The Laney Digbeth DB-PRE is designed to give you complete freedom to deliver your iconic bass tone wherever you need to go. There are both FET & Tube signal paths with incredible tone shaping capabilities. A three-band EQ offers effortless adjustment of the bass guitars bass levels mids and treble. This is partnered with a…
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The Laney Digbeth DB-PRE Bass Preamp is in New condition and made by Laney , it is a great Preamp Bass DB-PRE Digbeth Laney Guitar Effect Pedal- The Laney Digbeth DB-PRE is designed to give you complete freedom to deliver your iconic bass tone wherever you need to go. There are both FET & Tube signal paths with incredible tone shaping capabilities. A three-band EQ offers effortless adjustment of the bass guitars bass levels mids and treble. This is partnered with a TILT EQ function to provide an easy efficient method of switching useful for cutting through a live band situation. It allows you to easily decrease the lows to give the bass tones more presence or alternatively boost the low presence and dampen the highs of the sound. A designated FX loop means that you can place effects in specific locations along the signal path for complete control. . Available from Just Pedals for only £ 139 Free tonal sculpting Tonal shaping is key with a bass pre-amp and Laney have ensured that all avenues are available to be explored. The three-band EQ offers complete sound sculpting allowing you to really dial up those lows for a thicker rich bassline or increase the treble to give you that punchy snap to your driven bass tones. A Tilt EQ function with SEE SAW EQ provides the perfect device to add the finishing touches. Ideal for any genre two select pre-amp options allow you to either deliver crushing Tube amp goodness or stable cleans with the FET channel. All of this results in an easily adjustable versatile bass pre-amp perfect for every genre. Gig-ready set-up The Laney Digbeth DB-PRE is designed for the travelling musicians packing in a lot of power within a compact portable package. Weighing in at 0.75kg and taking up very little room within the rig this pre-amp fits in perfectly with any bassist’s setup. A designated FX loop allows you to efficiently attach your other pedals in your sequence which means you can accurately position your effects creating unique and nuanced tones. A full metal chassis ensures that the pedal is gig-ready and durable so you can use it without worrying about damaging the unit. Complete connectivity This pre-amp pedal offers an abundance of connectivity options for a multitude of setups and devices. Practise in peace with a designated aux in letting you play the track you’re learning through your amplifier. Alternatively the DB-PRE also comes with a headphone out jack allowing you to practise without disturbing other people freeing you up to really crank up the volume. A designated DI output makes recording a whole lot easier as you can directly connect your bass to the desk allowing you to send the signal before or after it has passed through the EQ. This is topped off with a ground lift switch removing all the rumble and hum from the signal to ensure a vastly clearer tone. Specifications Product: BASS PREAMPLIFIER Product Code: DB-PRE:N Input Impedance (Passive): 1MΩ Input Impedance (Active): 100KΩ Output Link Impedance: 1KΩ Output Impedance: 1KΩ Aux Input: 3.5mm TRS Jack (4.7KΩ Input Impedance) Aux Phones: 3.5mm TRS Jack (100Ω Output Impedance) FX SEND: 6.35mm TS Jack -10dBV 1KΩ FX RETURN: 6.35mm TS Jack 22KΩ D.I. Ouput: XLR nominal -20dBV 680Ω Noise Level: (20 20KHz Filter) Freq Response Bypassed: 20-20KHz (+/- 0.5dB) Rec Min Load Impd: 10KΩ Power Supply: Regulated 9V DC PSU centre negative 2.1×5.5x10mm connector type. (Not Included) Current Consumption: 100mA Unit dimensions (HWD): 57 x 145 x 122 mm Unit weight: 0.75Kg Carton dimensions (HWD): 93 x 201 x 191 mm Packed weight: 2Kg
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Laney Amplification is a British manufacturer of guitar and bass amplifiers, known for their rich heritage, innovative designs, and powerful sound. Founded in 1967 by Lyndon Laney, the company has a long history of providing musicians with high-quality amplification solutions for both live performance and studio recording.
Among Laney’s product lineup, their guitar amplifiers stand out as some of the most respected and sought-after in the industry. From classic tube amplifiers like the Lionheart and the Supergroup to modern digital modeling amps like the Ironheart and the Black Country Customs series, Laney amplifiers offer musicians a wide range of tones and features to suit different playing styles and preferences.
In addition to guitar amplifiers, Laney produces a variety of bass amplifiers, speaker cabinets, and audio accessories, designed to meet the needs of bassists in any musical genre. The company’s commitment to quality craftsmanship and innovation has made Laney a trusted choice for professional musicians and enthusiasts alike, providing reliable amplification solutions that deliver powerful sound and exceptional tone.
Bass
In the realm of guitar effects, “bass” pedals are designed specifically for bass guitars, enhancing their low-end frequencies and allowing bassists to shape their tone and explore new sonic possibilities. These pedals cater to the unique characteristics of the bass guitar and provide various effects to modify its sound. For instance, overdrive and distortion pedals add gain and saturation, giving the bass a gritty or distorted tone. Compression pedals help even out dynamics by smoothing out the volume of loud and soft notes, resulting in a consistent and punchy sound. EQ pedals enable bassists to sculpt their tone by boosting or cutting specific frequencies, allowing them to emphasize certain parts of the sound or compensate for room acoustics.
Other popular bass effects include envelope filters, which produce dynamic filter sweeps in response to playing dynamics, adding rhythmic groove to bass lines. Octave pedals generate harmonies one or two octaves below the original note, creating a fuller and more powerful sound. Modulation effects like chorus, flanger, and phaser add depth and movement by modulating the pitch or phase, creating swirling textures and enhancing the overall presence of the bass line. Lastly, delay and reverb pedals introduce ambience and spatial depth, adding echoes and reflections that enhance the sense of space in music. These diverse effects allow bassists to expand their sonic palette and express their creativity in numerous ways.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
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Preamp
A preamp, short for preamplifier, is an electronic device used to amplify weak signals from guitars, microphones, or other audio sources before they are sent to a power amplifier or recording device. Preamps serve several important functions in audio systems:
1. **Signal Boosting**: The primary function of a preamp is to increase the level of weak signals to line level, which is the standard level used in audio equipment. This boost ensures that the signal remains strong and clear throughout the audio chain, minimizing noise and distortion.
2. **Tone Shaping**: Many preamps feature tone controls such as EQ (equalization) knobs or switches, which allow users to adjust the frequency response of the signal. This can include boosting or cutting specific frequencies to tailor the tone to the desired sound.
3. **Impedance Matching**: Preamps often include input and output impedance controls to match the impedance of the source device (e.g., a guitar pickup) with the impedance of the connected equipment (e.g., an amplifier or mixer). Proper impedance matching ensures optimal signal transfer and prevents signal degradation.
4. **Coloration and Character**: Some preamps are designed to impart a specific sonic character or coloration to the signal, adding warmth, richness, or saturation. This can be achieved through the use of vacuum tubes, transformers, or other analog components known for their unique sonic characteristics.
5. **Gain Staging**: Preamps play a crucial role in gain staging, which involves managing the levels of audio signals at each stage of the signal chain to optimize signal-to-noise ratio and prevent distortion. By adjusting the gain or volume controls on the preamp, users can control the overall level of the signal before it reaches subsequent stages of processing or amplification.
6. **Phantom Power**: Many preamps provide phantom power, which is required to power condenser microphones and certain active DI (direct input) boxes. Phantom power is typically supplied at +48 volts and is transmitted through the microphone cable to power the microphone or DI box.
Preamps are commonly found in a variety of audio equipment, including guitar amplifiers, mixing consoles, recording interfaces, and standalone preamp units. They are essential for ensuring clean, clear, and balanced audio signals in both live sound reinforcement and studio recording applications. Additionally, dedicated guitar preamps are available as standalone units or built into amplifiers, offering guitarists additional control over their tone and signal chain.
Features a dual channel design with a choice of balanced XLR and unbalanced 1/4" jack inputs, allowing both instrument and microphone use 3-band EQ to shape your tone alongside a reverb and chorus effects section providing increased versatility A switchable Anti-Feedback control is a very useful feature to eliminate problems caused by hollow-body guitar resonance at louder volumes Two 6" dual-cone drivers mounted on a ported cabinet for extended bass response Professional DI allows you to send a direct-feed to the mixing desk for live gigs
15W of huge Laney tone through twin 5" loudspeakers 3-Band EQ for tonal sculpting Great punch from the onboard compressor Hitting the on board SHAPE switch allows you to kick in some serious high mid boost Jam along to your backing tracks via the mini-jack aux in
3 Modes of selectable intervals : +1 OCTAVE UP, -2 OCTAVES DOWN & PERFECT 5TH UP. Transparent fully buffered operation at all times Silent switching Excellent consistent load for passive volume pedals Solid metal chassis construction
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