Flanger enveloped in a cavernous reverb Embedded a very gentle noise gate to stifle inherent guitar hiss and LFO clock noise The result is an extremely musical flanger that sounds like an extension of your own instrument Can also fuel up and take off when a little dirt of any kind is applied beforehand Runs from 9 to 18 volts using a standard DC center-negative power supply for pedals. Make sure you’re using a supply that provides at least 100mA

7-Mode Effects: Room, Hall, Church, Spring, Plate, Studio and Mod. Digital circuit design, true bypass provides transparent tone. Whole Aluminium-alloy classic, stable and strong. LED indicator shows the working state. DC 9V Adapter power supply.(not included)

Era-Defining Plate: The Catalinbread Talisman Studio Plate Reverb Pedal features era-defining plate reverb with studio-style controls Mechanical Contraption: Listen to any recording from the 70s and you’ll most likely hear the sound of a plate reverb, a giant mechanical contraption roughly the size of a king-size bed Lush Ambience: It adds lush ambience, dimension, thickness, and depth in an unobtrusive way Tune the Reverb: Both controls allow you to tune the reverb, in order to keep it from interfering with the dry signal Bypass Mode Switch: It also features internal bypass mode switch

Katzenkonig Distortion Guitar Pedal "The KatzenkAnig Distortion Guitar Pedal loves both single coils and humbuckers, and sounds great in front of a clean amp or an overdriven amp (or pedal) The KatzenkAnig combines the best elements of a Tone Bender MkII fuzz and a Rat distortion The circuit is all-discrete, using a trio of silicon transistors in a modified Tone Bender MkII arrangement with the output section of a Rat, including its clipping section, filter, and output buffer The result is a pedal that we tuned to offer a huge range of response – from a really beautiful singing tone, to tight, harmonically-rich crunch, all the way to fuzz mayhem

Can get clean to crunch from your guitar’s volume knob so you can leave it on all night and use it as your base tone Can be stacked with other overdrive, boost, and fuzz pedals in front of it to enhance those, just like a real cranked up amp would Can give you control over your stage volume without compromising your dynamics or touch-sensitivity Can give you a much better base crunch tone then most overdrive channels on amps Utilizing 2-6L6 output tubes into 4-10" speakers, the Bassman quickly became the mainstay of stages everywhere during that era.