Want a classic envelope filter sound for your bass without losing its low-end? The MXR M82 Bass Envelope Filter features an all-analogue circuit for a rich organic tone and separate wet/dry controls for the perfect mix of signals. The MXR Bass Pedal lets you can create a wealth of stunning filter tones that will suit both active and passive basses. Simply experiment with the decay and Q controls to get the desired sound. Use the sensitivity to tailor the attack to your bass or personal preference. To top it off the MX M82s Compact design and roadworthy enclosure makes it the perfect companion for the road. Taking up little space on your pedalboard and in your bag.
Mxr M82 Bass Envelope Filter Blackout Edition Pedal
£194.00
This is a New Mxr M82 Bass Envelope Filter Blackout Edition Pedal from MXR, listed in Wah & Filter Pedals on Just Pedals. Read More below.
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Brand
MXR
MXR is a renowned manufacturer of guitar effects pedals and audio electronics, recognized for their classic designs and high-quality sound. Established in the 1970s, MXR has played a significant role in shaping the landscape of effects pedals, producing iconic units that have become staples in countless musicians’ rigs. The company’s pedals are celebrated for their rugged construction, intuitive controls, and versatile tones, making them popular among guitarists and bassists across genres.
MXR’s product lineup encompasses a wide range of effects categories, including distortion, delay, modulation, and more. Some of their most notable pedals include the Phase 90 phaser, the Dyna Comp compressor, and the Carbon Copy analog delay, all of which have earned legendary status among players for their distinctive sound and reliability. With a legacy of innovation and a commitment to quality, MXR continues to be a respected name in the world of guitar effects, inspiring musicians to explore new sonic possibilities and express themselves creatively.
Category
Wah & Filter Pedals
Wah and filter pedals emphasise or remove a moving part of the frequency spectrum. A treadle wah sweeps a resonant peak through the signal, while auto-wah, envelope and fixed filters use playing level, an LFO or a set frequency to create vocal, synth-like or cocked-wah textures. Q, sweep range, input loading, bypass type and placement all affect the response. Before gain, the filter determines which frequencies clip; after gain, it shapes the finished distortion. Check whether the circuit expects a direct guitar signal and whether the switch is mechanical, soft-touch or optically controlled.
Tags
Analogue
Uses continuous analogue circuitry for some or all of the audio path, so clipping, filtering or modulation arises from physical components rather than sampled algorithms. Check the exact signal path.
Bass
Designed or voiced to retain low-frequency information and headroom with bass guitar or other low-register sources. Controls may centre on clean blend, low-end EQ, compression or drive.
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