Caroline Guitar Company Olympia Shigeharu Fuzz Pedal

£239.00

This is a New Caroline Guitar Company Olympia Shigeharu Fuzz Pedal from Caroline Guitar Company, listed in Fuzz Pedals on Just Pedals. Read More below.

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Here's what Caroline Guitar Company say about the Olympia Shigeharu:

Tired of your fuzz getting lost in the mix? Wish you could just pour molten sonic gravy from your speakers? Imagine classic Muff-style fuzziness with the punch of a classic overdrive, and you have Shigeharu.

Using a cascading hybrid of op-amp and BC184 transistor gain stages, Shigeharu provides all the sweet singing sustain and massive flamethrower gain you crave, but with unprecedented clarity, improved punch and definition, and consistent performance wherever it sits in your signal chain – even after buffers or wireless units. Combine that with the parallel octave-up voiced fuzz available on demand with the Havoc stomp and you have a whole lot of nasty right here.

Two extra controls reside inside the pedal – a bias/gate control for dialing up broken, spitty sounds, and a slide switch that locks the octave-up “on” and converts the momentary to a kill/mute switch.

Shigeharu was designed in collaboration with our friend John Snyder at Electronic Audio Experiments, because this thing was fearsome enough to compel us to seek a second opinion.

Brand

Caroline Guitar Company

Category

Fuzz Pedals

Fuzz pedals push a signal into intentionally non-linear clipping, often producing strong sustain, compression and harmonic roughness. The circuit may be gated and spluttering, broad and woolly, bright and cutting, or rich in octave content. Germanium, silicon, op-amp and hybrid designs each respond differently to input level, temperature, pickup impedance and the guitar volume control. Fuzz is therefore unusually sensitive to placement: some pedals want to see the instrument first, while others prefer a buffered or driven signal. Judge the cleanup, noise and low-end behaviour as carefully as the maximum gain.

Tags

Hybrid

Combines analogue audio circuitry with digital control, conversion or processing. The useful question is which part of the signal path remains analogue and which functions—presets, filtering or modulation—are handled digitally.