Sensational acoustic clarity. The Fishman Platinum Stage EQ/DI Analog Preamp is the essential tool for any acoustic musician looking to bring increased dynamism to their live performances. Increase your volume without worrying about sound distortion. A high-speed circuit volume boost lets you bring your sound up beyond your instruments own capabilities and eliminates the distortion…
When you click on “Add to Basket” or “More Details,” you’ll be taken to a partner website where you can find additional information about this product. As an affiliate, we may receive a small commission for this, but it won’t cost you anything extra.
The Fishman Platinum Stage EQ/DI Analog Preamp is in New condition and made by Fishman , it is a great Volume Preamp EQ Distortion Boost Bass Analogue Acoustic Guitar Guitar Effect Pedal- Sensational acoustic clarity. The Fishman Platinum Stage EQ/DI Analog Preamp is the essential tool for any acoustic musician looking to bring increased dynamism to their live performances. Increase your volume without worrying about sound distortion. A high-speed circuit volume boost lets you bring your sound up beyond your instruments own capabilities and eliminates the distortion often associated with greater amplification. Ideal for when your acoustic pickup alone cant quite cut it in larger venues. Utilise the Fishman with a wide range of instruments thanks to its switchable guitar and bass EQ modes. A vital tool for every acoustic instrumentalist. . Available from Just Pedals for only £ 171 The perfect gigging companion An important component for any acoustic live set-up. The Fishman Analog Preamp gives you the power to ramp up your volume while maintaining top-class sound quality. The ideal tool for gigging in larger venues or busking outdoors. Its ability to run on phantom power makes it perfect when battery power isnt an option. Furthermore its compact lightweight stature means transportation is tremendously easy. A switchable guitar/bass EQ mode affords you the freedom to apply Fishmans amazing sound engineering to a massive variety of acoustic instruments. More mobile instrumentalists can also utilise the preamp with ease with a belt-clip included. This is a crucial addition for any acoustic performer looking to give their live set-up a serious upgrade. Features 17-volt high-headroom discrete Class-A preamp 4-band tone control with sweep-mid and low frequency filter EQ mode tailors EQ for bass or most other instruments Phase control Volume boost switch with level control Balanced D.I. with pre/post EQ setting and auto Ground Lift Belt-clip included Specifications Type: Preamp Finish: Silver Power: 9-volt Battery (not included) 48-volt Phantom Power Fishman 910-R Power Adapter (optional) Battery Life: 70 hours Audio: 1/4″ Instrument Input 1/4″ Amp Output XLR Balanced D.I. Output Auto Ground Lift Tone Shaping: 4-band EQ with Sweepable Mid Adjustable Low-cut Filter Feedback Control: Phase Invert Switch Dimensions: 5.6″ X 3.3″ X 1.2″ Weight: 0.3 KG
Reviews
There are no reviews yet.
Be the first to review “Fishman Platinum Stage EQ/DI Analog Preamp – New Fishman Volume Preamp EQ Distortion Boost Bass Analogue Acoustic Guitar Guitar Effect Pedal”
We have one of the largest online selection of new and used Fishman music gear. If you are looking for your next pedal, we will have it online at JustPedals with fast delivery direct to you at home. Every item on the JustPedal menu is delivered by sellers to all areas of the USA & UK.
Fishman is a leading manufacturer of acoustic amplification products, including pickups, preamps, and amplifiers, known for their innovative designs and high-quality sound. Founded in 1981 by Larry Fishman, the company has established itself as a trusted name in the acoustic music industry, providing musicians with tools to amplify and enhance the natural sound of acoustic instruments.
Among Fishman’s product lineup, their acoustic guitar pickups stand out as some of the most popular and widely used in the world. From under-saddle pickups to soundhole pickups and microphone systems, Fishman pickups are known for their clear, natural sound and reliable performance, making them a top choice for acoustic guitarists in all genres.
In addition to pickups, Fishman produces a variety of acoustic guitar preamps and onboard electronics, such as the popular Fishman Aura Imaging Pedals and the Fishman Prefix series, which offer versatile tone shaping and feedback control options for live performance and recording.
With a dedication to innovation, quality, and customer satisfaction, Fishman continues to be a trusted choice for musicians seeking premium acoustic amplification solutions, providing reliable tools to help musicians amplify and enhance the natural sound of their instruments.
Acoustic Guitar
“Acoustic Guitar” isn’t a typical guitar effects pedal type like distortion, delay, or reverb. Instead, it refers to the natural sound produced by acoustic guitars, which don’t require additional effects to be heard.
However, there are effects pedals designed specifically for acoustic guitars that can enhance or modify their sound in various ways. Here are some common types of effect pedals used with acoustic guitars:
Acoustic Preamp/DI: These pedals are designed to enhance the tone of an acoustic guitar when plugged into a PA system or amplifier. They often include EQ controls to shape the sound and may offer features like feedback suppression and phase inversion to mitigate issues commonly encountered when amplifying acoustic instruments.
Acoustic Simulator: These pedals are intended to make electric guitars sound like acoustic guitars. They emulate the resonance, tone, and dynamics of an acoustic instrument, allowing electric guitarists to achieve a more natural sound without switching guitars.
Reverb: Reverb pedals add ambiance and depth to the sound of acoustic guitars by simulating the reverberations of different spaces, such as halls, rooms, or studios. This can create a more spacious and immersive sound, enhancing the overall presence of the acoustic guitar.
Delay: Delay pedals produce echo effects by repeating the guitar signal after a set amount of time. When used subtly, delay can add depth and dimension to acoustic guitar playing, creating a sense of space and movement in the sound.
Chorus: Chorus pedals modulate the guitar signal to create a shimmering, chorus-like effect. When applied to acoustic guitars, chorus can add richness and thickness to the sound, mimicking the lush harmonics of multiple instruments playing together.
Compressor: Compressor pedals regulate the dynamic range of the guitar signal, evening out the volume levels between soft and loud notes. For acoustic guitars, compressors can help maintain a consistent level of volume and sustain, enhancing the overall clarity and presence of the instrument.
These are just a few examples of effects pedals commonly used with acoustic guitars. While acoustic guitars are often appreciated for their natural, unprocessed sound, effects pedals can be used creatively to enhance their tone and expand their sonic possibilities in various musical contexts.
Analogue
An analogue guitar effect pedal is a device used by guitarists to modify the sound of an electric guitar through the use of analogue circuitry.
Unlike digital pedals, which rely on digital signal processing, analogue pedals use components such as transistors, capacitors, and resistors to manipulate the guitar signal in real-time.
This approach often results in a warmer, more natural sound that many musicians find desirable for its organic qualities.
Bass
In the realm of guitar effects, “bass” pedals are designed specifically for bass guitars, enhancing their low-end frequencies and allowing bassists to shape their tone and explore new sonic possibilities. These pedals cater to the unique characteristics of the bass guitar and provide various effects to modify its sound. For instance, overdrive and distortion pedals add gain and saturation, giving the bass a gritty or distorted tone. Compression pedals help even out dynamics by smoothing out the volume of loud and soft notes, resulting in a consistent and punchy sound. EQ pedals enable bassists to sculpt their tone by boosting or cutting specific frequencies, allowing them to emphasize certain parts of the sound or compensate for room acoustics.
Other popular bass effects include envelope filters, which produce dynamic filter sweeps in response to playing dynamics, adding rhythmic groove to bass lines. Octave pedals generate harmonies one or two octaves below the original note, creating a fuller and more powerful sound. Modulation effects like chorus, flanger, and phaser add depth and movement by modulating the pitch or phase, creating swirling textures and enhancing the overall presence of the bass line. Lastly, delay and reverb pedals introduce ambience and spatial depth, adding echoes and reflections that enhance the sense of space in music. These diverse effects allow bassists to expand their sonic palette and express their creativity in numerous ways.
Boost
A “boost” pedal, also known as a “clean boost,” is a type of guitar effects pedal designed to increase the volume of the guitar signal without adding significant distortion or coloration to the tone. Boost pedals are used to amplify the signal level, allowing guitarists to achieve higher volume levels or to push their amplifier into overdrive for increased saturation and sustain.
Boost pedals typically feature a simple interface with controls for adjusting the level of boost, often represented by a single knob or a toggle switch. When engaged, the boost pedal increases the gain of the signal passing through it, effectively amplifying the sound. Unlike overdrive or distortion pedals, which introduce clipping and saturation to the signal, boost pedals aim to provide a clean and transparent volume increase.
Boost pedals are versatile tools that can serve various purposes in a guitarist’s rig:
1. **Volume Boost**: Boost pedals can be used to increase the volume of the guitar signal, allowing players to stand out during solos or to compensate for differences in volume between guitars or pickup settings.
2. **Overdrive Stacking**: Boost pedals are commonly used to push the front end of an overdrive or distortion pedal, resulting in increased saturation and sustain. By placing the boost pedal before a drive pedal in the signal chain, guitarists can achieve higher levels of gain and distortion without sacrificing clarity or dynamics.
3. **Amp Pushing**: Boost pedals can also be used to drive the input stage of a tube amplifier harder, causing the amp to naturally overdrive and produce a more saturated and harmonically rich tone. This is particularly useful for guitarists seeking to achieve classic tube amp breakup at lower volume levels.
4. **Tone Shaping**: Some boost pedals feature EQ controls or tone shaping options, allowing guitarists to tailor the frequency response of their signal. These pedals can be used to boost specific frequencies or to shape the overall tonal characteristics of the guitar sound.
Overall, boost pedals are essential tools for guitarists looking to enhance their tone, increase volume levels, or drive their amplifier into overdrive for added saturation and sustain. Whether used as a standalone effect or in combination with other pedals, boost pedals offer versatility and flexibility in shaping the guitar sound.
Distortion
A distortion pedal is a type of guitar effects pedal used to add gain, saturation, and harmonic distortion to the guitar signal, resulting in a more aggressive and gritty tone. Distortion pedals are widely used across various music genres, particularly in rock, metal, punk, and alternative styles, to achieve heavier and more intense guitar tones.
Here are the key features and functions of a distortion pedal:
1. **Gain (or Drive)**: The gain control adjusts the amount of distortion applied to the guitar signal. Increasing the gain setting increases the level of saturation and overdrive, resulting in a more distorted and aggressive tone. Lower gain settings produce a cleaner sound with less distortion.
2. **Tone**: The tone control adjusts the frequency response of the distorted signal, allowing you to tailor the tonal characteristics of the distortion effect. Depending on the pedal, the tone control may boost or cut specific frequency ranges, such as bass, midrange, or treble, to shape the overall sound.
3. **Level (or Output)**: The level control adjusts the overall output volume of the distorted signal. This allows you to match the level of the distorted signal with the rest of your effects chain or amplifier, ensuring consistent volume levels when engaging the pedal.
4. **Mode (or Voice)**: Some distortion pedals feature multiple modes or voicings that offer different types of distortion or gain characteristics. These modes may include options such as “Vintage,” “Modern,” or “High Gain,” each providing a distinct tonal flavor and level of saturation.
Distortion pedals offer several benefits and creative uses for guitarists:
– **Increased Gain and Sustain**: By adding gain and saturation to the guitar signal, distortion pedals increase the overall volume and sustain of the instrument, allowing notes and chords to ring out longer and with more intensity.
– **Tonal Shaping**: Distortion pedals often include tone controls that allow you to shape the frequency response of the distorted signal. This allows you to dial in the desired amount of bass, midrange, and treble to suit your playing style and musical preferences.
– **Emphasis of Harmonics**: Distortion pedals emphasize the harmonics and overtones present in the guitar signal, resulting in a richer, more complex tone with added depth and character. This can make lead lines and solos stand out and cut through the mix more effectively.
– **Versatility and Flexibility**: Distortion pedals come in a wide range of styles and voicings, from mild overdrive to high-gain distortion. This versatility allows you to choose a pedal that best suits your playing style, musical genre, and tonal preferences.
Overall, distortion pedals are essential tools for guitarists seeking to achieve heavier, more aggressive, and saturated tones. Whether used subtly to add warmth and edge to clean tones or used more aggressively to create crushing distortion, distortion pedals can enhance your guitar tone and bring new dimensions to your playing.
EQ
While Ed Sheeran primarily relies on the natural sound of his acoustic guitar and vocals, he occasionally uses EQ (Equalization) to shape and enhance his tone during live performances or in the studio. EQ pedals or onboard preamps can allow him to adjust the frequency response of his guitar signal to suit the acoustics of different venues or to achieve specific tonal characteristics. Here’s how EQ might be utilized in Ed Sheeran’s setup:
1. **Tonal Shaping**: EQ can be used to adjust the balance of frequencies in the guitar signal, allowing Ed Sheeran to shape his tone to his liking. For example, he might boost the midrange frequencies to bring out the warmth and presence of his acoustic guitar, or cut certain frequencies to reduce any harshness or mud in the sound.
2. **Feedback Control**: In a live setting, EQ can help control feedback by notching out problematic frequencies that might cause the guitar signal to feed back through the amplification system. This can be particularly useful when performing in venues with challenging acoustics or high volume levels.
3. **Room Correction**: In situations where the venue’s acoustics are less than ideal, EQ can be used to compensate for any deficiencies in the sound. By adjusting the EQ settings, Ed Sheeran can tailor the guitar tone to sound more balanced and natural, regardless of the room’s acoustic properties.
4. **Matching Gear**: EQ can also be used to match the tone of Ed Sheeran’s guitar to the sound of other instruments or equipment in his setup. For example, he might adjust the EQ to complement the tonal characteristics of his vocal microphone or to blend seamlessly with backing tracks or other instruments.
Overall, while EQ may not be a central component of Ed Sheeran’s guitar effects setup, it can still play a valuable role in shaping his tone and ensuring that he achieves the desired sound in different performance environments. Whether used subtly for tonal shaping or more aggressively for feedback control, EQ allows Ed Sheeran to tailor his guitar tone to suit his musical vision and performance needs.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
New
Just New products for sale, unused, and in their original packaging. They come with a protected seller guarantee and include manufacturer warranties. Read more for additional details.
Preamp
A preamp, short for preamplifier, is an electronic device used to amplify weak signals from guitars, microphones, or other audio sources before they are sent to a power amplifier or recording device. Preamps serve several important functions in audio systems:
1. **Signal Boosting**: The primary function of a preamp is to increase the level of weak signals to line level, which is the standard level used in audio equipment. This boost ensures that the signal remains strong and clear throughout the audio chain, minimizing noise and distortion.
2. **Tone Shaping**: Many preamps feature tone controls such as EQ (equalization) knobs or switches, which allow users to adjust the frequency response of the signal. This can include boosting or cutting specific frequencies to tailor the tone to the desired sound.
3. **Impedance Matching**: Preamps often include input and output impedance controls to match the impedance of the source device (e.g., a guitar pickup) with the impedance of the connected equipment (e.g., an amplifier or mixer). Proper impedance matching ensures optimal signal transfer and prevents signal degradation.
4. **Coloration and Character**: Some preamps are designed to impart a specific sonic character or coloration to the signal, adding warmth, richness, or saturation. This can be achieved through the use of vacuum tubes, transformers, or other analog components known for their unique sonic characteristics.
5. **Gain Staging**: Preamps play a crucial role in gain staging, which involves managing the levels of audio signals at each stage of the signal chain to optimize signal-to-noise ratio and prevent distortion. By adjusting the gain or volume controls on the preamp, users can control the overall level of the signal before it reaches subsequent stages of processing or amplification.
6. **Phantom Power**: Many preamps provide phantom power, which is required to power condenser microphones and certain active DI (direct input) boxes. Phantom power is typically supplied at +48 volts and is transmitted through the microphone cable to power the microphone or DI box.
Preamps are commonly found in a variety of audio equipment, including guitar amplifiers, mixing consoles, recording interfaces, and standalone preamp units. They are essential for ensuring clean, clear, and balanced audio signals in both live sound reinforcement and studio recording applications. Additionally, dedicated guitar preamps are available as standalone units or built into amplifiers, offering guitarists additional control over their tone and signal chain.
Volume
A volume pedal is a pedal-style device used to control the volume level of an instrument, typically a guitar or a keyboard, by foot movement. It allows musicians to adjust the volume smoothly and dynamically while playing, providing hands-free control over their instrument’s output level. Here’s how a volume pedal works and some common features:
1. **Pedal Design**: A volume pedal consists of a foot-operated pedal and a housing unit. The pedal is typically attached to a potentiometer (variable resistor) inside the housing, which adjusts the volume level based on the pedal’s position.
2. **Expression Pedal Compatibility**: Many volume pedals are compatible with expression pedals, allowing players to control other parameters in addition to volume, such as modulation depth, delay mix, or wah effect, depending on the pedal and the equipment it’s connected to. This adds versatility and flexibility to the pedal’s functionality.
3. **Input and Output Jacks**: Volume pedals have input and output jacks for connecting the instrument’s signal input and output, respectively. Some volume pedals also feature additional jacks for connecting to effects pedals or other audio equipment.
4. **Taper and Sweep**: The taper refers to the way the volume changes in relation to the pedal’s movement. Most volume pedals feature an audio taper, which provides a logarithmic response to the pedal’s movement, mimicking the way human ears perceive volume changes. The sweep refers to the range of motion of the pedal, from minimum to maximum volume.
5. **Minimum Volume Control**: Some volume pedals include a minimum volume control knob or switch, which allows players to set a minimum volume level when the pedal is fully depressed. This can be useful for achieving swells or fade-ins from silence.
6. **Buffered vs. Passive**: Volume pedals may be either buffered or passive. Buffered pedals include an active circuit that maintains a consistent impedance and signal strength, preventing signal loss and preserving tone when using long cable runs or connecting to multiple effects pedals. Passive pedals, on the other hand, do not include active circuitry and may introduce some signal loss, especially with long cable runs.
7. **Tuner Out**: Some volume pedals feature a tuner output jack, which allows players to connect a tuner pedal directly to the volume pedal. This enables silent tuning while muting the instrument’s signal to the amplifier or other audio equipment.
Overall, a volume pedal is a versatile tool for guitarists, keyboardists, and other musicians seeking dynamic control over their instrument’s volume level. Whether used for swells, fade-ins, rhythm adjustments, or creative volume effects, a volume pedal provides hands-free control and adds expressive possibilities to live performances and studio recordings.
Acoustic instrument preamp with effects 4-band eq with bass, middle, treble, and selectable low cut Dual effects – reverb (2) or delay (2), chorus (2), flanger or tremolo Selectable phase invert for feedback control, Product Dimensions : 24 x 14 x 5 cms Balanced xlr di output with pre/post routing
Analog preamp and digital reverb guitar pedal Built-in Notch Filter and MUTE with gain and frequency range adjustment can quickly eliminate whistling or on the sound is further shaped in detail High impedance input and XLR balanced output Special dsign buffer bypass circuit keeps the sound pristine Working with 9V center negative regular pedal power supply(not included)
【Innovative Design】 3 band equaliser piezo. Pickup, suitable for many controls made for volume control for bass, midrange and treble with integrated LED display, integrated tuner phase switch, unique pivot design. 【Easy to Use】 Built-in tuner. Instant access to Sonicore pickups with pre-wired 9 volt battery, no soldering required. 【Easy to Install】 low profile control button for the lug and play installation. 【Guitar Accessories】guitar preamp pickup is a great accessory for acoustic guitars. With this equaliser, you spend less time changing controls and more time playing games. 【Wide Application】 small and fits many guitars on the market. The pickup is ideal for tuning on the go or on stage.
Neodymium magnet structure for exceptional string balance and sparkling acoustic clarity Low profile, high-impedance design needs no battery Easy installation with no alteration, plug and play right out of the box Excellent string-to-string balance and acoustic clarity Fits in soundholes as small as 3-7/8″ (98.5 mm) diameter
Reviews
There are no reviews yet.