Experience delay and reverb at their very best. The EarthQuaker Devices Dispatch Master V3 Delay & Reverb pedal is a compact easy-to-use unit thatll let you create anything you can imagine. A gigantic range of soundscapes will be at your disposal from dream-like ethereal tones to sharp jolting reverb – and everything in between.The Dispatch…
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The EarthQuaker Devices Dispatch Master V3 Delay & Reverb is in New condition and made by EarthQuaker Devices , it is a great Reverb & Delay V3 Master Dispatch Devices EarthQuaker Guitar Effect Pedal- Experience delay and reverb at their very best. The EarthQuaker Devices Dispatch Master V3 Delay & Reverb pedal is a compact easy-to-use unit thatll let you create anything you can imagine. A gigantic range of soundscapes will be at your disposal from dream-like ethereal tones to sharp jolting reverb – and everything in between.The Dispatch Master is so good its EarthQuakers best-selling pedal. And now theyve made it even better. Equipped with their revolutionary Flexi-Switch technology you can now apply the pedals awesome sound to even a single note simply by holding your foot down on the switch before releasing to bypass the pedal. And top-mounted jacks mean it fits flush against other pedals. No board should be without this. . Available from Just Pedals for only £ 243.5 Hand-made industry-leading quality A pedal at the top of its game. EarthQuaker are industry-renowned for making top-class high-calibre FX pedals. Each of their models are hand-crafted wire-by-wire part-by-part knob-by-knob. This ensures your pedal is a one-of-a-kind world-leading FX unit. EarthQuaker supply pedals to artists ranging from The Strokes to Eagles of Death Metal to Tame Impala. You can be sure the Dispatch Master will give you lasting quality and supreme sound. Features Digital delay and reverb in one pedal – with 1.5 seconds of delay time Independent control over delay and/or reverb effects Flexi-Switch allows for momentary and traditional latching-style switching from a single footswitch All-analog dry signal path Silent soft-touch switching True Bypass Specifications Model Name: EarthQuaker Devices Dispatch Master V3 Delay & Reverb Model Code: EDQDMV3 Colour: Blue and White Country of Origin: United States Dimensions: 117.5mm x 63.5mm x 57mm Weight: 0.46 KG
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EarthQuaker Devices is renowned for its innovative and high-quality guitar effects pedals. Some of their most popular products include the Avalanche Run, a versatile stereo reverb and delay pedal, and the Afterneath, known for its unique and atmospheric reverb sounds. The Hoof Fuzz is another favorite, offering rich, creamy fuzz tones, while the Plumes delivers a fresh take on the classic overdrive pedal. Each pedal is handcrafted with meticulous attention to detail in Akron, Ohio, and is celebrated for both its robust build and distinctive sound-shaping capabilities.
We are pleased to offer a wide selection of EarthQuaker Devices products for sale online in the UK, with efficient postage options available. Whether you’re looking for the lush modulations of the Sea Machine chorus or the dynamic range of the Dispatch Master delay and reverb, our inventory is well-stocked to meet your needs. Browse our extensive catalog to find the perfect addition to your pedalboard, and enjoy the convenience of having these exceptional pedals delivered straight to your door.
Delay
A delay pedal is a type of guitar effects pedal used to create echoes or repetitions of the original guitar signal. It achieves this by capturing the input signal, delaying it by a specified amount of time, and then playing it back. Delay pedals are versatile tools that can add depth, dimension, and ambience to guitar tones, and they are widely used across various music genres, from rock and blues to ambient and experimental.
Here are the key features and functions of a delay pedal:
1. **Delay Time**: This control adjusts the amount of time between the original signal and the delayed signal. Longer delay times result in more pronounced echoes, while shorter delay times produce tighter, slapback-style effects.
2. **Feedback (or Regeneration)**: The feedback control determines the number of repeats or echoes produced by the delay pedal. Increasing the feedback setting results in multiple repeats, creating a cascading effect of echoes. Careful adjustment of the feedback control allows you to dial in the desired amount of repetition without overwhelming the original signal.
3. **Mix (or Blend)**: The mix control adjusts the balance between the original (dry) signal and the delayed (wet) signal. Higher mix settings emphasize the delayed signal, while lower mix settings maintain the clarity and integrity of the original signal. This control allows you to blend the delayed signal with the dry signal to achieve the desired balance and level of effect.
4. **Tap Tempo**: Some delay pedals feature a tap tempo function that allows you to set the delay time by tapping a button in rhythm with the music. This feature is particularly useful for synchronizing the delay effect with the tempo of a song or performance.
5. **Modulation**: Many delay pedals include modulation controls that add modulation effects, such as chorus or vibrato, to the delayed signal. Modulation can add warmth, depth, and movement to the delay effect, creating a more immersive and dynamic sound.
Delay pedals offer several creative uses and applications for guitarists:
– **Spatial Effects**: By adjusting the delay time, feedback, and mix controls, delay pedals can create spacious, atmospheric effects that simulate the sound of a room, hall, or cavern. These effects add depth and dimension to guitar tones, creating a sense of space and ambience.
– **Rhythmic Patterns**: By syncing the delay time with the tempo of a song using tap tempo or preset rhythmic subdivisions, delay pedals can produce rhythmic patterns and textures that enhance the groove and feel of a performance.
– **Texture and Movement**: By introducing modulation effects to the delayed signal, delay pedals can add texture, movement, and character to guitar tones. Modulated delays create swirling, shimmering effects that enrich the sound and captivate the listener’s ear.
Overall, delay pedals are versatile tools that offer a wide range of creative possibilities for guitarists. Whether used subtly to add depth and ambience or used more prominently to create rhythmic patterns and textures, delay pedals can enhance your guitar tone and inspire new musical ideas.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
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Reverb
Reverb, short for reverberation, is a fundamental audio effect that simulates the sound reflections and decay that occur in physical spaces, such as rooms, halls, or chambers. It adds depth, dimension, and ambiance to audio signals, creating a sense of space and realism. In the context of guitar effects, a reverb pedal is a device that generates and applies reverb effects to the guitar signal. Here’s how reverb pedals work and some common features:
1. **Reverb Types**: Reverb pedals typically offer different types of reverb effects, including spring reverb, plate reverb, hall reverb, room reverb, and ambient or modulated reverb. Each type emulates the characteristics of different physical spaces and has its own unique sound and character.
2. **Controls**: Reverb pedals feature various controls for adjusting parameters such as decay time, pre-delay, damping, tone, and mix. Decay time controls the length of the reverb tail or decay, while pre-delay adjusts the time between the original signal and the onset of the reverb. Damping controls the high-frequency content of the reverb, simulating absorption in the virtual space. Tone controls the overall tonal character of the reverb, and mix adjusts the balance between the dry (original) and wet (affected) signals.
3. **Modulation**: Some reverb pedals include modulation effects such as chorus or tremolo that modulate the reverb tail, adding movement and depth to the sound. Modulation can create lush, swirling textures and enhance the overall ambiance of the reverb effect.
4. **Trail Function**: Many reverb pedals offer a trail function, which allows the reverb tail to continue decaying naturally when the effect is bypassed. This prevents abrupt cutoffs and ensures smooth transitions between affected and unaffected signal states.
5. **Spring Tank vs. Digital Reverb**: Reverb pedals can use either spring tanks or digital processing to generate reverb effects. Spring reverb pedals emulate the sound of vintage spring reverb units found in amplifiers, while digital reverb pedals use algorithms to simulate a wide range of reverb types and settings.
6. **Size and Form Factor**: Reverb pedals come in various sizes and form factors, from compact mini pedals to larger, feature-rich units. Choose a pedal size and form factor that fits your pedalboard layout and offers the desired features and controls for your needs.
Reverb pedals are widely used in various music genres, including rock, blues, jazz, ambient, and experimental music. They can add depth, warmth, and atmosphere to guitar tones, enhance the spatial imaging of recordings, and create immersive soundscapes for performances. Whether used subtly to add a touch of room ambiance or dialed in for dramatic, expansive effects, reverb pedals are essential tools for shaping guitar tones and creating captivating sounds.
Controls Mix: The Mix control is a wet/dry blend that adjusts the overall level of the affected signal. Time: Sets the delay time from 0ms to 1500ms (1.5 seconds). Reverb: Controls the amount of reverb. Counterclockwise is less reverb, clockwise is more reverb. Repeats: controls the regeneration of the delay signal. When the Repeats control is set to maximum, you’ll get infinite repeats without runaway self-oscillation, which makes it great for creating drones, dialing in the ultimate post-rock guitar sound without feedback, or just having fun.
4 5/8'' x 2 1/2'' x 2.25'' with knobs Any standard 9 volt DC power supply with a negative centre 2.1mm barrel. No battery option. Depth: Sets reverb intensity Dwell: Adjusts the length and thickness of the decay. Attack: Sets the delay of the pick attack on the wet signal from 30ms-150ms.
🎸This Tape Delay effect pedal (RE-01)has a grainy delay effect. At the same time, it can be combined with the Filter modulation shift to bring a reverb-like sound, the warm and husky sound is very suitable for some nostalgic music. The product has a super buffer circuit, which can effectively protect the components from damage caused by overcurrent, which greatly improves the life of the product.The original dry signal will become stereophonic and rich. 🎸It uses a digital reverberation processing chip and the analog signal is input to the chip and then converted into a digital signal after delay and superposition , eventually digitally converted into analog audio signals for output, with a wider dynamic range. If you need extra volume, you can turn on the BOOST switch. A maximum of 6dBs of extra volume can be provided to put you at the center of the stage. 🎸5 function knobs: FEEBACK Knob, D TIME Knob, MIX Knob, BOOST Knob, Filter switch. FEEBACK knob: Adjust the number of echo; D TIME … read more
Controls Time: This controls the delay time and goes from 0ms to just under 2000ms. Repeats: Controls the regeneration of the delay, from zero repeats to near infinite. Tone: Controls the tone for the delay line only. Roll off highs to the left, roll off lows to the right and get a flat response in the middle. Mix: The is the volume control for the delay line. This blends in the wet with dry until 1 o’clock, 1 o’clock to 3 o’clock boosts the wet signal over the dry and 3 o’clock up brings down dry until it is fully wet when all the way up.
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