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Ampeg SCR-DI Bass DI with Scrambler Overdrive – New Ampeg EQ Overdrive Guitar Effect Pedal


The Ampeg SCR-DI Bass Bi with Scrambler Overdrive combines a classic Ampeg preamp EQ pedal and overdrive stomp box in a rugged design built to deliver Ampeg tone in any situation. The all-new Bass Scrambler overdrive can be used to dial in tube-like grind while the classic Ampeg EQ offers additional tonal control including Ultra-Hi…

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The Ampeg SCR-DI Bass DI with Scrambler Overdrive is in New condition and made by Ampeg , it is a great EQ Overdrive Guitar Effect Pedal – The Ampeg SCR-DI Bass Bi with Scrambler Overdrive combines a classic Ampeg preamp EQ pedal and overdrive stomp box in a rugged design built to deliver Ampeg tone in any situation. The all-new Bass Scrambler overdrive can be used to dial in tube-like grind while the classic Ampeg EQ offers additional tonal control including Ultra-Hi and Ultra-Lo tone shaping. With flexible connectivity options the Ampeg SCR-DI is perfect for practice recording and performing. This all-around solution has all the connections to get Ampeg tone out of any rig and send it all to front-of-house to ensure the audience hears your tone. With a built-in headphone out and aux in for practicing along with backing tracks the SCR-DI is also a fantastic practice tool that can fit right into your gig bag. . Available from Just Pedals for only £ 242.9 “The SCR-DI is the most bass-friendly DI ever created” remarks Ampeg Product Manager Zane Williams. “It delivers a huge range of classic Ampeg tones its an EQ pedal its got fantastic overdrive…its got everything a performing bass player needs.” “Its great to be able to practice with the same gear you use when performing. The SCR-DI is perfect for silent practice on the road or at home” remarks Williams. “You know you will always have the tone you want no matter where you are playing.” Features Classic Ampeg Tone Legacy Ampeg preamp and tone stack circuits Wide range of authentic Ampeg tones from smooth Portaflex to harmonically-rich SVT The Bass Players DI The connections you need to drive your rig and deliver your exact tone to front-of-house Dedicated XLR balanced line out with ground lift Affected 1/4 output Unaffected 1/4 thru Total Tonal Control A complete Ampeg EQ pedal with massive tone choices Classic 3-band tone stack Ultra-Hi and Ultra-Lo circuits for additional tonal flexibility Footswitchable Powerful Bass Overdrive Pedal New Bass Scrambler overdrive delivers true SVT grit grind and sag Separate drive and blend controls Footswitchable Built to Last Roadworthy die-cast zinc chassis construction Durable metal switches No-slip rubber feet for solid stage performance Specifications Signal to Noise Ratio: 90 dB (20 Hz – 20 kHz unweighted) Maximum Gain @ 1 kHz: Input: 24 dB; 45 dB Scrambler in/max. Aux input: 27 dB Tone Controls: Bass: +14/-14 dB @ 40 Hz Mid: +5/-11 dB @ 500 Hz Treble: +16/-15 dB @ 4 kHz Power Requirements: Internal: 9 V Battery External: 9-12 VDC @ 100 mA Size (H x W x D): 2.2 in x 7.6 in x 4.3 in (56 mm x 193 mm x 110 mm) Weight: 2.6 lb / 1.2 kg (approximately)


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About Ampeg

We have one of the largest online selection of new and used Ampeg music gear. If you are looking for your next pedal, we will have it online at JustPedals with fast delivery direct to you at home. Every item on the JustPedal menu is delivered by sellers to all areas of the USA & UK.

Yamaha Guitar Group, Inc. (YGG) acquired the Ampeg brand in 2018—bringing it under the same roof as Yamaha basses/guitars/amplifiers and digital innovators Line 6. Honouring 70+ years of celebrated Ampeg history and the 50th anniversary of the amplifier that put Ampeg on the rock ‘n’ roll map, the first thing developed by YGG was the Heritage 50th Anniversary SVT, a product that quickly became one of the most requested amplifiers amongst touring artists and backline companies.

  • EQ
  • While Ed Sheeran primarily relies on the natural sound of his acoustic guitar and vocals, he occasionally uses EQ (Equalization) to shape and enhance his tone during live performances or in the studio. EQ pedals or onboard preamps can allow him to adjust the frequency response of his guitar signal to suit the acoustics of different venues or to achieve specific tonal characteristics. Here’s how EQ might be utilized in Ed Sheeran’s setup:

    1. **Tonal Shaping**: EQ can be used to adjust the balance of frequencies in the guitar signal, allowing Ed Sheeran to shape his tone to his liking. For example, he might boost the midrange frequencies to bring out the warmth and presence of his acoustic guitar, or cut certain frequencies to reduce any harshness or mud in the sound.

    2. **Feedback Control**: In a live setting, EQ can help control feedback by notching out problematic frequencies that might cause the guitar signal to feed back through the amplification system. This can be particularly useful when performing in venues with challenging acoustics or high volume levels.

    3. **Room Correction**: In situations where the venue’s acoustics are less than ideal, EQ can be used to compensate for any deficiencies in the sound. By adjusting the EQ settings, Ed Sheeran can tailor the guitar tone to sound more balanced and natural, regardless of the room’s acoustic properties.

    4. **Matching Gear**: EQ can also be used to match the tone of Ed Sheeran’s guitar to the sound of other instruments or equipment in his setup. For example, he might adjust the EQ to complement the tonal characteristics of his vocal microphone or to blend seamlessly with backing tracks or other instruments.

    Overall, while EQ may not be a central component of Ed Sheeran’s guitar effects setup, it can still play a valuable role in shaping his tone and ensuring that he achieves the desired sound in different performance environments. Whether used subtly for tonal shaping or more aggressively for feedback control, EQ allows Ed Sheeran to tailor his guitar tone to suit his musical vision and performance needs.

  • Guitar Effect Pedal
  • New
  • Overdrive
  • An overdrive pedal is a type of guitar effects pedal that simulates the sound of a vintage tube amplifier pushed into overdrive or distortion. It adds warmth, richness, and harmonic complexity to the guitar signal, creating a smooth, saturated tone that ranges from mild grit to full-on distortion. Here’s how overdrive pedals work and some common features:

    1. **Gain**: The gain control adjusts the amount of overdrive or distortion applied to the guitar signal. Turning up the gain increases the intensity of the overdrive, while lowering it produces a cleaner, more transparent sound.

    2. **Level**: The level control adjusts the output volume of the pedal. This allows you to match the volume level of the overdriven signal with your clean signal or boost the overall volume for solos or lead lines.

    3. **Tone**: The tone control (sometimes labeled as “tone” or “EQ”) adjusts the frequency response of the overdriven signal. Turning it clockwise boosts the highs and cuts the lows, resulting in a brighter tone. Turning it counterclockwise boosts the lows and cuts the highs, producing a darker tone.

    4. **Drive (or Distortion)**: Some overdrive pedals feature a separate drive control, which determines the intensity of the overdrive effect independently of the gain control. This allows for more fine-tuned control over the amount of saturation and distortion in the tone.

    5. **True Bypass vs. Buffered Bypass**: Overdrive pedals may have either true bypass or buffered bypass circuits. True bypass preserves the guitar’s original tone when the pedal is turned off, while buffered bypass maintains signal integrity and prevents signal loss when the pedal is engaged.

    6. **Voicing Options**: Some overdrive pedals offer voicing options or switchable modes that allow you to tailor the character of the overdrive to suit your playing style or musical genre. This may include options for different clipping diodes, EQ curves, or saturation levels.

    7. **Stacking**: Overdrive pedals are often used in combination with other effects pedals, such as boost pedals, distortion pedals, or modulation effects. Stacking multiple overdrive pedals can create unique tonal textures and dynamic range, allowing for greater versatility and customization of your guitar tone.

    Overdrive pedals are widely used in various music genres, including blues, rock, country, and jazz. Guitarists use them to add warmth, grit, and character to their tone, whether they’re playing rhythm parts, lead lines, or solos. An overdrive pedal is a staple on many pedalboards, offering classic tones and timeless appeal for guitarists of all levels and styles.

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