The Strymon Sunset Dual Classic Overdrive Pedal is equipped with two independent custom voiced overdrive pedals offering control over the huge-range of sought out tones. Within both overdrives are three different circuits all which can be used either separately or staged together for an incredible sounding overdriven tone. While the Ge Texas 2Stage and Hard…
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The Strymon Sunset Dual Classic Overdrive Pedal is in New condition and made by Strymon , it is a great Pedal Overdrive Classic Dual Sunset Strymon Guitar Effect Pedal- The Strymon Sunset Dual Classic Overdrive Pedal is equipped with two independent custom voiced overdrive pedals offering control over the huge-range of sought out tones. Within both overdrives are three different circuits all which can be used either separately or staged together for an incredible sounding overdriven tone. While the Ge Texas 2Stage and Hard circuits produce incredible overdrives the Treble and JFET circuits act as boosters letting you find the perfect tone and offering amazing stacking options. Built with an all-analogue JFET gain stage and DSP algorithms to offer exceptional touch sensitivity dynamic interaction detailed complexity and responsiveness the Strymon Sunset is the ultimate overdrive pedal. . Available from Just Pedals for only £ 269 Two stunning sounds in one pedal The Sunset is a classic custom-voiced dual overdrive pedal offering two sounds that can be used either separately or stacked together. Designed with six overdrive circuits this model feels and reacts differently to others. A simple control setup has been custom calibrated in order to provide you with the perfect amount of overdrive. Quickly and easily dial-in the perfect tone. At the heart of the pedal lies an ultra-low noise class-A JFET circuit offering up to 20dB of pure analogue gain for exceptional touch sensitivity and responsiveness. A SHARC DSP is also added to the pedal to provide an incredible level of detailed complexity and responsiveness. Six classic circuits The pedal’s all analogue JFET gain stage is coupled with DSP algorithms helping to capture the nuances and character of all six overdrive circuit type. The pedal is split into two with channel A and channel B featuring three different overdrive circuits each. Channel A’s first overdrive combines a soft response with a parallel path that blends the dry signal as the drive is lowered. This circuit provides a tight response which fattens up single coil pickups and pushes humbuckers for a bolder sound. The Texas circuit delivers a smooth and dynamic overdrive retaining its signal dynamics as the gain’s increased perfect for playing blues. Finally the treble circuit is a treble booster which removes the low end as the tone control is turned up perfect for tightening up overdriven amps or driving other gain pedals which have a looser low end. Channel B’s 2Stage circuit creates a complex overdrive with a wide gain range. With its EQ structure this circuit preserves the tones low end adding muscle to push amps from lightly clipped to beefy saturation. The hard overdrive circuit features a lot of gain approaching on fuzz territory when the drive is set to max. The JFET circuit provides a clean boost subtly beefing up the signal with dynamics and responsiveness. Turing up the drive produces a rounder warmer tone which is great for adding a ‘little extra’ to amps. Specifications Product Code: SUNSETElectronics Power: 9V Centre-Negative 250mA Inputs: 1/4” Jack Expression Pedal Favourite Output: 1/4” Jack Converters: 24-Bit 96kHz A/D & D/A Channel A Circuits: Ge Texas Treble Channel B Circuits: 2 Stage Hard JFET Configuration: B-A A+B A-B Channel Controls: Level Tone Drive Bright Switch: Minus Natural PlusDimensions Height: 4.4cm Width: 10.2cm Depth: 11.4cm
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Strymon is an American company renowned for producing high-end, digitally-powered guitar effects pedals that deliver studio-quality sound. Founded in 2009 as a part of Damage Control Engineering, Strymon quickly gained a reputation for its innovative approach to effects, particularly in areas like delay, reverb, and modulation. Their pedals are known for their pristine sound quality, versatility, and deep customization options, often utilizing powerful digital signal processing (DSP) to emulate and enhance analogue sounds. Strymon’s products, such as the Timeline delay, BigSky reverb, and Mobius modulation, are highly regarded by both professional and amateur musicians for their ability to create rich, complex soundscapes. The pedals also feature intuitive controls and rugged construction, making them a staple on pedalboards worldwide.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
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Overdrive
An overdrive pedal is a type of guitar effects pedal that simulates the sound of a vintage tube amplifier pushed into overdrive or distortion. It adds warmth, richness, and harmonic complexity to the guitar signal, creating a smooth, saturated tone that ranges from mild grit to full-on distortion. Here’s how overdrive pedals work and some common features:
1. **Gain**: The gain control adjusts the amount of overdrive or distortion applied to the guitar signal. Turning up the gain increases the intensity of the overdrive, while lowering it produces a cleaner, more transparent sound.
2. **Level**: The level control adjusts the output volume of the pedal. This allows you to match the volume level of the overdriven signal with your clean signal or boost the overall volume for solos or lead lines.
3. **Tone**: The tone control (sometimes labeled as “tone” or “EQ”) adjusts the frequency response of the overdriven signal. Turning it clockwise boosts the highs and cuts the lows, resulting in a brighter tone. Turning it counterclockwise boosts the lows and cuts the highs, producing a darker tone.
4. **Drive (or Distortion)**: Some overdrive pedals feature a separate drive control, which determines the intensity of the overdrive effect independently of the gain control. This allows for more fine-tuned control over the amount of saturation and distortion in the tone.
5. **True Bypass vs. Buffered Bypass**: Overdrive pedals may have either true bypass or buffered bypass circuits. True bypass preserves the guitar’s original tone when the pedal is turned off, while buffered bypass maintains signal integrity and prevents signal loss when the pedal is engaged.
6. **Voicing Options**: Some overdrive pedals offer voicing options or switchable modes that allow you to tailor the character of the overdrive to suit your playing style or musical genre. This may include options for different clipping diodes, EQ curves, or saturation levels.
7. **Stacking**: Overdrive pedals are often used in combination with other effects pedals, such as boost pedals, distortion pedals, or modulation effects. Stacking multiple overdrive pedals can create unique tonal textures and dynamic range, allowing for greater versatility and customization of your guitar tone.
Overdrive pedals are widely used in various music genres, including blues, rock, country, and jazz. Guitarists use them to add warmth, grit, and character to their tone, whether they’re playing rhythm parts, lead lines, or solos. An overdrive pedal is a staple on many pedalboards, offering classic tones and timeless appeal for guitarists of all levels and styles.
Pedal
A pedal is an electronic device that alters the sound of an electric guitar by applying various effects. Pedals are typically connected in a series between the guitar and amplifier, allowing guitarists to switch effects on and off with their feet while playing.
This enables musicians to quickly and easily change their sound, adding versatility and creativity to their performances.
Pedals are essential tools in many musical genres, including rock, blues, jazz, and metal, allowing artists to craft distinctive and dynamic soundscapes.
Once you buy one, you can’t stop and then you have to sell them and buy more.
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Six classic overdrive circuits in one pedal Channel a: ge, texas, treble. .-; channel b: 2-stage, hard, jfet Tweak each channel independently – drive, tone, volume Run your own way – a, b, b into a, a into b, or a + b in parallel Fav input for miniswitch presets
12 studio-quality reverb machines Programmable, 300 editable presets Freeze and Infinite Sustain functions With +/- 3 dB boost/cut, programmable by preset Optional Killdry mode mutes the signal without effect to use the pedal in parallel effects loops; Feeder included
Premium analog VCA (Voltage Controlled Amplifier) compressor circuits Two voicing options: smooth studio compression and hard pedal style compression Independently controlled clean or dirty boost circuit with 3 EQ options Dirty boost option provides overdrive when boost is engaged DRY Knob lets you blend the dry signal with the compressed signal to preserve attack transients
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