Electronic Audio Experiments Glaive Fuzz Octave Pedal

Retailing in the region of £259.00

On the menu for January 2026 are the Electronic Audio Experiments Guitar Pedals, freshly added and carefully selected. These New units are available to order online with fast, secure delivery from trusted UK retailers. Read on for full details, specifications, demos, videos, reviews, and the best places to buy the Electronic Audio Experiments Guitar Pedals today.


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Description

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On the menu for January 2026 are the Electronic Audio Experiments Guitar Pedals, freshly added and carefully selected. These New units are available to order online with fast, secure delivery from trusted UK retailers. Read on for full details, specifications, demos, videos, reviews, and the best places to buy the Electronic Audio Experiments Guitar Pedals today.

The Electronic Audio Experiments Glaive is the most dangerous gain device in our lineup. This discordant yet deceptively versatile op amp fuzz is capable of over +80dB of gain. The Weight knob adjusts a lightly resonant high pass filter at the input, for tones ranging from tight, ripped- speaker grind to bass-rich sludge. Texture blends in a full-wave rectified analogue signal, producing an octave up that gets fed into the fuzz input. Use it for subtle scrambling, or to generate piercing intermodulation products and sub-bass artefacts with a synthesiser-like attack. The LPF toggle can focus harsh overtones or unleash a full-spectrum cut through any mix. Finally, the Squelch toggle enables a brute-force, highly effective bias gate that can temper even the most fanatical gain levels and impart a crumbly, ripping quality to the note decay.

The whole package is rounded out with a robust, high-headroom 24V internal power supply and quiet buffered bypass with intelligent momentary/latching functionality. Indeed, despite its belligerent nature, the Glaive possesses a deadly finesse.

Controls:

  • Level: Output volume level.
  • Fuzz: Controls the signal flow into the primary gain stage. Increase to add gain, up to an irresponsible +80dB.
  • Weight: Changes the cutoff of a high-pass filter at the input to alter the attack and thickness of the fuzz. Decrease for a tight attack, increase for crushing bass frequencies.
  • Texture: Turn clockwise to blend in an analogue octave up at the input of the fuzz circuit. Low settings add subtly broken harmonics, high settings add a strong 2nd harmonic with extended overtones and sub-bass artefacts.
  • LPF (left toggle): 3-position tone switch. Centre = no high cut, down = moderate high cut, up = strong high cut.
  • Squelch (right toggle): 3-position controlling bias/gate behaviour. Centre = off, down = mild gating, up = strong gating.
  • Footswitch: Activates the effect with intelligent momentary/latching behaviour.

Specifications

  • Bypass switching: Silent electronic switching with a high-headroom op amp buffer
  • Input impedance @ 1Khz: 1MΩ
  • Output impedance @ 1Khz: <1KΩ
  • Power: 9VDC, 2.1mm centre negative barrel. The current draw is 70mA.

We recommend a regulated, isolated power supply rated for 100 mA minimum. The DC input is protected against reverse polarity and over-voltage up to 20V. Our pedals do not accept batteries.

Additional information

Weight 0.8 kg

Category

Guitar Pedals

Tags

Buffer

Filter

Fuzz

A fuzz pedal is one of the earliest and most aggressive forms of distortion, turning your clean guitar signal into a thick, saturated wall of sound. It works by clipping the waveform almost flat, creating a compressed, gritty tone full of harmonic overtones. The result is raw, unruly, and unmistakable — from the sputtering breakup of vintage germanium circuits to the searing sustain of modern silicon designs. Fuzz pedals react strongly to your guitar’s volume and pickup choice, making them dynamic tools for expressive players.

Whether you’re chasing the classic tones of Hendrix and the Smashing Pumpkins or exploring heavy, experimental textures, fuzz remains a favourite for its personality and unpredictability. It can sound smooth and sustaining, or wild and velcro-like, depending on how it’s set up. A good fuzz pedal cuts through the mix while adding thickness and attitude, turning any riff or lead line into something bold and unmistakably alive.

New

This is brand new, fresh in, and a UK warranty is included. New Gear always comes from trusted UK music retailers.

noise gate

Octave

An octave pedal shifts your guitar signal up or down by one or more octaves, blending the altered pitch with your original sound to create a fuller, more complex tone. It can add a deep, bass-like layer underneath your playing or a shimmering high octave on top for lead lines and solos. Classic analogue octave pedals often produce slightly gritty, organic sounds, while modern digital versions track more precisely and can offer multiple octave ranges.

Octave pedals are great for thickening single-note riffs, creating synth-style textures, or even mimicking bass parts when playing alone. They pair well with fuzz or overdrive pedals for massive, harmonically rich tones. Whether you’re after vintage Hendrix-style octave fuzz or a modern polyphonic sound that tracks chords cleanly, an octave pedal opens up a world of creative possibilities and adds real weight and character to your tone.

Synth

A synth pedal transforms your guitar signal into rich, layered tones that mimic the sounds of a synthesiser. Using pitch tracking and waveform generation, it can produce everything from deep bass lines to shimmering pads and futuristic leads. Synth pedals open up a wide creative range, blending the expressiveness of guitar playing with electronic textures, making them ideal for experimental sounds, ambient music, or adding a modern edge to classic riffs.

Volume

Volume pedals control the output level of a guitar signal using a foot-operated treadle. They allow smooth volume swells, dynamic control during playing, and easy muting between songs. Volume pedals can be placed at different points in the signal chain to either control overall loudness or adjust gain and drive behaviour when positioned before distortion or overdrive pedals.