controls such as EQ (equalization) knobs or switches, which allow users to adjust the frequency response of the signal. This can include boosting or cutting specific frequencies to tailor the tone to the desired sound.
3. **Impedance Matching**: Preamps often include input and output impedance controls to match the impedance of the source device (e.g., a guitar pickup) with the impedance of the connected equipment (e.g., an amplifier or mixer). Proper impedance matching ensures optimal signal transfer and prevents signal degradation.
4. **Coloration and Character**: Some preamps are designed to impart a specific sonic character or coloration to the signal, adding warmth, richness, or saturation. This can be achieved through the use of vacuum tubes, transformers, or other analog components known for their unique sonic characteristics.
5. **Gain Staging**: Preamps play a crucial role in gain staging, which involves managing the levels of audio signals at each stage of the signal chain to optimize signal-to-noise ratio and prevent distortion. By adjusting the gain or volume controls on the preamp, users can control the overall level of the signal before it reaches subsequent stages of processing or amplification.
6. **Phantom Power**: Many preamps provide phantom power, which is required to power condenser microphones and certain active DI (direct input) boxes. Phantom power is typically supplied at +48 volts and is transmitted through the microphone cable to power the microphone or DI box.
Preamps are commonly found in a variety of audio equipment, including guitar amplifiers, mixing consoles, recording interfaces, and standalone preamp units. They are essential for ensuring clean, clear, and balanced audio signals in both live sound reinforcement and studio recording applications. Additionally, dedicated guitar preamps are available as standalone units or built into amplifiers, offering guitarists additional control over their tone and signal chain.
Analog Preamp, comp and Overdrive bass effect pedal Classic optical compressing sound, 3-band EQ with PRE/POST selection for enhancing and shaping your bass tone High impedance input and XLR balanced output Special Design Buffer Bypass Circuit Keeps the Sound Pristine Working with 9V Center Negative Regular Pedal Power Supply(not included)
Delivers classic Ampeg grit, grind and sag Separate drive and blend (wet/dry) control Treble and volume control True bypass, analogue design with incredible signal-to-noise ratio Roadworthy all-metal chassis construction
Wide range of authentic Ampeg tones from smooth Portaflex to harmonically-rich SVT The connections you need to drive your rig and deliver your exact tone to front-of-house – XLR balanced line out with ground lift, affected 1/4" output and unafected 1/4" thru A complete Ampeg EQ pedal with massive tone choices New Bass Scrambler overdrive delivers true SVT grit, grind and sag Roadworthy die-cast zinc chassis construction with durable metal switches and no-slip rubber feet for solid stage performance
Wattage: This RockJam electric guitar amplifier is a true 20watt RMS amp, ideal for both practicing and small performances Equaliser: With a three-band equaliser, Bass, Treble & Middle you can balance the output of your amp according to your playing style and environment Guitar Amplifier With Effects: With both overdrive and gain functions, this guitar amplifier will allow you to truly personalise your sound Input & Output: With a 6.55mm headphone output, this guitar amp will allow you to practice in private Portable: Weighing in at 4.2 KG and coming with a handy carry handle, this amplifier is great for taking on the move
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