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  • J Rockett Audio Designs The Dude Overdrive V2
  • J Rockett Audio Designs The Dude Overdrive V2
  • J Rockett Audio Designs The Dude Overdrive V2
  • J Rockett Audio Designs The Dude Overdrive V2
J Rockett Audio Designs The Dude Overdrive V2 - Image 1J Rockett Audio Designs The Dude Overdrive V2 - Image 2J Rockett Audio Designs The Dude Overdrive V2 - Image 3J Rockett Audio Designs The Dude Overdrive V2 - Image 4

J Rockett Audio Designs The Dude Overdrive V2

£215.00

This is the J Rockett Audio Designs The Dude Overdrive V2 from J. Rockett Audio Designs, listed in Overdrive Pedals on Just Pedals. Read More below.

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The Dude by JRAD is a stunning Dumble-Style overdrive and is loved by the guitar community around the world! 

The drive is smooth and powerful but really allows your tone to shine through. The tone is transparent but you do get enough gain on tap to go from mild overdrive to distortion.

What’s new in V2?

The Dude V2 has got a less aggressive volume control and knobs that are easier to read from far away as well as a noiseless footswitch. 

Here’s what J Rockett say about The Dude V2

The DUDE is designed to achieve the classic D style ODS sounds and feel. From Robben Ford to Larry Carlton to scorching gain, it is all there. The Dude v2 has a less aggressive volume control, new knobs that are easier to read and a noiseless foot switching system.

  • 9 volt Negative tip adapter and a 5.5mm x 2.1mm jack.
  • True Bypass Switching

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Brand

J. Rockett Audio Designs

Category

Overdrive Pedals

Overdrive uses soft or moderate clipping to add harmonics and compression while retaining more of the original note shape than heavy distortion. Some circuits emphasise the midrange and trim bass before clipping; others remain broad, transparent or amplifier-like. Gain, clipping arrangement, headroom and tone filtering decide whether it supplies a light edge, a saturated drive sound or extra push into another gain stage.

Tags

True Bypass

Connects input directly to output through mechanical or relay switching when the effect is off, removing the active circuit from the audio path. It avoids buffer colour but leaves cable capacitance and switching design to influence high-frequency loss and possible switching noise.

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