Dawner Prince Boonar Multi Head Drum Echo Rec Pedal

£299.00

On the Menu for January 2026 are the Dawner Prince Boonar Guitar Pedals. These are fresh in, hand picked by the chef, & cooked to perfection. A tasty number we can deliver straight to your door, serving orders quickly and securely. For more info on Dawner Prince Boonar New Guitar Pedals, please read on for full details, demos, videos, reviews & to order online


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The Dawner Prince Boonar Guitar Pedals are fresh in for Jan. The Just Pedals Chef is dishing up hot gear all over the UK, served straight to your door, quickly and securely, For more info on tasty Dawner Prince Boonar New Guitar Pedals, please read on for full details, ingredients, reviews and where to order in the UK.

The good news is that now that the Dawner Prince Boonar is available, you won’t have to mount a full Binson Echorec delay unit to your pedalboard in order to get those beautiful vintage delay tones.

The Boonar can do everything from those warm, saturated repeats that hearken back to the 70s, to mulit-dimensional Echorec style delays. Further enhanced by the ability to control the EQ on your repeats, so that you dont have to turn up the treble on your amp.

Drum Age

No, not the age of the drummer in your band. This refers to the sound that older echorec tape would produce as opposed to new tape. Thankfully the Boonar is an analog pedal that doesnt require you to change tape heads but by changing the settings, can drastically alter your tone from clean and clear to extremely warbled. This means the Boonar will give you plenty to play with, and you may struggle with to choose which tape head to use!

Swell/Repeats

This button will take the pedal from standard repeats to crazy multiple repetitions that will sound reverb-esque. Who needs a church cathedral for massive reverb?

Here’s what Dawner Prince Electronics say

When we decided to revive one of the finest magnetic echo-delay machines ever built, we knew it will be everything but an easy task. Months of research, in-depth study, development and fine tuning were needed to bring it back in all its fame.

Boonar™ is an effects pedal precisely designed to deliver sound and feel of the legendary Binson Echorec, a multi-tap magnetic drum echo unit. Everything is in there and more: from thick, juicy tube tone, glorious multi-dimensional echo repeats melted with haunting reverb decays, variable delay time up to a full second and separate playback heads switching system to an amazing and distinctive external looks dominated by a gold finish and green pulsating “magic-eye” level indicator, all packed in an incredibly compact stompbox form.

Boonar shares the same analog signal path as original Echorec but we used high voltage driven FETs as tube emulators and replaced magnetic memory drum with a DSP unit. We developed a special DSP code that faithfully replicates all the characteristics of the actual Binson memory system that we named a virtual magnetic drum.

Reveal an authentic Binson sound and enjoy in magical echoes of the past!

VOLUME echo/repeat/swell
controls the output volume of the delayed signal coming from the playback heads. This control is based on Input control setting.

BASS/TREBLE
adjusts the EQ of the delay signal. Just like in original Echorec machine, this effect is subtle, changing from darker to brighter.

SWELL (LENGTH OF SWELL)
sets the amount of regeneration/number of repeats from single repeat (slap back delay-Echo mode) of each playback head to infinite. On the edge of self – oscillation Boonar will start to produce those specific luscious swells that bubble, creating a complex multi-dimensional wall of sound.

DRUM SPEED
sets the rotational speed of the virtual magnetic drum which is directly proportional to the delay time of the machine. Unlike Binson Echorec with fixed drum speed and delay time of 300ms max on the 4th playback head, Boonar provides delay times from ~40 ms on the 1st playback head up to a full second (1000 ms) on the 4th playback head! Fully clockwise setting corresponds to the fastest drum speed hence shortest delay times. Binson Echorec delay time setting is at 3 o’clock.

DRUM AGE
this control adds all those sweet aging characteristics specific to Binson Echorec. When new Echorec repeats are bright, metallic sounding and repeat pretty accurately since magnetic drum was quite an improvement over magnetic tape. But with aging there is a slight loss in volume and high frequencies due to a wear/poor playback heads alignment and a very unique modulation is introduced in the delay signal. This modulation is mostly caused by worn mechanical parts that start to irregularly drive the memory disc/drum and unlike other delay modulations this one is more of a vibrato than a chorus effect.
With Drum Age control set to zero (fully clockwise), there is a minimum aging effects present in the delay signal. Increasing it to 12 o’clock will add a subtle amount of modulation producing a pleasant wow effect, while on maximum will introduce a nice warble with noticeable loss in high frequency and volume on the playback heads. Another important characteristics is that Drum Age modulation frequency (the rate of the warble effect) is directly proportional to the Drum Speed – as the drum speed is increased, so is the rate of the warble and vice versa.

A lot of time and hard work went into recreating all those characteristics, meaning carefully measuring all the parameters on the actual machines and transferring them into the Boonar’s DSP – virtual magnetic drum.

INPUT CONTROL
controls the level of the input signal to the delay path. This control enables Boonar to accept all kinds of instruments with various signal levels on the input. Cranking the Input Control all the way up will produce those beautiful overdrive effects on the delay, specific to the Binson Echorec.

PLAYBACK HEADS
Binson Echorec had a 12-position rotational switch that was used to select different playback heads and combinations for single and multi-tap delay. We wanted to overcome that limitation and added a separate playback heads switches for a maximum of 16 possible head combinations. All four playback heads outputs are true analog.

LEVEL INDICATOR
The Level Indicator called a “magic-eye” displays the level of input signal and repeats.

SWELL/REPEATS
switches between standard Repeats mode – a multiple repetitions depending on the Swell control potentiometer and a Swell mode which puts a portion of signal from all four playback heads into the output mixer to produce those reverb – like, “cathedral tone” effects.

TRAILS/TRUE BYPASS
Boonar utilizes both True bypass and Trails mode simply interchangeable by setting internal DIP switches according to the provided scheme. Trails mode keeps Boonar’s preamp and output buffer engaged keeping that juicy Binson Echorec tube tone always on, and when bypassed echoes keep repeating until they naturally decay, depending on the Swell potentiometer setting. Trails mode is factory preset.

DRY VOLUME (KILL DRY)
internal trim pot sets the level of the dry signal coming from the preamp into the output mixer. It is factory set to unity gain.

MODERN/ORIGINAL
internal DIP switch sets the input impedance from very low – 47K Ohm in Original mode (Binson Echorec mode) to 1M in Modern mode which brings more sparkle, dynamics and a bit more output volume.
Modern mode is factory preset.

Specifications

  • Power Input Voltage: 9V DC
  • Power input connector: 5.5mm / 2.1mm barrel connector (Center Negative)
  • Power Consumption: ~ 180mA
  • Size: 4.4” x 2.3”

Ingredient Allergy Warning : Product may contain nuts.

Additional information

Weight0.5 kg

Tasty Pedals made by Dawner Prince Boonar

Just Pedal Ingredients.

Delay — A delay pedal records your signal and plays it back after a set time, creating echoes that can range from tight, slapback repeats to long, atmospheric trails. It’s one of the most versatile effects, used to thicken tones, add rhythmic depth, or build spacious, ambient layers. Analogue delays offer warm, decaying repeats that blend naturally with your tone, while digital units provide pristine echoes with precise control over time, feedback, and mix levels.From classic rockabilly and tape-style echoes to modern looping and shimmer effects, delay pedals have become essential tools for shaping sound. They can make solos soar, rhythms pulse, or transform simple chord progressions into cinematic textures. Whether used subtly to add dimension or boldly to create soundscapes, a good delay pedal can completely redefine the feel and atmosphere of your music.. EQ — While Ed Sheeran primarily relies on the natural sound of his acoustic guitar and vocals, he occasionally uses EQ (Equalization) to shape and enhance his tone during live performances or in the studio. EQ pedals or onboard preamps can allow him to adjust the frequency response of his guitar signal to suit the acoustics of different venues or to achieve specific tonal characteristics. Here’s how EQ might be utilized in Ed Sheeran’s setup:1. **Tonal Shaping**: EQ can be used to adjust the balance of frequencies in the guitar signal, allowing Ed Sheeran to shape his tone to his liking. For example, he might boost the midrange frequencies to bring out the warmth and presence of his acoustic guitar, or cut certain frequencies to reduce any harshness or mud in the sound.2. **Feedback Control**: In a live setting, EQ can help control feedback by notching out problematic frequencies that might cause the guitar signal to feed back through the amplification system. This can be particularly useful when performing in venues with challenging acoustics or high volume levels.3. **Room Correction**: In situations where the venue’s acoustics are less than ideal, EQ can be used to compensate for any deficiencies in the sound. By adjusting the EQ settings, Ed Sheeran can tailor the guitar tone to sound more balanced and natural, regardless of the room’s acoustic properties.4. **Matching Gear**: EQ can also be used to match the tone of Ed Sheeran’s guitar to the sound of other instruments or equipment in his setup. For example, he might adjust the EQ to complement the tonal characteristics of his vocal microphone or to blend seamlessly with backing tracks or other instruments.Overall, while EQ may not be a central component of Ed Sheeran’s guitar effects setup, it can still play a valuable role in shaping his tone and ensuring that he achieves the desired sound in different performance environments. Whether used subtly for tonal shaping or more aggressively for feedback control, EQ allows Ed Sheeran to tailor his guitar tone to suit his musical vision and performance needs.. Guitar Pedals — Your pedal is like a signature dish for your sound — a flavour-packed creation that transforms the bland ingredients of your guitar into something unforgettable. Each one adds its own seasoning, texture, and heat, turning a simple meal into a feast of tone.These tasty little boxes sit in a row, like plates on a buffet, letting you mix and match flavours as you play. With one tap of your foot, you can swap sweet for spicy, subtle for smoky, and serve up something completely new. From the comfort food of warm overdrive to the fiery kick of fuzz, from smooth jazz sauce to heavy-metal spice, pedals give players a full menu of options to express their taste.  And just like with food, once you’ve tried one dish, you’ll want to sample them all.Collecting, trading, and discovering new flavours soon becomes part of the joy of being a tone-loving gourmet geek with a guitar.. New — This is brand new, fresh in, and a UK warranty is included. New Gear always comes from trusted UK music retailers.. Overdrive — Like a golden layer of melted cheese — warm, gooey, and just put it all over. It adds just the right amount of richness and grit, turning a clean signal into something smooth and savoury. Designed to mimic the natural breakup of a tube amp pushed to its sweet spot, overdrive delivers the flavour of classic rock and blues in every bite. From creamy mid-gain warmth to crisp edge-of-breakup sparkle, it’s the comfort food of guitar tone — simple, satisfying, and endlessly versatile. Whether it’s a mild crunch or a full-bodied roar, overdrive is where good taste begins.. Preamp — A preamp pedal shapes and boosts your guitar’s signal before it reaches your amp or recording interface, giving you control over tone, gain, and headroom. It acts as the first stage of amplification, adding warmth, clarity, and character while preparing your signal for the next part of the chain. Some preamps emulate the response of classic valve circuits, while others offer clean, transparent tone shaping ideal for acoustic instruments or direct recording setups.Used on its own, a preamp pedal can serve as the foundation of your tone, providing a consistent core sound wherever you play. When combined with other effects, it enhances dynamics and helps each pedal sound more defined and natural. Whether you’re looking to push your amp harder, bring life to a dull signal, or refine your sound for the studio, a good preamp pedal adds presence, punch, and musicality to any rig.. Reverb — A reverb pedal is like the rich sauce that ties every flavour on the plate into one smooth experience. It adds depth, warmth, and atmosphere — the sonic equivalent of a perfectly reduced glaze that lingers on the tongue. Whether you’re after the subtle ambience of a cosy café (spring or plate reverb) or the grand echoes of a cathedral (hall or shimmer reverb), this is where your tone breathes and expands. A touch of reverb can turn a dry sound into something lush and inviting — but pour on too much, and it’s all you can taste. Used with finesse, it’s the finishing touch that transforms your tone from plain to unforgettable.. used. Vibrato — Vibrato refers to a guitar pedal effect that modulates pitch slightly up and down, creating movement and a sense of wobble in the sound. Unlike tremolo, which changes volume, vibrato affects pitch only, producing anything from subtle shimmer to pronounced, warbling textures. It is often used to add character, depth, and vintage-style modulation to guitar tones.. Volume — Volume pedals control the output level of a guitar signal using a foot-operated treadle. They allow smooth volume swells, dynamic control during playing, and easy muting between songs. Volume pedals can be placed at different points in the signal chain to either control overall loudness or adjust gain and drive behaviour when positioned before distortion or overdrive pedals..

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