Boss BB-1X Bass Driver – New Boss Preamp Overdrive Bass Guitar Effect Pedal
£162.00
The (r)evolution of bass overdrive. The Boss BB-1X is the next generation of overdrive pedals functioning as a combination of overdrive preamp and DI. Most preamps colour your tone or alter the character but Boss took deliberate steps to avoid the BB-1X doing this; instead it embellishes and invigorates your existing tone and emphasises the…
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The Boss BB-1X Bass Driver is in New condition and made by Boss , it is a great Preamp Overdrive Bass Guitar Effect Pedal- The (r)evolution of bass overdrive. The Boss BB-1X is the next generation of overdrive pedals functioning as a combination of overdrive preamp and DI. Most preamps colour your tone or alter the character but Boss took deliberate steps to avoid the BB-1X doing this; instead it embellishes and invigorates your existing tone and emphasises the dynamics of your playing. If youre after an all-in-one solution that doesnt comprimise the quality of any of the individual sections the BB-1X more than obliges. . Available from Just Pedals for only £ 162 Tailored tone Unlike conventional bass pedals the BB-1Xs frequency range is never narrowed down. The BB-1X analyses the bass signal in real time. It processes playing style phrasing dynamics and more to deliver unparalleled performance and a bespoke tone. This provides unlimited possibilities to shape and enhance your sound without altering your fundamental tone. Combining huge low end with natural-sounding distortion the BB-1X delivers peerless dynamic response that reflects the unique individual expression of every bassist. Specially Tuned Line Out With a DI Box your bass signal is usually split into two separate outputs: one output goes to your amp while the second output goes directly to the PA. The BB-1X features a super convenient balanced Line Out jack that functions as a DI. The core tone produced by the BB-1Xs Line Out is not the result of simply boosting the bass its special tuning provides a full spectrum of balanced sound while never losing the character punch and presence of your individual sound. You really get the best of both worlds with the BB-1X: an output to your amp for your preferred sound on stage plus a separate DI output that delivers perfectly optimized tone to the PA for an immaculate live sound. Features Bold punchy sound that invigorates the original tone and responsiveness of your bass and amp Contains BOSS latest distortion which adapts to every register and never muffles your low end Blend knob allows for mixing the direct signal with the effect signal Independent Low and High knobs for ultra-wide tonal adjustment Two output jacks: a normal output for a bass amp and a Line Out for a balanced connection directly to a PA or recorder The Line Out jack provides a modern and enhanced direct sound that brings out new characteristics in your tone The newest member of the special-edition X-series BOSS compact pedals which offer premium looks sound and feel
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Boss is a prominent manufacturer of guitar effects pedals, multi-effects units, and related musical equipment, known for their durability, reliability, and wide range of effects. Founded in 1973 as a division of the Roland Corporation, Boss quickly became synonymous with high-quality effects pedals that are popular among guitarists and musicians worldwide.
Boss pedals are renowned for their rugged construction, intuitive controls, and signature sound quality. The company offers a comprehensive lineup of effects pedals covering various categories, including distortion, overdrive, delay, modulation, and more. Iconic pedals like the DS-1 Distortion, the DS-2 Turbo Distortion, the DD-3 Digital Delay, and the MT-2 Metal Zone have become staples on countless pedalboards due to their versatility and reliability.
In addition to individual pedals, Boss also produces multi-effects units, loopers, tuners, and accessories designed to meet the needs of modern guitarists and musicians. Their multi-effects units, such as the GT-1000 series, offer a wide range of effects and amp modeling capabilities in a single unit, providing players with a compact and convenient solution for achieving a variety of tones.
With a legacy of innovation and a commitment to quality, Boss continues to be a trusted name in the world of guitar effects, inspiring musicians to explore new sonic possibilities and express themselves creatively.
Bass
In the realm of guitar effects, “bass” pedals are designed specifically for bass guitars, enhancing their low-end frequencies and allowing bassists to shape their tone and explore new sonic possibilities. These pedals cater to the unique characteristics of the bass guitar and provide various effects to modify its sound. For instance, overdrive and distortion pedals add gain and saturation, giving the bass a gritty or distorted tone. Compression pedals help even out dynamics by smoothing out the volume of loud and soft notes, resulting in a consistent and punchy sound. EQ pedals enable bassists to sculpt their tone by boosting or cutting specific frequencies, allowing them to emphasize certain parts of the sound or compensate for room acoustics.
Other popular bass effects include envelope filters, which produce dynamic filter sweeps in response to playing dynamics, adding rhythmic groove to bass lines. Octave pedals generate harmonies one or two octaves below the original note, creating a fuller and more powerful sound. Modulation effects like chorus, flanger, and phaser add depth and movement by modulating the pitch or phase, creating swirling textures and enhancing the overall presence of the bass line. Lastly, delay and reverb pedals introduce ambience and spatial depth, adding echoes and reflections that enhance the sense of space in music. These diverse effects allow bassists to expand their sonic palette and express their creativity in numerous ways.
Guitar Effect Pedal
A guitar pedal, also known as an effects pedal, is a device used by guitarists to alter the sound of their instrument in various ways. These pedals are typically small, foot-operated units that are connected in a signal chain between the guitar and the amplifier. They can modify the guitar’s tone, pitch, and dynamics by applying different effects such as distortion, reverb, delay, chorus, and more. Guitar pedals come in both analog and digital formats, and they allow musicians to create a wide range of sounds, enhancing their musical expression and creativity. They are essential tools for guitarists in genres ranging from rock and blues to jazz and electronic music.
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Overdrive
Overdrive is a popular guitar effect that creates a warm, distorted sound by amplifying the signal of an electric guitar, typically using a pedal or an amp’s built-in circuit. The effect simulates the natural distortion that occurs when a tube amplifier is pushed to its limit, creating a rich, harmonic response that adds sustain, warmth, and character to the tone. Overdrive pedals are commonly used to add grit and growl to a clean tone without the harshness of full distortion.
The overdrive effect works by boosting the input signal, causing the amplifier to break up and clip the waveform, resulting in a smooth, musical distortion. This is often more subtle and less aggressive than other forms of distortion, making overdrive pedals ideal for blues, classic rock, and country players who seek a dynamic sound that responds to their playing touch. Overdrive pedals can be used in conjunction with other effects like delay and reverb to shape a more complex, evolving sound. Popular overdrive pedals include the Ibanez Tube Screamer, the Fulltone OCD, and the Boss OD-3, each offering different tonal characteristics, from smooth and bluesy to punchy and aggressive.
Preamp
A preamp, short for preamplifier, is an electronic device used to amplify weak signals from guitars, microphones, or other audio sources before they are sent to a power amplifier or recording device. Preamps serve several important functions in audio systems:
1. **Signal Boosting**: The primary function of a preamp is to increase the level of weak signals to line level, which is the standard level used in audio equipment. This boost ensures that the signal remains strong and clear throughout the audio chain, minimizing noise and distortion.
2. **Tone Shaping**: Many preamps feature tone controls such as EQ (equalization) knobs or switches, which allow users to adjust the frequency response of the signal. This can include boosting or cutting specific frequencies to tailor the tone to the desired sound.
3. **Impedance Matching**: Preamps often include input and output impedance controls to match the impedance of the source device (e.g., a guitar pickup) with the impedance of the connected equipment (e.g., an amplifier or mixer). Proper impedance matching ensures optimal signal transfer and prevents signal degradation.
4. **Coloration and Character**: Some preamps are designed to impart a specific sonic character or coloration to the signal, adding warmth, richness, or saturation. This can be achieved through the use of vacuum tubes, transformers, or other analog components known for their unique sonic characteristics.
5. **Gain Staging**: Preamps play a crucial role in gain staging, which involves managing the levels of audio signals at each stage of the signal chain to optimize signal-to-noise ratio and prevent distortion. By adjusting the gain or volume controls on the preamp, users can control the overall level of the signal before it reaches subsequent stages of processing or amplification.
6. **Phantom Power**: Many preamps provide phantom power, which is required to power condenser microphones and certain active DI (direct input) boxes. Phantom power is typically supplied at +48 volts and is transmitted through the microphone cable to power the microphone or DI box.
Preamps are commonly found in a variety of audio equipment, including guitar amplifiers, mixing consoles, recording interfaces, and standalone preamp units. They are essential for ensuring clean, clear, and balanced audio signals in both live sound reinforcement and studio recording applications. Additionally, dedicated guitar preamps are available as standalone units or built into amplifiers, offering guitarists additional control over their tone and signal chain.
Bold, punchy sound that invigorates the original tone and responsiveness of your bass and amp Contains BOSS’ latest distortion, which adapts to every register and never muffles your low end Blend knob allows for mixing the direct signal with the effect signal Independent Low and High knobs for ultra-wide tonal adjustment Two output jacks: a normal output for a bass amp and a Line Out for a balanced connection directly to a PA or recorder The Line Out jack provides a modern and enhanced direct sound that brings out new characteristics in your tone The newest member of the special-edition X-series BOSS compact pedals, which offer premium looks, sound, and feel BOSS five-year warranty
Since its release in 1981, the workhorse SD-1 Super Overdrive has been the core gain pedal for generations of players across every musical genre. Based around the revolutionary asymmetrical clipping circuit from the OD-1 Overdrive—one of the three original BOSS compact pedals from 1977. The SD-1 delivers rich, smooth, and highly musical overdrive tones that continue to inspire guitarists everywhere. Genre-defining BOSS overdrive sound. Unique asymmetrical clipping circuit produces tube-like overdrive characteristics. Mild-to-moderate drive tones with focused midrange and tight low end. Ideal for use with clean and slightly driven amps. Also works great for bringing tightness and definition to high-gain amp tones. Stacks well with boost, overdrive, and distortion pedals. AC adaptor not included, optional BOSS PSA adaptor recommended.
The BD-2 Blues Driver delivers the creamy, yet crunchy sound associated with great blues guitar This popular pedal provides instant access to the kind of warm overdrive and emotive distortion usually reserved for 30-year-old tube amps Classic "blues" guitar tones with tube amp simulation Warm distortion and overdrive Wide range of distortions from crunch to hard Responds to nuance and volume changes Ideal for guitar, bass and other instruments AC adaptor or 9V battery operation BOSS five-year warranty
Authentic v-tone modeling technology capable of dialing up big vintage tube tones, funky slap sounds, crunchy distortions and all in between Provides a truckload of great amps in a single stomp box—from traditional bass amps to modern overdriven amp tones that would typically require a multitude of effects units Presence control for definition and upper harmonics plus ultra-musical 2-band eq specifically tuned for bass guitars Output available on ¼' ts or balanced, gold-plated xlr connectors Runs on nine v battery or the behringer psu-sb dc power supply (not included)
Legendary distortion used by guitarists everywhere since 1978. BOSS’s first distortion pedal defined a bold new sound, delivering hard-edged attack and smooth sustain that’s been a staple of players for generations. The classic DS-1 tone is behind the signature sounds of numerous rock legends, and is ready to fuel your own signature sound today. Hard-edged attack remains clear even at maximum distortion settings, ideal for heavy rhythms and cutting solos. Works great as a booster at low distortion settings. Unique tone control offers a wide range of sound shaping. Doesn’t mask the unique sound characteristics of different guitars, pickups, and styles. Turning down the guitar’s volume cleans up the tone without introducing muddiness. BOSS five-year warranty.
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