RockBoard QuickMount Type F for Ibanez Tube Screamer and Maxon Pedals

£12.99

This is a New RockBoard QuickMount Type F for Ibanez Tube Screamer and Maxon Pedals from RockBoard, listed in Overdrive Pedals on Just Pedals. Read More below.

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Here’s What RockBoard Say About the QuickMount Type F – Pedal Mounting Plate For Standard Ibanez TS / Maxon Pedals

The RockBoard QuickMount System was designed to do away with sticky hook and loop tape that attracts dust and dirt and is a hassle to remove from your pedals. It fits perfectly in the RockBoard Slot Grid on our pedalboards and allows instant secure mounting of your pedals. The QuickMount plates are designed to screw onto the back of your pedals, using the original screws (or supplied replacement screws) and to be easily removable without any residue. The RockBoard QuickMount Type F was specially developed for standard size Ibanez TS and Maxon Nine series effects pedals.

Features

  • QuickMount Pedal Mounting Plate for standard size Ibanez Tube Screamer and Maxon Nine series effects pedals
  • Mounting hole distance (W x D): 56 x 82 mm / 2 13/64″ x 3 15/64″
  • Safely mounts your effects pedals on RockBoard pedalboards
  • Replaces sticky hook and loop tape
  • Mounts on top of existing effects pedal back plates, removable without any residue
  • No permanent modifications necessary
  • Made of carbon-reinforced composite plastic
  • Includes replacement mounting screws

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Brand

Rockboard

In the current JustPedals catalogue, Rockboard is represented by Pedalboards, Wah & Filter Pedals and Tuner Pedals. Current listings include PedalSafe Pick Box, QuickMount Pick Box and Power Block ISO V6+. That makes the range relevant to players looking for drive, gain and clipping, plus pedalboard infrastructure and control. Check each model for its exact circuit or processing platform, controls, power requirements and connections, particularly where the catalogue includes both pedals and supporting gear.

Category

Overdrive Pedals

Overdrive uses soft or moderate clipping to add harmonics and compression while retaining more of the original note shape than heavy distortion. Some circuits emphasise the midrange and trim bass before clipping; others remain broad, transparent or amplifier-like. Gain, clipping arrangement, headroom and tone filtering decide whether it supplies a light edge, a saturated drive sound or extra push into another gain stage.