Benson Amps Stonk Box Temperature Controlled Drive Fuzz Pedal

£289.00

On the menu for January 2026 are the Benson Amps Guitar Pedals, freshly added and carefully selected. These New units are available to order online with fast, secure delivery from trusted UK retailers. Read on for full details, specifications, demos, videos, reviews, and the best places to buy the Benson Amps Guitar Pedals today.


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On the menu for January 2026 are the Benson Amps Guitar Pedals, freshly added and carefully selected. These New units are available to order online with fast, secure delivery from trusted UK retailers. Read on for full details, specifications, demos, videos, reviews, and the best places to buy the Benson Amps Guitar Pedals today.

Like the Germanium Fuzz before it, the Benson Stonk Box attempts to take a classic '60s fuzz design and bring the sound into the modern world without bringing along any of the flaws and inconsistencies of the original! In this case, Benson set their eyes on the "MK1" fuzz (which is itself a modified version of the very first fuzz ever made). They kept the original controls (Filter and Volume), and added a Tone knob and Trim control to expand the palette of sounds available.

The original circuit is considered one of the hardest of the classic fuzzes to get right because of the difficulty in transistor selection… with Benson's patented technology, they can do it easily and consistently, for the first time ever!

Automatic Thermal Bias Technology

The bias of the transistors in this pedal is automatically regulated by a circuit that gently warms the Germanium transistors (2N404 or 2N527) to a preset operating point using analogue components, and ensures a consistent sound — no matter the external temperature. When the LED is amber, the transistors are warming up to increase their hFE (transistor gain) and to shift the bias point to the correct voltage. When the LED turns green, the warmer is off because the correct bias and hFE have been set. Expect the LED to toggle back and forth every so often while the pedal is on… that is how you know it's working.

The heaters will warm the transistors enough to still be effective on a summer stage, but far cooler than anything that would harm the transistors. This pedal is designed to operate between freezing and 100F, but might still sound fine outside this range. Up to about 120F is where Benson found germanium straight up ceases to function… which can happen if it's left in the sun!

Controls

  • Trim: A gain control right before the two amplifying germanium transistors. Turned all the way up is how the stock design is all the time.
  • Filter: Manipulates both the gain and the bias point of the first gain stage. When turned down it will take away gain, bass frequency response, and will bring in to a gentle dynamic expander type effect (where quiet notes will be quieter than normal, the opposite of a compressor). Trim and Filter are interactive and there are many different flavours of fuzz and distortion to dial in. This pedal will not clean all the way up; even at low trim volumes there will be some distortion (in a nice way).
  • Tone: A low-pass filter at the end of the circuit, carefully designed to act almost like a tilt EQ to balance the bright attack and full body of the sound, made possible by the original circuit being way brighter than the bypassed guitar signal. Benson think they've struck a good balance here!
  • Volume: Sets the output level, which Benson have increased many orders of magnitude from the original. They took the training wheels off so you can push the front end of your amp into sonic madness (if you want). NOTE: this user-beware approch can also lead to settings with a high noise floor. Please remember, this is a crazy and primitive fuzz at its heart… not a piece of pristine recording equipment.
  • Internal Trimmer: Please don't turn the internal trimmer. It is precisely set at Benson's factory. Turning the trimmer voids the warranty. The correct trimmer position is marked in case you get one used where a tone lord hath already turned it!

Specifications

  • Power Requirements: 9V DC Centre Negative (PSU not included)
  • Current Draw: 100mA

Additional information

Weight 1 kg

Brand

Benson Amps

Benson Amps is a boutique amplifier company based in Portland, Oregon, known for producing high-quality, hand-built amplifiers with a focus on tone and craftsmanship. Founded by Chris Benson, the company has gained a reputation for creating versatile, modern amps that combine vintage-inspired sounds with contemporary reliability. Benson amps are prized for their clarity, warmth, and dynamic range, often favoured by musicians who appreciate both vintage tones and the flexibility needed for modern playing styles.

Benson’s product line includes both guitar and bass amplifiers, as well as effect pedals, all designed with a commitment to quality components and attention to detail. Their amplifiers are known for offering a wide range of tones, from crisp and clean to rich, saturated overdrive, making them suitable for a variety of genres. With a focus on user-friendly controls and intuitive design, Benson Amps has become a popular choice among both professional musicians and audiophiles looking for bespoke sound equipment that provides exceptional tonal depth and character.

Category

Guitar Pedals

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Compressor

Distortion

Distortion pedals take your clean guitar signal and transform it into something bigger, bolder, and full of attitude. By clipping the waveform, they add sustain, bite, and aggression, creating that thick, compressed tone that’s powered rock music for decades. From the growling crunch of classic hard rock to the tight, saturated roar of modern metal, distortion is all about energy and presence. It gives every note weight and authority, pushing your amp to its limits and beyond.

There are countless flavours of distortion, each with its own texture and edge. Some sound smooth and creamy, others raw and gnarly like tearing fabric. It’s the sonic equivalent of turning up the heat until the sound cooks — rich, sizzling, and perfectly seasoned to taste. Whether used for rhythm muscle or soaring leads, a good distortion pedal doesn’t just add volume; it adds personality, grit, and that unmistakable sense of power under your fingers.

EQ

While Ed Sheeran primarily relies on the natural sound of his acoustic guitar and vocals, he occasionally uses EQ (Equalization) to shape and enhance his tone during live performances or in the studio. EQ pedals or onboard preamps can allow him to adjust the frequency response of his guitar signal to suit the acoustics of different venues or to achieve specific tonal characteristics. Here’s how EQ might be utilized in Ed Sheeran’s setup:

1. **Tonal Shaping**: EQ can be used to adjust the balance of frequencies in the guitar signal, allowing Ed Sheeran to shape his tone to his liking. For example, he might boost the midrange frequencies to bring out the warmth and presence of his acoustic guitar, or cut certain frequencies to reduce any harshness or mud in the sound.

2. **Feedback Control**: In a live setting, EQ can help control feedback by notching out problematic frequencies that might cause the guitar signal to feed back through the amplification system. This can be particularly useful when performing in venues with challenging acoustics or high volume levels.

3. **Room Correction**: In situations where the venue’s acoustics are less than ideal, EQ can be used to compensate for any deficiencies in the sound. By adjusting the EQ settings, Ed Sheeran can tailor the guitar tone to sound more balanced and natural, regardless of the room’s acoustic properties.

4. **Matching Gear**: EQ can also be used to match the tone of Ed Sheeran’s guitar to the sound of other instruments or equipment in his setup. For example, he might adjust the EQ to complement the tonal characteristics of his vocal microphone or to blend seamlessly with backing tracks or other instruments.

Overall, while EQ may not be a central component of Ed Sheeran’s guitar effects setup, it can still play a valuable role in shaping his tone and ensuring that he achieves the desired sound in different performance environments. Whether used subtly for tonal shaping or more aggressively for feedback control, EQ allows Ed Sheeran to tailor his guitar tone to suit his musical vision and performance needs.

Filter

Fuzz

A fuzz pedal is one of the earliest and most aggressive forms of distortion, turning your clean guitar signal into a thick, saturated wall of sound. It works by clipping the waveform almost flat, creating a compressed, gritty tone full of harmonic overtones. The result is raw, unruly, and unmistakable — from the sputtering breakup of vintage germanium circuits to the searing sustain of modern silicon designs. Fuzz pedals react strongly to your guitar’s volume and pickup choice, making them dynamic tools for expressive players.

Whether you’re chasing the classic tones of Hendrix and the Smashing Pumpkins or exploring heavy, experimental textures, fuzz remains a favourite for its personality and unpredictability. It can sound smooth and sustaining, or wild and velcro-like, depending on how it’s set up. A good fuzz pedal cuts through the mix while adding thickness and attitude, turning any riff or lead line into something bold and unmistakably alive.

New

This is brand new, fresh in, and a UK warranty is included. New Gear always comes from trusted UK music retailers.

used

Volume

Volume pedals control the output level of a guitar signal using a foot-operated treadle. They allow smooth volume swells, dynamic control during playing, and easy muting between songs. Volume pedals can be placed at different points in the signal chain to either control overall loudness or adjust gain and drive behaviour when positioned before distortion or overdrive pedals.

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