Walrus Audio Julianna Stereo Analog Chorus/Vibrato – Nearly New – New Walrus Audio Guitar Effect Pedal
£232.00
Its time to become an artist with your sound. And the Walrus Audio Julliana Stereo Analogue Chorus/Vibrato will be your sonic paintbrush. Featuring world class chorus for adding that extra depth to your music it will bring a new world of richness and flair to all riffs and chords. And the vibrato effect is super…
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The Walrus Audio Julianna Stereo Analog Chorus/Vibrato – Nearly New is in New condition and made by Walrus Audio , it is a great New Nearly – Chorus/Vibrato Analog Stereo Julianna Audio Walrus Guitar Effect Pedal- Its time to become an artist with your sound. And the Walrus Audio Julliana Stereo Analogue Chorus/Vibrato will be your sonic paintbrush. Featuring world class chorus for adding that extra depth to your music it will bring a new world of richness and flair to all riffs and chords. And the vibrato effect is super dynamic letting you go from subtle waves to full-on seasick madness at the push of a button. But theres loads more to this pedal like secondary LFO speed modulation drift tap/expression control and more. Its a pedal which will undoubtedly fire up your creativity and help you find the tone youve been searching for with all-analogue circuity for a wholly authentic sound. . Available from Just Pedals for only £ 232 The chorus/vibrato masterclass Dont hold back. This pedal is a modulation machine and is ready to take your sound to the next level. You can control each effect using the intuitive dials which are made up of rate depth lag and d-c-v. Division and shape switches help you to mould your LFO wave shapes and induce some serious flair in your music. This means you can manipulate your sound in a way which most other chorus pedals simply cannot match. And theres more to get your teeth into. Secondary LFO speed offers further sonic control speeding up or slowing down the LFO rate depending on where the rate dial is set. Drift mode gently speeds up and slows down the LFO rate continuously – youll have plenty of room to experiment. Equipped with tap tempo and stereo Pulling out all the stops. The Julliana is fully stereo-compatible letting you expand your soundscape to a monumental size. And tap tempo functionality lends you further control over the effect letting you dial in your ideal modulation settings with absolute precision. An expression pedal input completes the show allowing for even more possibilities and dynamism when it comes to shaping the effects. This precious pedal is no pushover either. Its housed in a solid chassis which boasts some seriously eye-catching artwork on the front. Itll withstand all the foot stomping and rigours of touring that you can throw at it. Its time to evolve your sound. Specifications Model Name: Walrus Audio Julliana Stereo Analog Chorus/Vibrato PC: JULIANNA Controls: Rate Depth Lag Division Shape d-c-v Footswitch: Bypass Tap tempo Inputs/Outputs: Input x 2 Output x 2 Expression Power: 9V DC
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Walrus Audio is an American boutique guitar effects pedal company based in Oklahoma City, known for its high-quality, innovative designs and artistic approach to pedal-making. Founded in 2011 by Brady Smith, the company quickly gained a reputation for creating pedals that offer a unique blend of rich, expressive tones and striking visual aesthetics.
Each Walrus Audio pedal is designed with meticulous attention to detail, often incorporating complex circuitry that allows for a wide range of sonic possibilities.
The pedals feature distinctive, hand-drawn artwork on their enclosures, making them visually appealing as well. Walrus Audio’s product lineup includes a variety of effects such as reverb, delay, overdrive, modulation, and more, and their pedals are widely appreciated by musicians for their creativity, durability, and superior sound quality.
Analog
“Analog” refers to a method of processing electrical signals that relies on continuous variations of voltage or current. In the context of guitar effects pedals, analogue refers to circuits that manipulate the guitar signal using analogue components such as transistors, capacitors, and resistors, without converting the signal into digital data.
Analogue effects pedals are prized for their warmth, organic sound, and responsiveness to player dynamics. They often produce subtle harmonic distortions and imperfections that contribute to their unique character and musicality. Additionally, analogue circuits typically impart a more natural and transparent tone to the guitar signal compared to digital effects.
Common types of analogue effects pedals include overdrive, distortion, fuzz, modulation (such as chorus, phaser, and tremolo), delay, and reverb pedals. Each type of pedal utilizes analogue circuitry to achieve its particular sound and effect.
Despite the rise of digital technology in recent years, analogue effects pedals remain popular among guitarists, collectors, and enthusiasts for their classic sound, vintage appeal, and tactile user experience. Many players appreciate the sonic warmth and character of analogue pedals, as well as the simplicity and reliability of their circuitry.
In summary, analogue effects pedals process the guitar signal using continuous electrical variations, resulting in a warm, organic, and responsive tone prized by many guitarists.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
New
Just New products for sale, unused, and in their original packaging. They come with a protected seller guarantee and include manufacturer warranties. Read more for additional details.
Stereo
Stereo effect pedals are guitar effects pedals that process the guitar signal in stereo, providing a wider and more immersive sound experience compared to mono effects pedals. These pedals split the guitar signal into two independent channels—left and right—and apply effects separately to each channel. Stereo effects pedals can create spatial effects, enhance the stereo image, and add depth and dimension to the guitar tone. Here are some common types of stereo effect pedals:
1. **Stereo Reverb**: Stereo reverb pedals generate reverberation effects in stereo, simulating the acoustic reflections and ambience of various spaces. Stereo reverb pedals can create lush, expansive reverb tails that spread across the stereo field, adding depth and dimension to the guitar tone.
2. **Stereo Delay**: Stereo delay pedals produce delay effects in stereo, with separate delay lines for the left and right channels. Stereo delay pedals can create intricate rhythmic patterns, ping-pong delays that bounce between the left and right channels, and spatial effects that enhance the stereo image.
3. **Stereo Chorus**: Stereo chorus pedals modulate the guitar signal in stereo, creating rich, swirling modulation effects. Stereo chorus pedals can produce wide, shimmering textures that move across the stereo field, adding depth and movement to the guitar tone.
4. **Stereo Phaser**: Stereo phaser pedals modulate the phase of the guitar signal in stereo, producing sweeping, swirling effects. Stereo phaser pedals can create dynamic stereo modulation effects that move back and forth between the left and right channels, enhancing the stereo image and spatial dimension.
5. **Stereo Flanger**: Stereo flanger pedals modulate the guitar signal in stereo, producing jet-like, sweeping modulation effects. Stereo flanger pedals can create dramatic stereo sweeps and whooshing sounds that pan across the stereo field, adding movement and depth to the guitar tone.
6. **Stereo Tremolo**: Stereo tremolo pedals modulate the volume of the guitar signal in stereo, producing rhythmic amplitude modulation effects. Stereo tremolo pedals can create pulsating, stereo tremolo effects that move between the left and right channels, adding rhythmic movement and spatial dynamics.
7. **Stereo Modulation Multi-Effects**: Some multi-effects pedals feature stereo modulation effects, combining multiple stereo effects such as reverb, delay, chorus, phaser, and flanger in a single unit. These pedals offer a wide range of stereo modulation options and can create complex, layered soundscapes with enhanced stereo imaging.
Stereo effect pedals are popular among guitarists seeking to create expansive, immersive soundscapes and enhance their overall tone with spatial effects. Whether used in stereo amplifier setups, stereo pedalboard configurations, or stereo recording environments, stereo effect pedals can add depth, dimension, and movement to the guitar tone, enriching the listening experience for both players and audiences.
Tap Tempo Control: Set the rate of the LFO with the Rate knob or the tap tempo switch Stereo In/Out Jacks: Run mono in/mono out, mono in/stereo out, stereo in/stereo out Momentary Secondary LFO Speed: Ramp up or slow down to a second LFO rate Drift Function: Gently speed up and slow down the LFO rate. Kinda like having a little robot inside your pedal moving the Rate knob up and down Random LFO Shape: In addition to sine and triangle, Julianna adds a random wave shape option to modulate the pitch of your signal
True bypass, all analog, multi-stage Phaser With controls like rate, width, feedback, and d-p-v blend, The Lillian is packed with a wide array of Analog Phaser goodness waiting to be dialed in The “stages” switch allows the user to select 4 or 6 stages which alters the overall voice of the effect from warm and tight phasing with 4 stages to a more complex filtered sound with 6 The d-p-v knob lets you blend between dry, phase shifted, and Vibrato sounds allowing for a wide range of control over the intensity and type of effect Top mounted input, output, and power jacks as well as soft switch relay bypassing make the Lillian fit well on your board and ensure smooth operation for years to come
Allows players to create lush, modulated, sleepy and ambient soundscapes Dark – add a lower octave to your reverb trail. Here you'll create deep and wide atmospheric sounds and channel nightmarish soundscapes. X knob sets the level of a -1 octave signal that feeds the reverb Rise – this is an auto-swell reverb for beautiful cinematic swells. Don't rush it. Let it breathe and gently wake up. X knob sets the amount of time It takes the reverb to swell in after a note is played. Set Lower for shorter rise times and higher for longer rise times Dream – here is a lush reverb with a latching pad function. Press the sustain switch to latch signal. Experiment with the X knob to add Vibrato over the pad. Press sustain again and pad will decrescendo according to where decay knob is set. X knob sets the depth of Vibrato applied to the reverb trail Lollipop Blue finish with light Blue and off white ink featuring original artwork by christi DU toit
Delays/Echos/Reverb Effects for Guitars Guitars We emphasise a balanced combination of careful workmanship and selected materials. OUR GOAL – Your satisfaction is our top priority and takes centre stage.
True bypass, analog Flanger pulling in familiar layout controls from the Julia and Lillian. Dial in a wealth of colorful flange with the D-F-V (Dry, Flange, Vibrato) blend knob and the shape and voice switches. The Shape Switch lets you select from sine, triangle, or random LFO wave to modulate the delay line. The Voice Switch lets you select between two voices for the flanging effect. In the down position, the flanger is more traditional and full frequency. In the up position, you get a more complex and notched flange effect with less low end. The D-F-V (Dry, Flange, Vibrato) knob lets you blend the dry and delayed signal from full dry at minimum (no effect), to traditional flange at noon to full pitch vibrato at maximum. Top-mounted input, output, and power jacks as well as soft switch relay bypassing make the Polychrome fit well on your board and ensure smooth operation for years to come.
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