Electro Harmonix Op-Amp Big Muff Pi – New Electro Harmonix Volume Fuzz Distortion Guitar Effect Pedal
£75.55
Get the Siamese Dream sound. The Electro Harmonix Op Amp Big Muff is a reissue of the classic IC or V4 pedal from 1978 that has appeared on many recordings since its release. The new and improved Op Amp Big Muff features several modifications for the modern player including a die-cast enclosure and true bypass…
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The Electro Harmonix Op-Amp Big Muff Pi is in New condition and made by Electro Harmonix , it is a great Volume Fuzz Distortion Guitar Effect Pedal- Get the Siamese Dream sound. The Electro Harmonix Op Amp Big Muff is a reissue of the classic IC or V4 pedal from 1978 that has appeared on many recordings since its release. The new and improved Op Amp Big Muff features several modifications for the modern player including a die-cast enclosure and true bypass switching. What makes this particular Muff so special is the design incorporates op-amps to produce the distortion rather than transistors; this gives the sound a coarser edge perhaps closer to the Russian Big Muffs tone. Easy-to-use controls for Volume Sustain and Tone make dialling in your perfect fuzz tone easy and the LED provides easy visibility in dark environments. This faithful recreation of a beloved classic is perfect for Smashing Pumpkins enthusiasts and fuzz connoisseurs alike; with a tone this thick theres something for everyone. . Available from Just Pedals for only £ 75.55 Recreated with modern improvements The sound of the EHX Op-Amp Big Muff will be instantly recognisable to many whether you initially realise it or not. This new and improved version builds on the success of its predecessor along with up-to-date modifications such as a compact die-cast enclosure and true bypass switching. Cleaner operation with all the character and tone that made the original so revered. Controls Despite its compact size and simple layout players will be blown away by the sheer power that the Op Amp Big Muff produces. Control options include Volume Sustain and Tone along with a sturdy footswitch for hands-free operation. True bypass switching is also included and ensures a clean signal when the pedal is inactive. Circuitry The Electro Harmonix Op Amp Big Muffs circuitry relies on op-amps rather than traditional transistors along with three gain stages instead of four to produce its iconic sound. This simplicity was key to making the original so unique and special and that trend is continued with the reissue. The circuitry differences deliver a slightly flatter midrange compared to transistor versions. This along with the slightly reduced gain levels deliver the grungier sound these Muffs are known for. FeaturesA faithful reissue of the original classic from 1978 Iconic sound and vibe that’s coveted by guitarists Controls for Tone Sustain and Volume plus a Tone Bypass switch True bypass switching for maximum signal integrity in bypass mode Rugged compact die-cast structure Easy-to-use interface Ships with a 9Volt battery also accepts an optional EHX9.6DC-200 AC AdapterSpecifications Current draw: 5mA @ 9VDC Dimensions: 70 (W) x 115 (H) x 54 (D)mm
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Electro-Harmonix (EHX) is a legendary manufacturer of guitar pedals and audio electronics, renowned for their distinctive sound and pioneering designs. Established in 1968 by Mike Matthews, EHX has played a significant role in shaping the landscape of effects pedals. The company’s pedals are celebrated for their innovative circuits and unique tones, earning them a dedicated following among musicians across genres. From classics like the Big Muff Pi fuzz to modern favorites like the POG octave generator, Electro-Harmonix pedals are known for their versatility and sonic character.
EHX’s product lineup spans a wide range of effects categories, including distortion, modulation, delay, and reverb, among others. Their pedals often feature intuitive controls and rugged construction, making them suitable for both stage and studio use. In addition to their iconic standalone pedals, Electro-Harmonix has also produced notable units such as the Memory Man delay/echo and the Holy Grail reverb, which have become staples in many guitarist’s rigs. With a legacy of innovation and a commitment to quality, Electro-Harmonix continues to be a leading force in the world of guitar effects, inspiring musicians to explore new sonic possibilities.
Distortion
A distortion pedal is a type of guitar effects pedal used to add gain, saturation, and harmonic distortion to the guitar signal, resulting in a more aggressive and gritty tone. Distortion pedals are widely used across various music genres, particularly in rock, metal, punk, and alternative styles, to achieve heavier and more intense guitar tones.
Here are the key features and functions of a distortion pedal:
1. **Gain (or Drive)**: The gain control adjusts the amount of distortion applied to the guitar signal. Increasing the gain setting increases the level of saturation and overdrive, resulting in a more distorted and aggressive tone. Lower gain settings produce a cleaner sound with less distortion.
2. **Tone**: The tone control adjusts the frequency response of the distorted signal, allowing you to tailor the tonal characteristics of the distortion effect. Depending on the pedal, the tone control may boost or cut specific frequency ranges, such as bass, midrange, or treble, to shape the overall sound.
3. **Level (or Output)**: The level control adjusts the overall output volume of the distorted signal. This allows you to match the level of the distorted signal with the rest of your effects chain or amplifier, ensuring consistent volume levels when engaging the pedal.
4. **Mode (or Voice)**: Some distortion pedals feature multiple modes or voicings that offer different types of distortion or gain characteristics. These modes may include options such as “Vintage,” “Modern,” or “High Gain,” each providing a distinct tonal flavor and level of saturation.
Distortion pedals offer several benefits and creative uses for guitarists:
– **Increased Gain and Sustain**: By adding gain and saturation to the guitar signal, distortion pedals increase the overall volume and sustain of the instrument, allowing notes and chords to ring out longer and with more intensity.
– **Tonal Shaping**: Distortion pedals often include tone controls that allow you to shape the frequency response of the distorted signal. This allows you to dial in the desired amount of bass, midrange, and treble to suit your playing style and musical preferences.
– **Emphasis of Harmonics**: Distortion pedals emphasize the harmonics and overtones present in the guitar signal, resulting in a richer, more complex tone with added depth and character. This can make lead lines and solos stand out and cut through the mix more effectively.
– **Versatility and Flexibility**: Distortion pedals come in a wide range of styles and voicings, from mild overdrive to high-gain distortion. This versatility allows you to choose a pedal that best suits your playing style, musical genre, and tonal preferences.
Overall, distortion pedals are essential tools for guitarists seeking to achieve heavier, more aggressive, and saturated tones. Whether used subtly to add warmth and edge to clean tones or used more aggressively to create crushing distortion, distortion pedals can enhance your guitar tone and bring new dimensions to your playing.
Fuzz
Fuzz is a distinctive type of distortion effect used in guitar playing, known for producing a thick, saturated, and buzzy tone. Unlike other distortion effects that aim to mimic the sound of overdriven tube amplifiers, fuzz pedals create a more extreme and aggressive distortion by severely clipping the guitar signal. This results in a unique sound characterized by rich harmonics, extended sustain, and a pronounced edge. Key features of fuzz pedals include gain, tone, and level controls. The gain control adjusts the amount of distortion applied to the signal, with higher settings producing more aggressive tones. The tone control allows musicians to shape the frequency response of the effect, ranging from dark and bass-heavy to bright and treble-focused sounds. Lastly, the level control sets the overall output, ensuring that the fuzz effect matches the volume of the rest of the signal chain or amplifier.
Fuzz pedals are popular across various music genres, particularly in rock, blues, and psychedelic music, due to their ability to enhance different guitar-playing styles. For rhythmic riffs, fuzz pedals create thick and aggressive tones with plenty of sustain and grit, adding depth to power chords, riffs, and palm-muted passages. In lead solos, they allow guitarists to achieve soaring, saturated tones with singing sustain and harmonically rich overtones, helping solos stand out in a mix.
Fuzz pedals are versatile tools for creating experimental sounds, capable of producing oscillating feedback, glitchy textures, and otherworldly tones when pushed to their extremes. Overall, fuzz pedals offer guitarists a powerful means of shaping their tone and adding character to their playing. Whether used subtly for warmth or dialled up for extreme distortion, fuzz pedals inspire creativity and expand the sonic palette of any guitarist.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
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Volume
A volume pedal is a pedal-style device used to control the volume level of an instrument, typically a guitar or a keyboard, by foot movement. It allows musicians to adjust the volume smoothly and dynamically while playing, providing hands-free control over their instrument’s output level. Here’s how a volume pedal works and some common features:
1. **Pedal Design**: A volume pedal consists of a foot-operated pedal and a housing unit. The pedal is typically attached to a potentiometer (variable resistor) inside the housing, which adjusts the volume level based on the pedal’s position.
2. **Expression Pedal Compatibility**: Many volume pedals are compatible with expression pedals, allowing players to control other parameters in addition to volume, such as modulation depth, delay mix, or wah effect, depending on the pedal and the equipment it’s connected to. This adds versatility and flexibility to the pedal’s functionality.
3. **Input and Output Jacks**: Volume pedals have input and output jacks for connecting the instrument’s signal input and output, respectively. Some volume pedals also feature additional jacks for connecting to effects pedals or other audio equipment.
4. **Taper and Sweep**: The taper refers to the way the volume changes in relation to the pedal’s movement. Most volume pedals feature an audio taper, which provides a logarithmic response to the pedal’s movement, mimicking the way human ears perceive volume changes. The sweep refers to the range of motion of the pedal, from minimum to maximum volume.
5. **Minimum Volume Control**: Some volume pedals include a minimum volume control knob or switch, which allows players to set a minimum volume level when the pedal is fully depressed. This can be useful for achieving swells or fade-ins from silence.
6. **Buffered vs. Passive**: Volume pedals may be either buffered or passive. Buffered pedals include an active circuit that maintains a consistent impedance and signal strength, preventing signal loss and preserving tone when using long cable runs or connecting to multiple effects pedals. Passive pedals, on the other hand, do not include active circuitry and may introduce some signal loss, especially with long cable runs.
7. **Tuner Out**: Some volume pedals feature a tuner output jack, which allows players to connect a tuner pedal directly to the volume pedal. This enables silent tuning while muting the instrument’s signal to the amplifier or other audio equipment.
Overall, a volume pedal is a versatile tool for guitarists, keyboardists, and other musicians seeking dynamic control over their instrument’s volume level. Whether used for swells, fade-ins, rhythm adjustments, or creative volume effects, a volume pedal provides hands-free control and adds expressive possibilities to live performances and studio recordings.
On/Off switchControls for Volume, Tone, and SustainDual outputsMini Switch for Bass BoostRugged metal chassisRuns on 9 volt battery (best with Polaroid 9 Volt batteries) or optional AC Adapter (sold separately). The Bass Big Muff Pi Pedal features controls for volume, tone, sustain, dual outputs (effect and dry for recording), and a mini switch for bass boost The Electro-Harmonix Bass Big Muff Pi Distortion Pedal is powered by a single 9-volt battery or optional AC power supply (sold separately)
【Based on Electro-Harmonix Big Muff PI circuit】This guitar effects pedal is designed based on the well-known Electro-Harmonix Big Muff PI circuit, ensuring exceptional distortion and fuzz effects for your electric guitar. 【Effect Type: Distortion/FUZZ】With its versatile effect type, this pedal allows you to switch between distortion and fuzz modes, enabling you to explore a wide range of tonal possibilities to enhance your guitar playing. 【Multiple Controls for Customization】Featuring VOLUME, TONE, and SUSTAIN controls, this pedal allows you to adjust the desired level of volume, tone, and sustain to achieve your preferred sound. Additionally, the toggle switch offers two voice options for further sound shaping. 【Compact and User-friendly Design】With dimensions of 5*6.5*5CM and a weight of 300g, this guitar effects pedal is portable and easy to carry. Its black color adds a sleek and stylish touch to your guitar setup. Moreover, the pedal is powered by a DC9V power supply (100mA, cente… read more
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