Darkglass Microtubes Infinity Multi-Band Bass Distortion Pedal - Image 1
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  • Darkglass Microtubes Infinity Multi-Band Bass Distortion Pedal
  • Darkglass Microtubes Infinity Multi-Band Bass Distortion Pedal
  • Darkglass Microtubes Infinity Multi-Band Bass Distortion Pedal
  • Darkglass Microtubes Infinity Multi-Band Bass Distortion Pedal
Darkglass Microtubes Infinity Multi-Band Bass Distortion Pedal - Image 1Darkglass Microtubes Infinity Multi-Band Bass Distortion Pedal - Image 2Darkglass Microtubes Infinity Multi-Band Bass Distortion Pedal - Image 3Darkglass Microtubes Infinity Multi-Band Bass Distortion Pedal - Image 4

Darkglass Microtubes Infinity Multi-Band Bass Distortion Pedal

£539.00

This is the Darkglass Microtubes Infinity Multi-Band Bass Distortion Pedal from Darkglass Electronics, listed in Distortion Pedals on Just Pedals. Read More below.

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Darkglass has become the go-to brand for modern bassists, with their popular Microtubes pedals offering immensely powerful and focused distortion tones. The Microtubes Infinity is another model to join their enviable lineup; an all-encompassing stompbox that offers cutting-edge distortions, multi-band compression, unrivalled tone-shaping, D.I. connectivity and switchable I.R. cab simulation.

Housed in Darkglass' familiar, user-friendly chassis, the Infinity is packed with three legendary Microtubes distortion circuits: the B3K, Vintage, and X. What's more, the Infinity boasts multi-band compression on every mode and the option to blend impulse responses between distortion modes. A six-band graphic EQ puts a wealth of tone-shaping options at your feet and further controls are accessible by connecting the Infinity to the Darkglass Suite mobile app. You could even say that there are infinite possibilities! 

Controls

  • 5 Potentiometers – Compression, Drive, Alpha/Omega Distortion, Blend, Level
  • 6-Band Graphic Equalizer (touch sensitive sliders)
  • 3 Multi-Function Switches (push/rotate) – -∞ (Negative Infinity) / Compressor mode (5 modes + bypass), 0 (Zero) / Distortion mode (5 modes + bypass), +∞ (Positive Infinity) / Cabinet simulation (5 Impulse Responses + bypass)
  • Headphone Volume (mini potentiometer)

Specifications

  • Audio Inputs: Instrument (1/4” mono), Aux in (1/8” stereo)
  • Audio Outputs: Two Balanced 1/4” (Left & Right), XLR, Headphone out (1/8“ stereo)
  • Other I/O: USB-C (Audio interface and added control via Darkglass Suite), MIDI In (1/8”), 9VDC input (centre negative 2.1/5.5 mm), Bluetooth (Bluetooth audio in and added control via Darkglass Suite mobile app)
  • Dimensions (Unpacked): 18x12x6 cm

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Brand

Darkglass Electronics

Darkglass Electronics is a highly respected manufacturer of bass amplification and effects pedals, based in Helsinki, Finland. Founded in 2009 by Douglas Castro, Darkglass Electronics has quickly risen to prominence within the bass community for its innovative designs, exceptional sound quality, and meticulous craftsmanship.

Darkglass pedals are known for their ability to produce powerful and versatile tones that cater specifically to the needs of bassists. One of their most acclaimed products is the Microtubes B7K Bass Overdrive, which offers a wide range of overdriven and distorted tones while retaining clarity and definition in the low end. This pedal has become a staple on the pedalboards of many professional bass players across various genres.

In addition to overdrive and distortion pedals, Darkglass Electronics also offers a variety of other effects pedals, including preamps, compressors, EQs, and modulation effects, all designed to enhance and sculpt the bass guitar’s tone.

Darkglass Electronics has gained a loyal following among bass players worldwide for its commitment to innovation, quality, and sonic excellence. With their dedication to pushing the boundaries of bass tone, Darkglass continues to be at the forefront of bass gear technology, inspiring bassists to explore new sonic possibilities.

Category

Distortion Pedals

Distortion clips the waveform more firmly than overdrive, generating dense upper harmonics, longer sustain and a more compressed response. Circuit topology and filtering decide whether the sound is tight and focused, broad and aggressive, smooth or deliberately abrasive. Gain sets the amount of clipping, while pre- and post-distortion tone controls strongly influence low-end definition, midrange presence and high-frequency texture.

Tags

Bass

Voiced or equipped to retain low-frequency fundamentals and the higher headroom of a bass signal. Clean blends, crossovers and bass-specific filter ranges can preserve weight and articulation while the effected portion adds harmonics, movement or ambience.

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