For the TC Electronic MojoMojo Paul Gilbert Edition Overdrive TC teamed up with Gilbert himself to upgrade and push this flagship overdrive into even more exciting sonic territory. The most noticeable change is the new 11 switch. This replaces the voicing switch on the standard version since Paul only used one setting so with the new extra gain mod you can really take your tone up a gear. The new colour scheme sleekly matches Pauls signature guitar for a truly custom aesthetic. These alterations arent at the expense of the recognisable tones that made the original so popular though. The stepped-up circuit board voltage is retained so you will still always get precise articulation and stunning clarity. This greatly expanded headroom is one of the key reasons this is Gilberts personal choice of overdrive pedals and this new version is customised exactly to Pauls specs so you can sound just like the man himself.
TC Electronic MojoMojo Paul Gilbert Edition Overdrive
This is a New TC Electronic MojoMojo Paul Gilbert Edition Overdrive from TC Electronic is in our Overdrive Pedals category on Just Pedals. Read More below.
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Brand
TC Electronic
Founded in Denmark in 1976 by brothers Kim and John Rishoj, TC Electronic first made its mark with the Stereo Chorus Flanger (SCF), prized for its transparent modulation. The company later developed the TC 2290 digital delay, a landmark studio processor, and extended its guitar range with compact effects, loopers and TonePrint-enabled pedals. JustPedals listings include the MojoMojo overdrive, Dark Matter distortion, Spark Booster, Ditto X2 looper and Flashback Triple Delay. TC Electronic now covers guitar, bass and voice products, so compare the exact model’s stereo routing, presets and control method.
Category
Overdrive Pedals
Overdrive uses soft or moderate clipping to add harmonics and compression while retaining more of the original note shape than heavy distortion. Some circuits emphasise the midrange and trim bass before clipping; others remain broad, transparent or amplifier-like. Gain, clipping arrangement, headroom and tone filtering decide whether it supplies a light edge, a saturated drive sound or extra push into another gain stage.
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