JHS Paul Gilbert PG-14 Distortion – New JHS Pedals Guitar Effect Pedal
£189.00
The tone of a rock icon. The JHS Paul Gilbert Distortion presents a truly unique pedal thats crafted to the specifications of former Racer X and Mr. Big guitarist Paul Gilbert. Featuring a myriad of intricate controls active mid-frequency preamp and an authentic tube response – the Paul Gilbert Distortion is destined for the pedalboards…
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The JHS Paul Gilbert PG-14 Distortion is in New condition and made by JHS Pedals , it is a great Distortion PG-14 Gilbert Paul JHS Guitar Effect Pedal- The tone of a rock icon. The JHS Paul Gilbert Distortion presents a truly unique pedal thats crafted to the specifications of former Racer X and Mr. Big guitarist Paul Gilbert. Featuring a myriad of intricate controls active mid-frequency preamp and an authentic tube response – the Paul Gilbert Distortion is destined for the pedalboards of rock and blues guitarists everywhere. A FET based distortion engine unleashes the authentic tone and feel of a pushed tube amplifier. So you can emulate the tone of a loud stadium-level amp without bringing the house down. Next up the active mid-frequency preamp. Not often seen in a guitar pedal this design is located at the front of the FET circuitry offering a huge variety of tonal possibilities. Not to mention all the midrange control you could ever want letting you alternate between bold punching mids and a total sweep for those thick rock n roll tones. Put simply the Paul Gilbert Distortion is versatile. And you can dial in your exact sound with the vast range of tone and gain controls on display. This is your dream dirt channel in a compact pedal housing. So you can take it with you to enhance every single performance. . Available from Just Pedals for only £ 189 Decades of talent in one switch It goes without saying that Paul Gilbert is one of the best when it comes to rock and blues guitarists. Noted as one of the fastest players of all time Gilbert has infused his rapid picking techniques into the esteemed bands Racer X and Mr. Big over the past few decades. And with so much technical ability Gilbert needs a tone that can keep up. Which is why he has collaborated with pedal giants JHS to unveil the groundbreaking Paul Gilbert Distortion. Its crafted to his specifications so you can ensure that every nuance of his unique sound is captured. The tone of a guitar icon at your command. Just hit the switch. Authentic tube distortion Few pedals possess the same level of authenticity as the Paul Gilbert Distortion And it all stems from the first-rate FET based distortion engine. Crafted to provide the coveted feel and response of a genuine tube amplifier the FET based engine gifts you with the dynamic range and rich harmonics that guitarists crave out of their sound. Because ultimately this is what gives your tone its characterful edge. What this means is that you can take the searing-hot sound of a stadium-grade amplifier with you wherever you go – at any volume. Limitless possibilities The Paul Gilbert Distortion may be a signature pedal. But thats not to say that you cant make it your own. Equipped with a unique active mid-frequency preamp at the front of the FET engine a world of sonic potential lies at your disposal. Use the mid freq control to find the right balance of punch and crunch or a thick warm scooped tone. Combined with the remaining 5 tone and gain controls there really is no restriction when it comes to shaping your sound. Take inspiration from one of the greats of rock and find your distinctive voice with a pedal that awaits your creative spark. Specifications Model Name: JHS Paul Gilbert Distortion Model Code: PG-14 Pedal Type: Distortion Switching: True Bypass Controls: Volume Tone Mid Mid Frequency Drive Push Power: 9V DC Negative Center Power
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JHS Pedals is an American boutique guitar effects pedal company founded by Josh Scott in 2007.
Known for its innovative designs and high-quality craftsmanship, JHS Pedals has become a prominent name in the pedal industry, offering various effects including overdrives, distortions, fuzzes, delays, and modulation. The company is particularly celebrated for its ability to blend classic tones with modern features, often incorporating unique twists on traditional effects. JHS Pedals are also recognized for their reliable performance and distinctive visual designs, making them a favourite among musicians of all levels.
Josh is known for his educational and entertaining content on the history and design of guitar pedals, further contributing to the brand’s influence and appeal in the guitar community.
Distortion
A distortion pedal is a type of guitar effects pedal used to add gain, saturation, and harmonic distortion to the guitar signal, resulting in a more aggressive and gritty tone. Distortion pedals are widely used across various music genres, particularly in rock, metal, punk, and alternative styles, to achieve heavier and more intense guitar tones.
Here are the key features and functions of a distortion pedal:
1. **Gain (or Drive)**: The gain control adjusts the amount of distortion applied to the guitar signal. Increasing the gain setting increases the level of saturation and overdrive, resulting in a more distorted and aggressive tone. Lower gain settings produce a cleaner sound with less distortion.
2. **Tone**: The tone control adjusts the frequency response of the distorted signal, allowing you to tailor the tonal characteristics of the distortion effect. Depending on the pedal, the tone control may boost or cut specific frequency ranges, such as bass, midrange, or treble, to shape the overall sound.
3. **Level (or Output)**: The level control adjusts the overall output volume of the distorted signal. This allows you to match the level of the distorted signal with the rest of your effects chain or amplifier, ensuring consistent volume levels when engaging the pedal.
4. **Mode (or Voice)**: Some distortion pedals feature multiple modes or voicings that offer different types of distortion or gain characteristics. These modes may include options such as “Vintage,” “Modern,” or “High Gain,” each providing a distinct tonal flavor and level of saturation.
Distortion pedals offer several benefits and creative uses for guitarists:
– **Increased Gain and Sustain**: By adding gain and saturation to the guitar signal, distortion pedals increase the overall volume and sustain of the instrument, allowing notes and chords to ring out longer and with more intensity.
– **Tonal Shaping**: Distortion pedals often include tone controls that allow you to shape the frequency response of the distorted signal. This allows you to dial in the desired amount of bass, midrange, and treble to suit your playing style and musical preferences.
– **Emphasis of Harmonics**: Distortion pedals emphasize the harmonics and overtones present in the guitar signal, resulting in a richer, more complex tone with added depth and character. This can make lead lines and solos stand out and cut through the mix more effectively.
– **Versatility and Flexibility**: Distortion pedals come in a wide range of styles and voicings, from mild overdrive to high-gain distortion. This versatility allows you to choose a pedal that best suits your playing style, musical genre, and tonal preferences.
Overall, distortion pedals are essential tools for guitarists seeking to achieve heavier, more aggressive, and saturated tones. Whether used subtly to add warmth and edge to clean tones or used more aggressively to create crushing distortion, distortion pedals can enhance your guitar tone and bring new dimensions to your playing.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
New
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Made in Kansas City USA Offers a wide range of overdrive sounds within straightforward design aesthetics. You can achieve anything from boost, transparent low gain, to huge amp-like medium overdrive sounds The simple knob functions give you control over the Volume, Body (or EQ), and Drive The Gain toggle gives you a choice between more saturated and compressed or more open and crunchy dynamics. This switch plays a big part in how the pedal responds to your playing and touch as a player Runs on 9V DC Negative Center power and consumes 12mA
The perfect solution when you need to send one signal to two outputs with the ability to choose either output (or both) on the fly Just plug in your instrument Cable (or patch Cable) into the input, then use the outputs to send signal to any combination of amplifiers, interfaces, mixing board, or anywhere else you want to send your signal Once hooked up, use the left footswitch to select between a and B channels When the led is Red, the a channel is engaged. When the led is Green, the B channel is engaged. Hit the right “Y” footswitch, and both channels are engaged for full stereo output Because the active a/B/Y has an output transformer on one of the outputs, there is no need for a ground lift as the transformer eliminates any hum
Turns any amp into a gritty JTM45 stack Drive and Volume control interact the same as a master volume amp head Fine-tune your tone with controls for Bass, Middle, and Treble Stacks beautifully with overdrive pedals for even more shades of grit Standard 9V DC Negative power, consumes less than 100mA
Made in Kansas City USA Allows you to utilize Leo Fender’s revolutionary effect in a package much easier to tote than a vintage amplifier Toggle up is a great sounding amp trem, while toggle down is our take on harmonic trem effect Runs on 9V DC Negative Center power and consumes 65 mA
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